Название: The Damned (A Horror Classic)
Автор: Algernon Blackwood
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027201358
isbn:
But no desire came that night to change my mind. I was doing the right, the necessary thing. I was even in something of a hurry to get down to The Towers as soon as possible. I chose an early afternoon train.
III
A telegram had told me to come to a town ten miles from the house, so I was saved the crawling train to the local station, and travelled down by an express. As soon as we left London the fog cleared off, and an autumn sun, though without heat in it, painted the landscape with golden browns and yellows. My spirits rose as I lay back in the luxurious motor and sped between the woods and hedges. Oddly enough, my anxiety of overnight had disappeared. It was due, no doubt, to that exaggeration of detail which reflection in loneliness brings. Frances and I had not been separated for over a year, and her letters from The Towers told so little. It had seemed unnatural to be deprived of those intimate particulars of mood and feeling I was accustomed to. We had such confidence in one another, and our affection was so deep. Though she was but five years younger than myself, I regarded her as a child. My attitude was fatherly. In return, she certainly mothered me with a solicitude that never cloyed. I felt no desire to marry while she was still alive. She painted in water-colours with a reasonable success, and kept house for me; I wrote, reviewed books and lectured on æsthetics; we were a humdrum couple of quasi-artists, well satisfied with life, and all I feared for her was that she might become a suffragette or be taken captive by one of these wild theories that caught her imagination sometimes, and that Mabel, for one, had fostered. As for myself, no doubt she deemed me a trifle solid or stolid—I forget which word she preferred—but on the whole there was just sufficient difference of opinion to make intercourse suggestive without monotony, and certainly without quarrelling. Drawing in deep draughts of the stinging autumn air, I felt happy and exhilarated. It was like going for a holiday, with comfort at the end of the journey instead of bargaining for centimes.
But my heart sank noticeably the moment the house came into view. The long drive, lined with hostile monkey trees and formal wellingtonias that were solemn and sedate, was mere extension of the miniature approach to a thousand semi-detached suburban ‘residences’; and the appearance of The Towers, as we turned the corner with a rush, suggested a commonplace climax to a story that had begun interestingly, almost thrillingly. A villa had escaped from the shadow of the Crystal Palace, thumped its way down by night, grown suddenly monstrous in a shower of rich rain, and settled itself insolently to stay. Ivy climbed about the opulent red-brick walls, but climbed neatly and with disfiguring effect, sham as on a prison or—the simile made me smile—an orphan asylum. There was no hint of the comely roughness of untidy ivy on a ruin. Clipped, trained and precise it was, as on a brand-new protestant church. I swear there was not a bird’s nest nor a single earwig in it anywhere. About the porch it was particularly thick, smothering a seventeenth-century lamp with a contrast that was quite horrible. Extensive glass-houses spread away on the farther side of the house; the numerous towers to which the building owed its name seemed made to hold school bells; and the window-sills, thick with potted flowers, made me think of the desolate suburbs of Brighton or Bexhill. In a commanding position upon the crest of a hill, it overlooked miles of undulating, wooded country southwards to the Downs, but behind it, to the north, thick banks of ilex, holly and privet protected it from the cleaner and more stimulating winds. Hence, though highly placed, it was shut in. Three years had passed since I last set eyes upon it, but the unsightly memory I had retained was justified by the reality. The place was deplorable.
It is my habit to express my opinions audibly sometimes, when impressions are strong enough to warrant it; but now I only sighed ‘Oh, dear,’ as I extricated my legs from many rugs and went into the house. A tall parlour-maid, with the bearing of a grenadier, received me, and standing behind her was Mrs. Marsh, the housekeeper, whom I remembered because her untidy back hair had suggested to me that it had been burnt. I went at once to my room, my hostess already dressing for dinner, but Frances came in to see me just as I was struggling with my black tie that had got tangled like a bootlace. She fastened it for me in a neat, effective bow, and while I held my chin up for the operation, staring blankly at the ceiling, the impression came—I wondered, was it her touch that caused it?—that something in her trembled. Shrinking perhaps is the truer word. Nothing in her face or manner betrayed it, nor in her pleasant, easy talk while she tidied my things and scolded my slovenly packing, as her habit was, questioning me about the servants at the flat. The blouses, though right, were crumpled, and my scolding was deserved. There was no impatience even. Yet somehow or other the suggestion of a shrinking reserve and holding back reached my mind. She had been lonely, of course, but it was more than that; she was glad that I had come, yet for some reason unstated she could have wished that I had stayed away. We discussed the news that had accumulated during our brief separation, and in doing so the impression, at best exceedingly slight, was forgotten. My chamber was large and beautifully furnished; the hall and dining-room of our flat would have gone into it with a good remainder; yet it was not a place I could settle down in for work. It conveyed the idea of impermanence, making me feel transient as in a hotel bedroom. This, of course, was the fact. But some rooms convey a settled, lasting hospitality even in a hotel; this one did not; and as I was accustomed to work in the room I slept in, at least when visiting, a slight frown must have crept between my eyes.
‘Mabel has fitted a work-room for you just out of the library,’ said the clairvoyant Frances. ‘No one will disturb you there, and you’ll have fifteen thousand books all catalogued within easy reach. There’s a private staircase too. You can breakfast in your room and slip down in your dressing-gown if you want to.’ She laughed. My spirits took a turn upwards as absurdly as they had gone down.
‘And how are you?’ I asked, giving her a belated kiss. ‘It’s jolly to be together again. I did feel rather lost without you, I’ll admit.’
‘That’s natural,’ she laughed. ‘I’m so glad.’
She looked well and had country colour in her cheeks. She informed me that she was eating and sleeping well, going out for little walks with Mabel, painting bits of scenery again, and enjoying a complete change and rest; and yet, for all her brave description, the words somehow did not quite ring true. Those last words in particular did not ring true. There lay in her manner, just out of sight, I felt, this suggestion of the exact reverse—of unrest, shrinking, almost of anxiety. Certain small strings in her seemed over-tight. ‘Keyed-up’ was the slang expression that crossed my mind. I looked rather searchingly into her face as she was telling me this.
‘Only—the evenings,’ she added, noticing my query, yet rather avoiding my eyes, ‘the evenings are—well, rather heavy sometimes, and I find it difficult to keep awake.’
‘The strong air after London makes you drowsy,’ I suggested, ‘and you like to get early to bed.’
Frances turned and looked at me for a moment steadily. ‘On the contrary, Bill, I dislike going to bed—here. And Mabel goes so early.’ She said it lightly enough, fingering the disorder upon my dressing-table in such a stupid way that I saw her mind was working in another direction altogether. She looked up suddenly with a kind of nervousness from the brush and scissors. ‘Billy,’ she said abruptly, lowering her voice, ‘isn’t it odd, but I hate sleeping alone here? I can’t make it out quite; I’ve never felt such a thing before in my life. Do you—think it’s all nonsense?’ And she laughed, with her lips but not with her eyes; there was a note of defiance in her I failed to understand.
‘Nothing a nature like yours feels strongly is nonsense, Frances,’ I replied soothingly.
But I, too, answered with my lips only, for another part of my mind was working elsewhere, and among uncomfortable things. A touch of bewilderment passed over me. I was not certain how best to continue. If I laughed she would tell me no more, yet СКАЧАТЬ