William Dean Howells: 27 Novels in One Volume (Illustrated). William Dean Howells

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СКАЧАТЬ to me."

      "Oh no it isn't," retorted his friend, as cheerfully and confidently as he had promised him that he should not be shot. "Didn't you bring back any pictures from Venice with you?"

      "I brought back a lot of sketches and studies. I'm sorry to say that I loafed a good deal there; I used to feel that I had eternity before me; and I was a theorist and a purist and an idiot generally. There are none of them fit to be seen."

      "Never mind; let's look at them."

      They hunted out Ferris's property from a catch-all closet in the studio of a sculptor with whom he had left them, and who expressed a polite pleasure in handing them over to Ferris rather than to his heirs and assigns.

      "Well, I'm not sure that I share your satisfaction, old fellow," said the painter ruefully; but he unpacked the sketches.

      Their inspection certainly revealed a disheartening condition of half-work. "And I can't do anything to help the matter for the present," groaned Ferris, stopping midway in the business, and making as if to shut the case again.

      "Hold on," said his friend. "What's this? Why, this isn't so bad." It was the study of Don Ippolito as a Venetian priest, which Ferris beheld with a stupid amaze, remembering that he had meant to destroy it, and wondering how it had got where it was, but not really caring much. "It's worse than you can imagine," said he, still looking at it with this apathy.

      "No matter; I want you to sell it to me. Come!"

      "I can't!" replied Ferris piteously. "It would be flat burglary."

      "Then put it into the exhibition."

      The sculptor, who had gone back to scraping the chin of the famous public man on whose bust he was at work, stabbed him to the heart with his modeling-tool, and turned to Ferris and his friend. He slanted his broad red beard for a sidelong look at the picture, and said: "I know what you mean, Ferris. It's hard, and it's feeble in some ways and it looks a little too much like experimenting. But it isn't so infernally bad."

      "Don't be fulsome," responded Ferris, jadedly. He was thinking in a thoroughly vanquished mood what a tragico-comic end of the whole business it was that poor Don Ippolito should come to his rescue in this fashion, and as it were offer to succor him in his extremity. He perceived the shamefulness of suffering such help; it would be much better to starve; but he felt cowed, and he had not courage to take arms against this sarcastic destiny, which had pursued him with a mocking smile from one lower level to another. He rubbed his forehead and brooded upon the picture. At least it would be some comfort to be rid of it; and Don Ippolito was dead; and to whom could it mean more than the face of it?

      His friend had his way about framing it, and it was got into the exhibition. The hanging-committee offered it the hospitalities of an obscure corner; but it was there, and it stood its chance. Nobody seemed to know that it was there, however, unless confronted with it by Ferris's friend, and then no one seemed to care for it, much less want to buy it. Ferris saw so many much worse pictures sold all around it, that he began gloomily to respect it. At first it had shocked him to see it on the Academy's wall; but it soon came to have no other relation to him than that of creatureship, like a poem in which a poet celebrates his love or laments his dead, and sells for a price. His pride as well as his poverty was set on having the picture sold; he had nothing to do, and he used to lurk about, and see if it would not interest somebody at last. But it remained unsold throughout May, and well into June, long after the crowds had ceased to frequent the exhibition, and only chance visitors from the country straggled in by twos and threes.

      One warm, dusty afternoon, when he turned into the Academy out of Fourth Avenue, the empty hall echoed to no footfall but his own. A group of weary women, who wore that look of wanting lunch which characterizes all picture-gallery-goers at home and abroad, stood faint before a certain large Venetian subject which Ferris abhorred, and the very name of which he spat out of his mouth with loathing for its unreality. He passed them with a sombre glance, as he took his way toward the retired spot where his own painting hung.

      A lady whose crapes would have betrayed to her own sex the latest touch of Paris stood a little way back from it, and gazed fixedly at it. The pose of her head, her whole attitude, expressed a quiet dejection; without seeing her face one could know its air of pensive wistfulness. Ferris resolved to indulge himself in a near approach to this unwonted spectacle of interest in his picture; at the sound of his steps the lady slowly turned a face of somewhat heavily molded beauty, and from low-growing, thick pale hair and level brows, stared at him with the sad eyes of Florida Vervain. She looked fully the last two years older.

      As though she were listening to the sound of his steps in the dark instead of having him there visibly before her, she kept her eyes upon him with a dreamy unrecognition.

      "Yes, it is I," said Ferris, as if she had spoken.

      She recovered herself, and with a subdued, sorrowful quiet in her old directness, she answered, "I supposed you must be in New York," and she indicated that she had supposed so from seeing this picture.

      Ferris felt the blood mounting to his head. "Do you think it is like?" he asked.

      "No," she said, "it isn't just to him; it attributes things that didn't belong to him, and it leaves out a great deal."

      "I could scarcely have hoped to please you in a portrait of Don Ippolito." Ferris saw the red light break out as it used on the girl's pale cheeks, and her eyes dilate angrily. He went on recklessly: "He sent for me after you went away, and gave me a message for you. I never promised to deliver it, but I will do so now. He asked me to tell you when we met, that he had acted on your desire, and had tried to reconcile himself to his calling and his religion; he was going to enter a Carmelite convent."

      Florida made no answer, but she seemed to expect him to go on, and he was constrained to do so.

      "He never carried out his purpose," Ferris said, with a keen glance at her; "he died the night after I saw him."

      "Died?" The fan and the parasol and the two or three light packages she had been holding slid down one by one, and lay at her feet. "Thank you for bringing me his last words," she said, but did not ask him anything more.

      Ferris did not offer to gather up her things; he stood irresolute; presently he continued with a downcast look: "He had had a fever, but they thought he was getting well. His death must have been sudden." He stopped, and resumed fiercely, resolved to have the worst out: "I went to him, with no good-will toward him, the next day after I saw him; but I came too late. That was God's mercy to me. I hope you have your consolation, Miss Vervain."

      It maddened him to see her so little moved, and he meant to make her share his remorse.

      "Did he blame me for anything?" she asked.

      "No!" said Ferris, with a bitter laugh, "he praised you."

      "I am glad of that," returned Florida, "for I have thought it all over many times, and I know that I was not to blame, though at first I blamed myself. I never intended him anything but good. That is my consolation, Mr. Ferris. But you," she added, "you seem to make yourself my judge. Well, and what do you blame me for? I have a right to know what is in your mind."

      The thing that was in his mind had rankled there for two years; in many a black reverie of those that alternated with his moods of abject self-reproach and perfect trust of her, he had confronted her and flung it out upon her in one stinging phrase. But he was now suddenly at a loss; the words would not come; his torment fell dumb before her; in her presence the cause was unspeakable. Her lips had quivered СКАЧАТЬ