The Biggest Curiosities of Literature. Disraeli Isaac

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СКАЧАТЬ the riches of his matured intellect, his refined taste, and accumulated knowledge into their pages, and produced what may be fairly described as the most celebrated Miscellany of Modern Literature.

      The moment that the name of the youthful author of the "Abuse of Satire" had transpired, Peter Pindar, faithful to the instinct of his nature, wrote a letter of congratulation and compliment to his assailant, and desired to make his acquaintance. The invitation was responded to, and until the death of Wolcot, they were intimate. My father always described Wolcot as a warm-hearted man; coarse in his manners, and rather rough, but eager to serve those whom he liked, of which, indeed, I might appropriately mention an instance.

      It so happened, that about the year 1795, when he was in his 29th year there came over my father that mysterious illness to which the youth of men of sensibility, and especially literary men, is frequently subject—a failing of nervous energy, occasioned by study and too sedentary habits, early and habitual reverie, restless and indefinite purpose. The symptoms, physical and moral, are most distressing: lassitude and despondency. And it usually happens, as in the present instance, that the cause of suffering is not recognised; and that medical men, misled by the superficial symptoms, and not seeking to acquaint themselves with the psychology of their patients, arrive at erroneous, often fatal, conclusions. In this case, the most eminent of the faculty gave it as their opinion, that the disease was consumption. Dr. Turton, if I recollect right, was then the most considered physician of the day. An immediate visit to a warmer climate was his specific; and as the Continent was then disturbed and foreign residence out of the question, Dr. Turton recommended that his patient should establish himself without delay in Devonshire.

      When my father communicated this impending change in his life to Wolcot, the modern Skelton shook his head. He did not believe that his friend was in a consumption, but being a Devonshire man, and loving very much his native province, he highly approved of the remedy. He gave my father several letters of introduction to persons of consideration at Exeter; among others, one whom he justly described as a poet and a physician, and the best of men, the late Dr. Hugh Downman. Provincial cities very often enjoy a transient term of intellectual distinction. An eminent man often collects around him congenial spirits, and the power of association sometimes produces distant effects which even an individual, however gifted, could scarcely have anticipated. A combination of circumstances had made at this time Exeter a literary metropolis. A number of distinguished men flourished there at the same moment: some of their names are even now remembered. Jackson of Exeter still survives as a native composer of original genius. He was also an author of high æsthetical speculation. The heroic poems of Hole are forgotten, but his essay on the Arabian Nights is still a cherished volume of elegant and learned criticism. Hayter was the classic antiquary who first discovered the art of unrolling the MSS. of Herculaneum. There were many others, noisier and more bustling, who are now forgotten, though they in some degree influenced the literary opinion of their time. It was said, and I believe truly, that the two principal, if not sole, organs of periodical criticism at that time, I think the "Critical Review" and the "Monthly Review," were principally supported by Exeter contributions. No doubt this circumstance may account for a great deal of mutual praise and sympathetic opinion on literary subjects, which, by a convenient arrangement, appeared in the pages of publications otherwise professing contrary opinions on all others. Exeter had then even a learned society which published its Transactions.

      With such companions, by whom he was received with a kindness and hospitality which to the last he often dwelt on, it may easily be supposed that the banishment of my father from the delights of literary London was not as productive a source of gloom as the exile of Ovid to the savage Pontus, even if it had not been his happy fortune to have been received on terms of intimate friendship by the accomplished family of Mr. Baring, who was then member for Exeter, and beneath whose roof he passed a great portion of the period of nearly three years during which he remained in Devonshire.

      The illness of my father was relieved, but not removed, by this change of life. Dr. Downman was his physician, whose only remedies were port wine, horse-exercise, rowing on the neighbouring river, and the distraction of agreeable society. This wise physician recognised the temperament of his patient, and perceived that his physical derangement was an effect instead of a cause. My father instead of being in a consumption, was endowed with a frame of almost super-human strength, and which was destined for half a century of continuous labour and sedentary life. The vital principle in him, indeed, was so strong that when he left us at eighty-two, it was only as the victim of a violent epidemic, against whose virulence he struggled with so much power, that it was clear, but for this casualty, he might have been spared to this world even for several years.

      I should think that this illness of his youth, and which, though of a fitful character, was of many years' duration, arose from his inability to direct to a satisfactory end the intellectual power which he was conscious of possessing. He would mention the ten years of his life, from twenty-five to thirty-five years of age, as a period very deficient in self-contentedness. The fact is, with a poetic temperament, he had been born in an age when the poetic faith of which he was a votary had fallen into decrepitude, and had become only a form with the public, not yet gifted with sufficient fervour to discover a new creed. He was a pupil of Pope and Boileau, yet both from his native impulse and from the glowing influence of Rousseau, he felt the necessity and desire of infusing into the verse of the day more passion than might resound from the frigid lyre of Mr. Hayley. My father had fancy, sensibility, and an exquisite taste, but he had not that rare creative power, which the blended and simultaneous influence of the individual organisation and the spirit of the age, reciprocally acting upon each other, can alone, perhaps, perfectly develope; the absence of which, at periods of transition, is so universally recognised and deplored, and yet which always, when it does arrive, captivates us, as it were, by surprise. How much there was of freshness, and fancy, and natural pathos in his mind, may be discerned in his Persian romance of "The Loves of Mejnoon and Leila." We who have been accustomed to the great poets of the nineteenth century seeking their best inspiration in the climate and manners of the East; who are familiar with the land of the Sun from the isles of Ionia to the vales of Cashmere; can scarcely appreciate the literary originality of a writer who, fifty years ago, dared to devise a real Eastern story, and seeking inspiration in the pages of Oriental literature, compose it with reference to the Eastern mind, and customs, and landscape. One must have been familiar with the Almorans and Hamets, the Visions of Mirza and the kings of Ethiopia, and the other dull and monstrous masquerades of Orientalism then prevalent, to estimate such an enterprise, in which, however, one should not forget the author had the advantage of the guiding friendship of that distinguished Orientalist, Sir William Ouseley. The reception of this work by the public, and of other works of fiction which its author gave to them anonymously, was in every respect encouraging, and their success may impartially be registered as fairly proportionate to their merits; but it was not a success, or a proof of power, which, in my father's opinion, compensated for that life of literary research and study which their composition disturbed and enfeebled. It was at the ripe age of five-and-thirty that he renounced his dreams of being an author, and resolved to devote himself for the rest of his life to the acquisition of knowledge.

      When my father, many years afterwards, made the acquaintance of Sir Walter Scott, the great poet saluted him by reciting a poem of half-a-dozen stanzas which my father had written in his early youth. Not altogether without agitation, surprise was expressed that these lines should have been known, still more that they should have been remembered. "Ah!" said Sir Walter, "if the writer of these lines had gone on, he would have been an English poet."2

      It is possible; it is even probable that, if my father had devoted himself to the art, he might have become the author of some elegant and popular didactic poem, on some ordinary subject, which his fancy would have adorned with grace and his sensibility invested with sentiment; some small volume which might have reposed with a classic title upon our library shelves, and served as a prize volume at Ladies' Schools. This celebrity was not reserved for him: instead of this he was destined to give to his country a series of works illustrative of its literary and political history, full of new information and new СКАЧАТЬ