Barbara Blomberg (Historical Novel). Georg Ebers

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      CHAPTER III.

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      The cantor house was only a few steps from the Red Cock, and Wolf knew every stone in the street, which was named for the tavern. Yet that very circumstance delayed him, for even the smallest trifle which had changed during his absence attracted his attention.

      He had already noticed at the familiar inn that the gay image of the Madonna and Cluld, and the little lamp above, were no longer there. The pictures of the saints had been removed from the public rooms, and even the painting which had been impressed upon his memory from boyhood—like a sign of the house—had vanished. A large red cock, crowing with wide-open beak at the Apostle Peter, had been there.

      This venerable work of an old artist ought to have been retained, no matter what doctrine the Leitgebs now professed. Its disappearance affected the knight unpleasantly.

      It also induced him to see whether the Madonna with the swords in her heart, which, at the time of his departure, had adorned the Ark, the great house at the corner of the Haidplatz, had met with the same fate, and this sacred witness of former days had likewise been sacrificed to the iconoclasm of the followers of the new Protestant faith. This also grieved him, and urged him to go from street to street, from church to church, from monastery to monastery, from one of the chapels which no great mansion in his native land lacked to another, in order to ascertain what else religious fanaticism had destroyed; but he was obliged to hasten if he wished to be received by those in his home whom he most desired to see.

      The windows of the second story in the Golden Cross, opposite to the Ark, were brilliantly lighted. The Emperor Charles lodged there, and probably his royal sister also. Wolf had given his heart to her with the devotion with which he had always clung to every one to whom he was indebted for any kindness. He knew her imperial brother’s convictions, too, and when he saw at one of the windows a man’s figure leaning, motionless against the casement with his hand pressed upon his brow, he realized what deep indignation had doubtless seized upon him at the sight of the changes which had taken place here during the five years of his absence.

      But Emperor Charles was not the man to allow matters which aroused his wrath and strong disapproval to pass unpunished. Wolf suspected that the time was not far distant when yonder monarch at the window, who had won so many victories, would have a reckoning with the Smalcalds, the allied Protestants of Germany, and his vivid imagination surrounded him with an almost mystical power.

      He would surely succeed in becoming the master of the Protestant princes; but was the steel sword the right weapon to destroy this agitation of the soul which had sprung from the inmost depths of the German nature? He knew the firm, obstinate followers of the new doctrine, for there had been a time when his own young mind had leaned toward it.

      Since those days, however, events had happened which had bound him by indestructible fetters to the old faith. He had vowed to his dying mother to remain faithful to the Holy Church and loyally to keep his oath. It was not difficult for one of his modest temperament to be content with the position of spectator of the play of life which he occupied. He was not born for conflict, and from the seat to which he had retired he thought he had perceived that the burden of existence was easier to bear, and the individual not only obtained external comfort, but peace of mind more speedily, if he left to the Church many things which the Protestant was obliged to settle for himself. Besides, as such, he would have missed many beautiful and noble things which the old faith daily bestowed upon him, the artist.

      People in Ratisbon held a different opinion. Defection from the Roman Catholic Church, which seemed to him reprehensible, was considered here a sacred duty, worthy of every sacrifice. This threatened to involve him in fresh spiritual conflicts, and, as he dreaded such things as nocturnal birds shun the sunlight, he stood still, thoughtfully asking himself whether he ought not at once to give up the desire of striking new roots into this perilous soil.

      Only one thing really bound him to Ratisbon, and that was by no means the house which he had inherited, but a very young girl, and, moreover, a very changeable one, of whose development and life he had heard nothing during his absence except that she had not become another’s wife. Perhaps this girl, whose charm and musical talent, according to his opinion, were unequalled in Ratisbon, had remained free solely because she was keeping the promise made when, a child of sixteen, she bade him farewell. She had told him, though only in her lively childish fashion, that she would wait for him and become his wife when he returned home a made man. Yet it now seemed that she had been as sincerely in earnest in that youthful betrothal as he himself.

      This fair hope crowded every scruple far into the shade. If Barbara had kept her troth to him, he would reward her. Wherever he might build his nest with her, he would be sure of the richest happiness. Therefore he persisted in making his decision for the future depend upon her reception.

      The only question was whether it had not already grown too late for him to visit her and her father, who went to bed with the chickens. But the new clock in Jacobsplatz pealed only nine bell-like strokes through the stillness of the evening, and, as he had sent his gifts in advance, he was obliged to follow them.

      He might now regard the cantor house, which was quickly gained, as his own. Though it was now in the deepest darkness, he gazed up at the high, narrow building, with the pointed arches of the windows and the bracket which supported the image of St. Cecilia carved from sandstone, as intently as if he could distinguish every defect in the windows, every ornament carved in the ends of the beams.

      The second story, which projected above the ground floor into the street, was completely dark; but a faint glimmer of light streamed from the little window over the spurge laurel tree, and—this was the main thing—the bow window in the third story was still lighted.

      She whom he sought was waiting there with her father, while beneath it was the former abode of the precentor and organist and his wife, who had reared Wolf, and whose heir, after the old man’s death, he had become.

      He would take up his quarters in the room which he had occupied as a scholar, where he had studied, practised music, trained himself in the art of composition, and in leisure hours had even drawn and painted a little.

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