Work: A Story Of Experience. Louisa May Alcott

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СКАЧАТЬ as if a hail-storm had followed the gust. While Christie still sat with her mouth open, too bewildered to reply, Mrs. Black said in her cosey voice:

      "Try it, me dear, it's just what you'll enjoy, and a capital beginning I assure ye; for if you do well old Sharp will want you again, and then, when some one slips out of the company, you can slip in, and there you are quite comfortable. Try it, me dear, and if you don't like it drop it when the piece is over, and there's no harm done."

      "It's much easier and jollier than any of the things you are after. We'll stand by you like bricks, and in a week you'll say it's the best lark you ever had in your life. Don't be prim, now, but say yes, like a trump, as you are," added Lucy, waving a pink satin train temptingly before her friend.

      "I will try it!" said Christie, with sudden decision, feeling that something entirely new and absorbing was what she needed to expend the vigor, romance, and enthusiasm of her youth upon.

      With a shriek of delight Lucy swept her off her chair, and twirled her about the room as excitable young ladies are fond of doing when their joyful emotions need a vent. When both were giddy they subsided into a corner and a breathless discussion of the important step.

      Though she had consented, Christie had endless doubts and fears, but Lucy removed many of the former, and her own desire for pleasant employment conquered many of the latter. In her most despairing moods she had never thought of trying this. Uncle Enos considered "play-actin'" as the sum of all iniquity. What would he say if she went calmly to destruction by that road? Sad to relate, this recollection rather strengthened her purpose, for a delicious sense of freedom pervaded her soul, and the old defiant spirit seemed to rise up within her at the memory of her Uncle's grim prophecies and narrow views.

      "Lucy is happy, virtuous, and independent, why can't I be so too if I have any talent? It isn't exactly what I should choose, but any thing honest is better than idleness. I'll try it any way, and get a little fun, even if I don't make much money or glory out of it."

      So Christie held to her resolution in spite of many secret misgivings, and followed Mrs. Black's advice on all points with a docility which caused that sanguine lady to predict that she would be a star before she knew where she was.

      "Is this the stage? How dusty and dull it is by daylight!" said Christie next day, as she stood by Lucy on the very spot where she had seen Hamlet die in great anguish two nights before.

      "Bless you, child, it's in curl-papers now, as I am of a morning. Mr. Sharp, here's an Amazon for you."

      As she spoke, Lucy hurried across the stage, followed by Christie, wearing any thing but an Amazonian expression just then.

      "Ever on before?" abruptly asked, a keen-faced, little man, glancing with an experienced eye at the young person who stood before him bathed in blushes.

      "No, sir."

      "Do you sing?"

      "A little, sir."

      "Dance, of course?"

      "Yes, sir."

      "Just take a turn across the stage, will you? Must walk well to lead a march."

      As she went, Christie heard Mr. Sharp taking notes audibly:

      "Good tread; capital figure; fine eye. She'll make up well, and behave herself, I fancy."

      A strong desire to make off seized the girl; but, remembering that she had presented herself for inspection, she controlled the impulse, and returned to him with no demonstration of displeasure, but a little more fire in "the fine eye," and a more erect carriage of the "capital figure."

      "All right, my dear. Give your name to Mr. Tripp, and your mind to the business, and consider yourself engaged,"--with which satisfactory remark the little man vanished like a ghost.

      "Lucy, did you hear that impertinent 'my dear'?" asked Christie, whose sense of propriety had received its first shock.

      "Lord, child, all managers do it. They don't mean any thing; so be resigned, and thank your stars he didn't say 'love' and 'darling,' and kiss you, as old Vining used to," was all the sympathy she got.

      Having obeyed orders, Lucy initiated her into the mysteries of the place, and then put her in a corner to look over the scenes in which she was to appear. Christie soon caught the idea of her part,--not a difficult matter, as there were but few ideas in the whole piece, after which she sat watching the arrival of the troop she was to lead. A most forlorn band of warriors they seemed, huddled together, and looking as if afraid to speak, lest they should infringe some rule; or to move, lest they be swallowed up by some unsuspected trap-door.

      Presently the ballet-master appeared, the orchestra struck up, and Christie found herself marching and counter-marching at word of command. At first, a most uncomfortable sense of the absurdity of her position oppressed and confused her; then the ludicrous contrast between the solemn anxiety of the troop and the fantastic evolutions they were performing amused her till the novelty wore off; the martial music excited her; the desire to please sharpened her wits; and natural grace made it easy for her to catch and copy the steps and poses given her to imitate. Soon she forgot herself, entered into the spirit of the thing, and exerted every sense to please, so successfully that Mr. Tripp praised her quickness at comprehension, Lucy applauded heartily from a fairy car, and Mr. Sharp popped his head out of a palace window to watch the Amazon's descent from the Mountains of the Moon.

      When the regular company arrived, the troop was dismissed till the progress of the play demanded their reappearance. Much interested in the piece, Christie stood aside under a palm-tree, the foliage of which was strongly suggestive of a dilapidated green umbrella, enjoying the novel sights and sounds about her.

      Yellow-faced gentlemen and sleepy-eyed ladies roamed languidly about with much incoherent jabbering of parts, and frequent explosions of laughter. Princes, with varnished boots and suppressed cigars, fought, bled, and died, without a change of countenance. Damsels of unparalleled beauty, according to the text, gaped in the faces of adoring lovers, and crocheted serenely on the brink of annihilation. Fairies, in rubber-boots and woollen head-gear, disported themselves on flowery barks of canvas, or were suspended aloft with hooks in their backs like young Hindoo devotees. Demons, guiltless of hoof or horn, clutched their victims with the inevitable "Ha! ha!" and vanished darkly, eating pea-nuts. The ubiquitous Mr. Sharp seemed to pervade the whole theatre; for his voice came shrilly from above or spectrally from below, and his active little figure darted to and fro like a critical will-o-the-wisp.

      The grand march and chorus in the closing scene were easily accomplished; for, as Lucy bade her, Christie "sung with all her might," and kept step as she led her band with the dignity of a Boadicea. No one spoke to her; few observed her; all were intent on their own affairs; and when the final shriek and bang died away without lifting the roof by its din, she could hardly believe that the dreaded first rehearsal was safely over.

      A visit to the wardrobe-room to see her dress came next; and here Christie had a slight skirmish with the mistress of that department relative to the length of her classical garments. As studies from the nude had not yet become one of the amusements of the elite of Little Babel, Christie was not required to appear in the severe simplicity of a costume consisting of a necklace, sandals, and a bit of gold fringe about the waist, but was allowed an extra inch or two on her tunic, and departed, much comforted by the assurance that her dress would not be "a shock to modesty," as Lucy expressed it.

      "Now, look at yourself, and, for my sake, prove an honor to your country and a terror to the СКАЧАТЬ