The Head of Kay's. P. G. Wodehouse

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СКАЧАТЬ events of the summer term. There was a concert at the end of the winter term, too, but it was not so important. To a great many of those present the summer concert marked, as it were, the last flutter of their school life. On the morrow they would be Old Boys, and it behoved them to extract as much enjoyment from the function as they could. Under Mr. Mullholland's rule the concert had become a very flourishing institution. He aimed at a high standard, and reached it. There was more than a touch of the austere about the music. A glance at the programme was enough to show the lover of airs of the trashy, clashy order that this was no place for him. Most of the items were serious. When it was thought necessary to introduce a lighter touch, some staidly rollicking number was inserted, some song that was saved—in spite of a catchy tune—by a halo of antiquity. Anything modern was taboo, unless it were the work of Gotsuchakoff, Thingummyowsky, or some other eminent foreigner. Foreign origin made it just possible.

      The school prefects lurked during the performance at the doors and at the foot of the broad stone steps that led to the Great Hall. It was their duty to supply visitors with programmes.

      Jimmy Silver had foregathered with Kennedy, Challis, and Williams at the junior door. The hall was full now, and their labours consequently at an end.

      "Pretty good 'gate'," said Silver, looking in through the open door. "It must be warm up in the gallery."

      Across the further end of the hall a dais had been erected. On this the bulk of the school sat, leaving the body of the hall to the crowned heads, nobility, and gentry to whom Silver had referred in his conversation with Fenn.

      "It always is warm in the gallery," said Challis. "I lost about two stone there every concert when I was a kid. We simply used to sit and melt."

      "And I tell you what," broke in Silver, "it's going to get warmer before the end of the show. Do you notice that all Kay's house are sitting in a lump at the back. I bet they're simply spoiling for a row. Especially now Kay's running the concert. There's going to be a hot time in the old town tonight—you see if there isn't. Hark at 'em."

      The choir had just come to the end of a little thing of Handel's. There was no reason to suppose that the gallery appreciated Handel. Nevertheless, they were making a deafening noise. Clouds of dust rose from the rhythmical stamping of many feet. The noise was loudest and the dust thickest by the big window, beneath which sat the men from Kay's. Things were warming up.

      The gallery, with one last stamp which nearly caused the dais to collapse, quieted down. The masters in the audience looked serious. One or two of the visitors glanced over their shoulders with a smile. How excited the dear boys were at the prospect of holidays! Young blood! Young blood! Boys would be boys.

      The concert continued. Half-way through the programme there was a ten minutes' interval. Fenn's pianoforte solo was the second item of the second half.

      He mounted the platform amidst howls of delight from the gallery. Applause at the Eckleton concerts was granted more for services in the playing-fields than merit as a musician. Kubelik or Paderewski would have been welcomed with a few polite handclaps. A man in the eleven or fifteen was certain of two minutes' unceasing cheers.

      "Evidently one of their heroes, my dear," said Paterfamilias to Materfamilias. "I suppose he has won a scholarship at the University."

      Paterfamilias' mind was accustomed to run somewhat upon scholarships at the University. What the school wanted was a batting average of forty odd or a bowling analysis in single figures.

      Fenn played the "Moonlight Sonata". A trained musical critic would probably have found much to cavil at in his rendering of the piece, but it was undoubtedly good for a public school player. Of course he was encored. The gallery would have encored him if he had played with one finger, three mistakes to every bar.

      "I told Fenn," said Jimmy Silver, "if he got an encore, that he ought to play the—My aunt! He is!"

      Three runs and half-a-dozen crashes, and there was no further room for doubt. Fenn was playing the "Coon Band Contest".

      "He's gone mad," gasped Kennedy.

      Whether he had or not, it is certain that the gallery had. All the evening they had been stewing in an atmosphere like that of the inner room of a Turkish bath, and they were ready for anything. It needed but a trifle to set them off. The lilt of that unspeakable Yankee melody supplied that trifle. Kay's malcontents, huddled in their seats by the window, were the first to break out. Feet began to stamp in time to the music—softly at first, then more loudly. The wooden dais gave out the sound like a drum.

      Other rioters joined in from the right. The noise spread through the gallery as a fire spreads through gorse. Soon three hundred pairs of well-shod feet were rising and falling. Somebody began to whistle. Everybody whistled. Mr. Kay was on his feet, gesticulating wildly. His words were lost in the uproar.

      For five minutes the din prevailed. Then, with a final crash, Fenn finished. He got up from the music-stool, bowed, and walked back to his place by the senior door. The musical efforts of the gallery changed to a storm of cheering and clapping.

      The choir rose to begin the next piece.

      Still the noise continued.

      People began to leave the Hall—in ones and twos first, then in a steady stream which blocked the doorways. It was plain to the dullest intelligence that if there was going to be any more concert, it would have to be performed in dumb show. Mr. Kay flung down his baton.

      The visitors had left by now, and the gallery was beginning to follow their example, howling as it went.

      "Well," said Jimmy Silver cheerfully, as he went with Kennedy down the steps, "I think we may call that a record. By my halidom, there'll be a row about this later on."

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