The Study of Celtic Folklore, Mythology & Dogma. John Arnott MacCulloch
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Название: The Study of Celtic Folklore, Mythology & Dogma
Автор: John Arnott MacCulloch
Издательство: Bookwire
Жанр: Зарубежная психология
isbn: 4064066392611
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While our knowledge of the Tuatha Dé Danann is based upon a series of mythic tales and other records, that of the gods of the continental Celts, apart from a few notices in classical authors and elsewhere, comes from inscriptions. But as far as can be judged, though the names of the two groups seldom coincide, their functions must have been much alike, and their origins certainly the same. The Tuatha Dé Danann were nature divinities of growth, light, agriculture—their symbols and possessions suggesting fertility, e.g. the cauldron. They were divinities of culture and crafts, and of war. There must have been many other gods in Ireland than those described here, while some of those may not have been worshipped all over Ireland. Generally speaking, there were many local gods in Gaul with similar functions but different names, and this may have been true of Ireland. Perhaps the different names given to Dagda, Manannan, and others were simply names of similar local gods, one of whom became prominent, and attracted to himself the names of the others. So, too, the identity of Danu and Brigit might be explained, or the fact that there were three Brigits. We read also in the texts of the god of Connaught, or of Ulster, and these were apparently regional divinities, or of "the god of Druidism"—perhaps a god worshipped specially by Druids.324 The remote origin of some of these divinities may be sought in the primitive cult of the Earth personified as a fertile being, and in that of vegetation and corn-spirits, and the vague spirits of nature in all its aspects. Some of these still continued to be worshipped when the greater gods had been evolved. Though animal worship was not lacking in Ireland, divinities who are anthropomorphic forms of earlier animal-gods are less in evidence than on the Continent. The divinities of culture, crafts, and war, and of departments of nature, must have slowly assumed the definite personality assigned them in Irish religion. But, doubtless, they already possessed that before the Goidels reached Ireland. Strictly speaking, the underground domain assigned later to the Tuatha Dé Danann belongs only to such of them as were associated with fertility. But in course of time most of the group, as underground dwellers, were connected with growth and increase. These could be blighted by their enemies, or they themselves could withhold them when their worshippers offended them.325
Irish mythology points to the early pre-eminence of goddesses. As agriculture and many of the arts were first in the hands of women, goddesses of fertility and culture preceded gods, and still held their place when gods were evolved. Even war-goddesses are prominent in Ireland. Celtic gods and heroes are often called after their mothers, not their fathers, and women loom largely in the tales of Irish colonisation, while in many legends they play a most important part. Goddesses give their name to divine groups, and, even where gods are prominent, their actions are free, their personalities still clearly defined. The supremacy of the divine women of Irish tradition is once more seen in the fact that they themselves woo and win heroes; while their capacity for love, their passion, their eternal youthfulness and beauty are suggestive of their early character as goddesses of ever-springing fertility.326
This supremacy of goddesses is explained by Professor Rh^ys as non-Celtic, as borrowed by the Celts from the aborigines.327 But it is too deeply impressed on the fabric of Celtic tradition to be other than native, and we have no reason to suppose that the Celts had not passed through a stage in which such a state of things was normal. Their innate conservatism caused them to preserve it more than other races who had long outgrown such a state of things.
CHAPTER VI.
THE GODS OF THE BRYTHONS
Our knowledge of the gods of the Brythons, i.e. as far as Wales is concerned, is derived, apart from inscriptions, from the Mabinogion, which, though found in a fourteenth century MS., was composed much earlier, and contains elements from a remote past. Besides this, the Triads, probably of twelfth-century origin, the Taliesin, and other poems, though obscure and artificial, the work of many a "confused bard drivelling" (to cite the words of one of them), preserve echoes of the old mythology.328 Some of the gods may lurk behind the personages of Geoffrey of Monmouth's Historia Britonum and of the Arthurian cycle, though here great caution is required. The divinities have become heroes and heroines, kings and princesses, and if some of the episodes are based on ancient myths, they are treated in a romantic spirit. Other episodes are mere Märchen formulæ. Like the wreckage of some rich galleon, the débris of the old mythology has been used to construct a new fabric, and the old divinities have even less of the god-like traits of the personages of the Irish texts.
Some of the personages bear similar names to the Irish divinities, and in some cases there is a certain similarity of incidents to those of the Irish tales.329 Are, then, the gods dimly revealed in Welsh literature as much Goidelic as Brythonic? Analysing the incidents of the Mabinogion, Professor Anwyl has shown that they have an entirely local character, and are mainly associated with the districts of Dyfed and Gwent, of Anglesey, and of Gwynedd, of which Pryderi, Branwen, and Gwydion are respectively the heroic characters.330 These are the districts where a strong Goidelic element prevailed, whether these Goidels were the original inhabitants of Britain, driven there by Brythons,331 or tribes who had settled there from Ireland,332 or perhaps a mixture of both. In any case they had been conquered by Brythons and had become Brythonic in speech from the fifth century onwards. On account of this Goidelic element, it has been claimed that the personages of the Mabinogion are purely Goidelic. But examination proves that only a few are directly parallel in name with Irish divinities, and while here there are fundamental likenesses, the incidents with Irish parallels may be due to mere superficial borrowings, to that interchange of Märchen and mythical données which has everywhere occurred. Many incidents have no Irish parallels, and most of the characters are entirely different in name from Irish divinities. Hence any theory which would account for the likenesses, must also account for the differences, and must explain why, if the Mabinogion is due to Irish Goidels, there should have been few or no borrowings in Welsh literature from the popular Cúchulainn and Ossianic sagas,333 and why, at a time when Brythonic elements were uppermost, such care should have been taken to preserve Goidelic myths. If the tales emanated from native Welsh Goidels, the explanation might be that they, the kindred of the Irish Goidels, must have had a certain community with them in divine names and myths, while others of their gods, more local in character, would differ in name. Or if they are Brythonic, the likenesses might be accounted for by an early community in myth and cult among the common ancestors of Brythons and Goidels.334 But as the date of the composition of the Mabinogion is comparatively late, at a time when Brythons had overrun these Goidelic districts, more probably the tales contain a mingling of Goidelic (Irish or Welsh) and Brythonic divinities, though some of these may be survivals of the common Celtic heritage.335 Celtic divinities were mainly of a local, tribal character. Hence some would be local Goidelic divinities, others, classed with these, local Brythonic divinities. This would explain the absence of divinities and heroes of other local Brythonic groups, e.g. Arthur, from the Mabinogion. But with the growing importance of these, they attracted to their legend the folk of the Mabinogion and other tales. These are associated with Arthur in Kulhwych, and the Dôn group mingles with that of Taliesin in the Taliesin poems.336 СКАЧАТЬ