Light. Henri Barbusse

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      Published by Good Press, 2019

       [email protected]

      EAN 4057664570871

Table of Contents

       I. MYSELF. II. OURSELVES. III. EVENING AND DAWN. IV. MARIE. V. DAY BY DAY. VI. A VOICE IN THE EVENING. VII. A SUMMARY. VIII. THE BRAWLER. IX. THE STORM. X. THE WALLS. XI. AT THE WORLD'S END. XII. THE SHADOWS. XIII. WHITHER GOEST THOU?. XIV. THE RUINS. XV. AN APPARITION. XVI. DE PROFUNDIS CLAMAVI. XVII. MORNING. XVIII. EYES THAT SEE. XIX. GHOSTS. XX. THE CULT. XXI. NO!. XXII. LIGHT. XXIII. FACE TO FACE

       LIGHT

       CHAPTER I

       CHAPTER II

       CHAPTER III

       CHAPTER IV

       CHAPTER V

       CHAPTER VI

       CHAPTER VII

       CHAPTER VIII

       CHAPTER IX

       CHAPTER X

       CHAPTER XI

       CHAPTER XII

       CHAPTER XIII

       CHAPTER XIV

       CHAPTER XV

       CHAPTER XVI

       CHAPTER XVII

       CHAPTER XVIII

       CHAPTER XIX

       CHAPTER XX

       CHAPTER XXI

       CHAPTER XXII

       CHAPTER XXIII

I. MYSELF II. OURSELVES III. EVENING AND DAWN IV. MARIE V. DAY BY DAY VI. A VOICE IN THE EVENING VII. A SUMMARY VIII. THE BRAWLER IX. THE STORM X. THE WALLS XI. AT THE WORLD'S END XII. THE SHADOWS XIII. WHITHER GOEST THOU? XIV. THE RUINS XV. AN APPARITION XVI. DE PROFUNDIS CLAMAVI XVII. MORNING XVIII. EYES THAT SEE XIX. GHOSTS XX. THE CULT XXI. NO! XXII. LIGHT XXIII. FACE TO FACE

       Table of Contents

LIGHT

       Table of Contents

CHAPTER I

       Table of Contents

      MYSELF

      All the days of the week are alike, from their beginning to their end.

      At seven in the evening one hears the clock strike gently, and then the instant tumult of the bell. I close the desk, wipe my pen, and put it down. I take my hat and muffler, after a glance at the mirror—a glance which shows me the regular oval of my face, my glossy hair and fine mustache. (It is obvious that I am rather more than a workman.) I put out the light and descend from my little glass-partitioned office. I cross the boiler-house, myself in the grip of the thronging, echoing peal which has set it free. From among the dark and hurrying crowd, which increases in the corridors and rolls down the stairways like a cloud, some passing voices cry to me, "Good-night, Monsieur Simon," or, with less familiarity, "Good-night, Monsieur Paulin." I answer here and there, and allow myself to be borne away by everybody else.

      Outside, on the threshold of the porch which opens on the naked plain and its pallid horizons, one sees the squares and triangles of the factory, like a huge black background of the stage, and the tall extinguished chimney, whose only crown now is the cloud of falling night. Confusedly, the dark flood carries me away. Along the wall which faces the porch, women are waiting, like a curtain of shadow, which yields glimpses of their pale and expressionless faces. With nod or word we recognize each other from the mass. Couples are formed by the quick hooking of arms. All along the ghostly avenue one's eyes follow the toilers' scrambling flight.

      The avenue is a wan track cut across the open fields. Its course is marked afar by lines of puny trees, sooty as snuffed candles; by telegraph posts and their long spider-webs; by bushes or by fences, which are like the skeletons of bushes. There are a few houses. Up yonder a strip of sky still shows palely yellow above the meager suburb where creeps the muddy crowd detached from the factory. The west wind sets quivering their overalls, blue or black or khaki, excites the woolly tails that flutter from muffled necks, scatters some evil odors, attacks the sightless faces so deep-drowned beneath the sky.

      There are taverns anon which catch the eye. Their doors are closed, but their windows СКАЧАТЬ