JAMES JOYCE: Ulysses, A Portrait of the Artist as a Young Man, Dubliners, Chamber Music & Exiles. James Joyce

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СКАЧАТЬ he had seen her last, looking at him out of dove’s eyes, toying with the pages of her Irish phrasebook.

      — Yes, yes, the ladies are coming round to us. I can see it every day. The ladies are with us. The best helpers the language has.

      — And the church, Father Moran?

      — The church too. Coming round too. The work is going ahead there too. Don’t fret about the church.

      Bah! he had done well to leave the room in disdain. He had done well not to salute her on the steps of the library. He had done well to leave her to flirt with her priest, to toy with a church which was the scullerymaid of christendom.

      Rude brutal anger routed the last lingering instant of ecstasy from his soul. It broke up violently her fair image and flung the fragments on all sides. On all sides distorted reflections of her image started from his memory: the flower girl in the ragged dress with damp coarse hair and a hoyden’s face who had called herself his own girl and begged his handsel, the kitchengirl in the next house who sang over the clatter of her plates with the drawl of a country singer the first bars of By Killarney’s lakes and fells, a girl who had laughed gaily to see him stumble when the iron grating in the footpath near Cork Hill had caught the broken sole of his shoe, a girl he had glanced at, attracted by her small ripe mouth, as she passed out of Jacob’s biscuit factory, who had cried to him over her shoulder: — Do you like what you seen of me, straight hair and curly eyebrows?

      And yet he felt that, however he might revile and mock her image, his anger was also a form of homage. He had left the classroom in disdain that was not wholly sincere, feeling that perhaps the secret of her race lay behind those dark eyes upon which her long lashes flung a quick shadow. He had told himself bitterly as he walked through the streets that she was a figure of the womanhood of her country, a batlike soul waking to the consciousness of itself in darkness and secrecy and loneliness, tarrying awhile, loveless and sinless, with her mild lover and leaving him to whisper of innocent transgressions in the latticed ear of a priest. His anger against her found vent in coarse railing at her paramour, whose name and voice and features offended his baffled pride: a priested peasant, with a brother a policeman in Dublin and a brother a potboy in Moycullen. To him she would unveil her soul’s shy nakedness, to one who was but schooled in the discharging of a formal rite, rather than to him, a priest of the eternal imagination, transmuting the daily bread of experience into the radiant body of everliving life.

      The radiant image of the eucharist united again in an instant his bitter and despairing thoughts, their cries arising unbroken in a hymn of thanksgiving.

      Our broken cries and mournful lays

      Rise in one eucharistic hymn

      Are you not weary of ardent ways?

      While sacrificing hands upraise

      The chalice flowing to the brim,

      Tell no more of enchanted days.

      He spoke the verses aloud from the first lines till the music and rhythm suffused his mind, turning it to quiet indulgence; then copied them painfully to feel them the better by seeing them; then lay back on his bolster.

      The full morning light had come. No sound was to be heard: but he knew that all around him life was about to awaken in common noises, hoarse voices, sleepy prayers. Shrinking from that life he turned towards the wall, making a cowl of the blanket and staring at the great overblown scarlet flowers of the tattered wallpaper. He tried to warm his perishing joy in their scarlet glow, imagining a roseway from where he lay upwards to heaven all strewn with scarlet flowers. Weary! Weary! He too was weary of ardent ways.

      A gradual warmth, a languorous weariness passed over him, descending along his spine from his closely cowled head. He felt it descend and, seeing himself as he lay, smiled. Soon he would sleep.

      He had written verses for her again after ten years. Ten years before she had worn her shawl cowlwise about her head, sending sprays of her warm breath into the night air, tapping her foot upon the glassy road. It was the last tram; the lank brown horses knew it and shook their bells to the clear night in admonition. The conductor talked with the driver, both nodding often in the green light of the lamp. They stood on the steps of the tram, he on the upper, she on the lower. She came up to his step many times between their phrases and went down again and once or twice remained beside him forgetting to go down and then went down. Let be! Let be!

      Ten years from that wisdom of children to his folly. If he sent her the verses? They would be read out at breakfast amid the tapping of eggshells. Folly indeed! The brothers would laugh and try to wrest the page from each other with their strong hard fingers. The suave priest, her uncle, seated in his armchair, would hold the page at arm’s length, read it smiling and approve of the literary form.

      No, no: that was folly. Even if he sent her the verses she would not show them to others. No, no: she could not.

      He began to feel that he had wronged her. A sense of her innocence moved him almost to pity her, an innocence he had never understood till he had come to the knowledge of it through sin, an innocence which she too had not understood while she was innocent or before the strange humiliation of her nature had first come upon her. Then first her soul had begun to live as his soul had when he had first sinned: and a tender compassion filled his heart as he remembered her frail pallor and her eyes, humbled and saddened by the dark shame of womanhood.

      While his soul had passed from ecstasy to languor where had she been? Might it be, in the mysterious ways of spiritual life, that her soul at those same moments had been conscious of his homage? It might be.

      A glow of desire kindled again his soul and fired and fulfilled all his body. Conscious of his desire she was waking from odorous sleep, the temptress of his villanelle. Her eyes, dark and with a look of languor, were opening to his eyes. Her nakedness yielded to him, radiant, warm, odorous and lavishlimbed, enfolded him like a shining cloud, enfolded him like water with a liquid life: and like a cloud of vapour or like waters circumfluent in space the liquid letters of speech, symbols of the element of mystery, flowed forth over his brain.

      Are you not weary of ardent ways,

      Lure of the fallen seraphim?

      Tell no more of enchanted days.

      Your eyes have set man’s heart ablaze

      And you have had your will of him.

      Are you not weary of ardent ways?

      Above the flame the smoke of praise

      Goes up from ocean rim to rim.

      Tell no more of enchanted days.

      Our broken cries and mournful lays

      Rise in one eucharistic hymn.

      Are you not weary of ardent ways?

      While sacrificing hands upraise

      The chalice flowing to the brim,

      Tell no more of enchanted days.

      And still you hold our longing gaze

      With languorous look and lavish limb!

      Are you not weary of ardent ways?

      Tell СКАЧАТЬ