History of a Six Weeks' Tour. Mary Wollstonecraft Shelley

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      Published by Good Press, 2020

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      EAN 4064066061821

Table of Contents

       France

       Switzerland

       Germany

       Holland

       Letter I.

       Letter II.

       Letter III.

       Letter IV.

       Mont Blanc

      PREFACE.

       Table of Contents

      Nothing can be more unpresuming than this little volume. It contains the account of some desultory visits by a party of young people to scenes which are now so familiar to our countrymen, that few facts relating to them can be expected to have escaped the many more experienced and exact observers, who have sent their journals to the press. In fact, they have done little else than arrange the few ​materials which an imperfect journal, and two or three letters to their friends in England afforded. They regret, since their little History is to be offered to the public, that these materials were not more copious and complete. This is a just topic of censure to those who are less inclined to be amused than to condemn. Those whose youth has been past as their’s (with what success it imports not) in pursuing, like the swallow, the inconstant summer of delight and beauty which invests this visible world, will perhaps find some entertainment in following the author, with her husband and sister, on foot, through part of France and Switzerland, and in sailing with ​her down the castled Rhine, through scenes beautiful in themselves, but which, since she visited them, a great Poet has clothed with the freshness of a diviner nature. They will be interested to hear of one who has visited Mellerie, and Clarens, and Chillon, and Vevai—classic ground, peopled with tender and glorious imaginations of the present and the past.

      They have perhaps never talked with one who has beheld in the enthusiasm of youth the glaciers, and the lakes, and the forests, and the fountains of the mighty Alps. Such will perhaps forgive the imperfections of their narrative for the sympathy which the adventures and feelings which it ​recounts, and a curiosity respecting scenes already rendered interesting and illustrious, may excite.

      The Poem, entitled “Mont Blanc,” is written by the author of the two letters from Chamouni and Vevai. It was composed under the immediate impression of the deep and powerful feelings excited by the objects which it attempts to describe; and as an undisciplined overflowing of the soul, rests its claim to approbation on an attempt to imitate the untameable wildness and inaccessible solemnity from which those feelings sprang.