As Barbara Rebell, still Barbara Rebell, though she had been a wife, a most unhappy wife, for six years, stepped from the small dark vestibule into the dimly-lighted hall of Chancton Priory, her foot slipped on the floor; and she would have fallen had not a man's hand, small but curiously bony and fleshless, grasped her right arm, while, at the same moment, a deep voice from out the darkness exclaimed, "A good omen! So stumbled the Conqueror!"

The accent in which the odd words were uttered would have told a tale as to the speaker's hard-bitten nationality to most English-speaking folk: not so to the woman to whom they were addressed. Yet they smote on her ear as though laden with welcome, for they recalled the voice of a certain Andrew Johnstone, the Scotch Governor of the West Indian island of Santa Maria, whose brotherly kindness and unobtrusive sympathy had been more comfortable to her, in a moment of great humiliation and distress, than his English wife's more openly expressed concern and more eagerly offered friendship.

And then, as the stranger advanced, hesitatingly, into the hall, she found herself confronted by an odd, indeed an amazing figure, which yet also brought a quick sense of being at last in a dear familiar place offering both welcome and shelter. For she was at once aware that this must be the notable Jane Turke, Madame Sampiero's housekeeper, one to whom Barbara's own mother had often referred when telling her little daughter of the delights of Chancton Priory—of the Sussex country house to which, when dying, the thoughts of Richard Rebell's wife seemed ever turning with sick longing and regret.

Mrs. Turke wore a travesty of the conventional housekeeper's costume. There, to be sure, were the black apron and lace cap and the bunch of jingling keys, but the watered silk of which the gown was made was of bright yellow, and across its wearer's ample bosom was spread an elaborate parure of topazes set in filigree gold, a barbaric ornament which, however, did not seem out of place on the remarkable-looking old lady. Two earrings, evidently belonging to the same set, had been mounted as pins, and gleamed on the black lace partly covering Mrs. Turke's grey hair, which was cut in a straight fringe above the shrewd, twinkling eyes, Roman nose, and firm, well-shaped mouth and chin.

For a few moments the housekeeper held, as it were, the field to herself: she curtsied twice, but there was nothing servile or menial about the salutation, and each time the yellow gown swept the stone-flagged floor she uttered the words, "Welcome, Ma'am, to Chancton," running her eyes quickly the while over the slender stranger whose coming might bring such amazing changes to the Priory.

Then, as Mrs. Rebell, half smiling, put out her hand, the old woman—for, in spite of her look of massive strength Mrs. Turke was by now an old woman—said more naturally, "You don't remember Jane Turke, Ma'am, but Jane Turke remembers you, when you was little Missy, and your dear Mamma used to bring you here as a babby."

Mrs. Turke's voice was quite amazingly unlike that which had uttered, close to the door, the few words of what Barbara had felt to be a far sincerer welcome. It was essentially a made-up, artificial voice—one to which only the old-fashioned but expressive word "genteel" could possibly apply: an intelligent listener could not but feel certain that Mrs. Turke would be bound to speak, if under stress of emotion, in quite other accents.

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Barbara Rebell

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CHAPTER I.

Barbara Rebell. Marie Belloc Lowndes
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