The Fragments of my Father. Sam Mills

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      It’s a Friday night in early 2016 and I am staring at the streaky paintwork of a toilet door. It is locked. It has been locked for the past two hours. The skin on my knuckles is pink from repeated banging.

      I call out, ‘Dad, are you okay?’

      There is a long silence.

      Then, eventually, comes a reply:

      ‘I’m … okay … I’ll come out … in … a …’

      I go downstairs, but the moment I reach the hallway, I feel I should venture back up, though it will only lead to a dead-end: the blank face of the toilet door again. By now, I have become familiar with its streaky whiteness, the thick and fine delineations of brushwork preserved in the white gloss, my brother’s DIY job. Through the hall window the sky is filled with the blue smoke of twilight. There is that sparkle in the air as people leave work and head for the pub or home. If they saw our house, what assumptions would they make? It’s a semi-detached in a little cul-de-sac, with a neat garden: I would have assumed it was a house where conventional people lived out happy, boring lives.

      I suffer the vertigo of uncertainty. Over the past six months, I’ve spoken to several people on the phone for advice about my father. They’ve all asked the same question: ‘Are you his carer?’ And I’ve always replied: ‘No, I’m his daughter.’ The term ‘carer’ feels too clinical. I help my dad because he is my dad. But I’m also nervous of the term because it implies I am in possession of wisdom and medical knowledge and that I know what I am doing.

      On the table in the living room is a card with ‘Emergency Mental Health Support Line’ printed on it in red letters. I dial the number. The man at the end of the line introduces himself as Joe. It isn’t until I tell him that my dad has been locked in a toilet for two hours that I realise how panicked I am; I hear it lacerate my voice. Often, in the present tense of a shocking situation, we can only feel numbness; it is in the aftermath that emotions take shape.

      Joe is clearly a little confused by what I am telling him. In his line of work, the story of a man who is ill and locked in a toilet nearly always follows the same plot arc: he is making a threat; he intends to take his life. But my father’s condition is so odd and rare and complex – one that doctors have not come across in decades – that I’m not able to explain it on the phone. I just want someone to tell me what to do, even if they are ignorant of the context. I want instruction; I want a friend.

      Joe tells me: stay on the phone, go back upstairs and speak to him. ‘Tell your dad he has to come out.’

      Even though I’ve already tried this, I obey.

      ‘Dad, you have to come out,’ I recite.

      Silence.

      ‘You have to put some force into the words,’ Joe tells me, and I suppress an urge to laugh hysterically; I feel as though I am auditioning for a part. ‘You need to say it with authority.’

      I bellow the words. No reply. My dad has stopped speaking altogether: this is a bad sign. The echo of my voice makes it seem as though the tiny room has expanded into a vast space. I picture my dad sitting on the toilet in a state of zombie suspension. Or, perhaps he is standing on the seat, wobbling precariously – a rotund seventy-two-year-old, trying to escape through the toilet window.

      ‘I don’t think he can help it,’ I say. ‘I think it’s probably got out of control now.’

      ‘You’re doing very well,’ says Joe.

      Joe tells me to ring for an ambulance. And then he tells me he is sitting in his office and he’ll be there all night. I can phone him any time. I can update him and let him know my dad is safe. And, if I feel afraid, I can just call and talk to him. In that instant, I fall in love with Joe. It is something that has happened a few times over the past six months. Someone shines a light into the dark storm of crisis and we bond in the intimacy of that moment; it feels as though we have known each other all our lives, even though we are strangers.

      Why did Edward choose the toilet? Does he have a weapon? Do you think he is suicidal? These were the questions the woman fired at me when I called 999.

      I answered: don’t know, no, and no.

      They wanted his rejection of life to be defined as an absolute; but it was far more shadowy and ambiguous. The woman told me that the ambulance would take an hour to come. They were having a busy evening. I sensed a subtext in her tone: austerity and cuts were the cause.

      I switched off the phone. The streaky white door stared back at me.

      I called out to my dad once more. Once more, there was no reply.

      For the third time that day I telephoned my younger brother Stefan. He worked long hours in the City, but I figured he’d be home by now; his flat was just a few streets away from Dad’s. When he appeared on the doorstep ten minutes later, he was carrying a half-drunk bottle of beer. Stefan was in his mid-thirties. Our interactions usually followed the same pattern: we took the piss out of each other as though we were kids again. But this time we were both panicked.

      The hour stretched out before us. We argued about solutions. In the end, we surfed the net and picked out a locksmith. Not available, we kept being told. It’s a Friday night, we don’t have anyone …

      While I kept calling out to Dad, Stefan found a screwdriver in a toolbox under the stairs and slotted it between door and lock, trying to force it open. A presence by my legs made me jump: my cat Leo was purring and gazing up at me quizzically. Most of the time, she possessed the haughty, wilful air of a cat who regarded her owners as her butlers. In a crisis, however, she seemed to soften and do her best to offer purry support, to play her role as part of the family. I knelt down and stroked her, watching anxiously as my brother jiggled, flecks of white paint flying to the floor. The lock, which my father had screwed on himself, began to rattle as it bent away from the door. And then – snap! – the door swung open and I saw a look of shock on my brother’s face.

      Dad was wearing his pyjamas. He was standing upright, facing us, but he couldn’t see us. His body was locked into a strange repetitive loop, like a machine programmed to do an assembly-line task: his left arm would raise, jerk above his head, and then his right foot would lift. His scarlet face was screwed into a fist of agony.

      I flew to him. Negotiating past the jerks, I gave him a hug. I whispered in his ear that he would be alright. He was unable to reply. It was as though his mind and body had said goodbye to each other. His body was doing its own strange thing and he was trapped in it, helpless. I tried to take his arm and smooth out the spasms, but it ignored me and carried on. Stepping back, I thought I should let him be: to interfere any more might hurt him.

      The doorbell shrilled. The ambulance – early? But when I hurtled down to open the door, I found a locksmith waiting, ready to assist. ‘I’m sorry,’ I said, giving him the bundle of notes my brother had passed me.

      When the ambulance did arrive, the crew were wonderful. Like Joe, they exuded warmth; they genuinely cared. My father’s state baffled them. They fired questions at us, and we did our best to explain his tendency to slip into catatonia. In the end they moved Dad into a wheelchair and wrapped him in a blanket. Then they eyed the stairs nervously. My father is five feet-five and weighs sixteen stone. One of my friends once remarked to me that he looked like Father Christmas, with white hair and a benign, СКАЧАТЬ