The Path to Rome. Hilaire Belloc

Чтение книги онлайн.

СКАЧАТЬ return.

      Take, for instance, this phrase that set me writing, 'Ce nest que le premier pas qui coûte'. It is false. Much after a beginning is difficult, as everybody knows who has crossed the sea, and as for the first step a man never so much as remembers it; if there is difficulty it is in the whole launching of a thing, in the first ten pages of a book, or the first half-hour of listening to a sermon, or the

      THE GRAND CLIMACTERIC

      first mile of a walk. The first step is undertaken lightly, pleasantly, and with your soul in the sky; it is the five-hundredth that counts. But I know, and you know, and he knew (worse luck) that he was saying a thorny and catching thing when he made up that phrase. It worries one of set purpose. It is as though one had a voice inside one saying:

      'I know you, you will never begin anything. Look at what you might have done! Here you are, already twenty-one, and you have not yet written a dictionary. What will you do for fame? Eh? Nothing: you are intolerably lazy--and what is worse, it is your fate. Beginnings are insuperable barriers to you. What about that great work on The National Debt? What about that little lyric on Winchelsea that you thought of writing six years ago? Why are the few lines still in your head and not on paper? Because you can't begin. However, never mind, you can't help it, it's your one great flaw, and it's fatal. Look at Jones! Younger than you by half a year, and already on the Evening Yankee taking bribes from Company Promoters! And where are you?' &c., &c.--and so forth.

      So this threat about the heavy task of Beginning breeds discouragement, anger, vexation, irritability, bad style, pomposity and infinitives split from helm to saddle, and metaphors as mixed as the Carlton. But it is just true enough to remain fast in the mind, caught, as it were, by one finger. For all things (you will notice) are very difficult in their origin, and why, no one can understand. Omne Trinum: they are difficult also in the shock of maturity and in their ending. Take, for instance, the Life of Man, which is the Difficulty of Birth, the Difficulty of Death, and the Difficulty of the Grand Climacteric.

      LECTOR. What is the Grand Climacteric?

      AUCTOR. I have no time to tell you, for it would lead us into a discussion on Astrology, and then perhaps to a question of physical science, and then you would find I was not orthodox, and perhaps denounce me to the authorities.

      I will tell you this much; it is the moment (not the year or the month, mind you, nor even the hour, but the very second) when a man is grown up, when he sees things as they are (that is, backwards), and feels solidly himself. Do I make myself clear? No matter, it is the Shock of Maturity, and that must suffice for you.

      But perhaps you have been reading little brown books on Evolution, and you don't believe in Catastrophes, or Climaxes, or Definitions? Eh? Tell me, do you believe in the peak of the Matterhorn, and have you doubts on the points of needles? Can the sun be said truly to rise or set, and is there any exact meaning in the phrase, 'Done to a turn' as applied to omelettes? You know there is; and so also you must believe in Categories, and you must admit differences of kind as well as of degree, and you must accept exact definition

      DIFFICULTY OF ENDING A BOOK

      and believe in all that your fathers did, that were wiser men than you, as is easily proved if you will but imagine yourself for but one moment introduced into the presence of your ancestors, and ask yourself which would look the fool. Especially must you believe in moments and their importance, and avoid with the utmost care the Comparative Method and the argument of the Slowly Accumulating Heap. I hear that some scientists are already beginning to admit the reality of Birth and Death--let but some brave few make an act of Faith in the Grand Climacteric and all shall yet be well.

      Well, as I was saying, this Difficulty of Beginning is but one of three, and is Inexplicable, and is in the Nature of Things, and it is very especially noticeable in the Art of Letters. There is in every book the Difficulty of Beginning, the Difficulty of the Turning-Point (which is the Grand Climacteric of a Book)--

      LECTOR. What is that in a Book?

      AUCTOR. Why, it is the point where the reader has caught on, enters into the Book and desires to continue reading it.

      LECTOR. It comes earlier in some books than in others.

      AUCTOR. As you say … And finally there is the Difficulty of Ending.

      LECTOR. I do not see how there can be any difficulty in ending a book.

      AUCTOR. That shows very clearly that you have never written one, for there is nothing so hard in the writing of a book--no, not even the choice of the Dedication--as is the ending of it. On this account only the great Poets, who are above custom and can snap their divine fingers at forms, are not at the pains of devising careful endings. Thus, Homer ends with lines that might as well be in the middle of a passage; Hesiod, I know not how; and Mr. Bailey, the New Voice from Eurasia, does not end at all, but is still going on.

      Panurge told me that his great work on Conchology would never have been finished had it not been for the Bookseller that threatened law; and as it is, the last sentence has no verb in it. There is always something more to be said, and it is always so difficult to turn up the splice neatly at the edges. On this account there are regular models for ending a book or a Poem, as there are for beginning one; but, for my part, I think the best way of ending a book is to rummage about among one's manuscripts till one has found a bit of Fine Writing (no matter upon what subject), to lead up the last paragraphs by no matter what violent shocks to the thing it deals with, to introduce a row of asterisks, and then to paste on to the paper below these the piece of Fine Writing one has found.

      I knew a man once who always wrote the end of a book first, when his mind was fresh, and so worked gradually back to the introductory chapter, which (he said) was ever a kind of summary, and could not be properly dealt with till a man knew all about his subject. He said this was a sovran way to write History.

      16

      THE VALLEY OF THE MOSELLE

      But it seems to me that this is pure extravagance, for it would lead one at last to beginning at the bottom of the last page, like the Hebrew Bible, and (if it were fully carried out) to writing one's sentences backwards till one had a style like the London School of Poets: a very horrible conclusion.

      However, I am not concerned here with the ending of a book, but with its beginning; and I say that the beginning of any literary thing is hard, and that this hardness is difficult to explain. And I say more than this--I say that an interminable discussion of the difficulty of beginning a book is the worst omen for going on with it, and a trashy subterfuge at the best. In the name of all decent, common, and homely things, why not begin and have done with it?

      It was in the very beginning of June, at evening, but not yet sunset, that I set out from Toul by the Nancy gate; but instead of going straight on past the parade-ground, I turned to the right immediately along the ditch and rampart, and did not leave the fortifications till I came to the road that goes up alongside the Moselle. For it was by the valley of this river that I was to begin my pilgrimage, since, by a happy accident, the valley of the Upper Moselle runs straight towards Rome, though it takes you but a short part of the way. What a good opening it makes for a direct pilgrimage can be seen from this little map,

      THE FIRST GARRISON

      where the dotted line points exactly to Rome. There are two bends which take one a little out of one's way, and these bends I attempted to avoid, but in general, the valley, about a hundred СКАЧАТЬ