The Prince and the Pauper (Illustrated Children's Classic). Mark Twain

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      When he arrived there, the sides of the venerable fortress seemed suddenly rent in a thousand places, and from every rent leaped a red tongue of flame and a white gush of smoke; a deafening explosion followed, which drowned the shoutings of the multitude, and made the ground tremble; the flame-jets, the smoke, and the explosions, were repeated over and over again with marvellous celerity, so that in a few moments the old Tower disappeared in the vast fog of its own smoke, all but the very top of the tall pile called the White Tower; this, with its banners, stood out above the dense bank of vapour as a mountain-peak projects above a cloud-rack.

      Tom Canty, splendidly arrayed, mounted a prancing war-steed, whose rich trappings almost reached to the ground; his “uncle,” the Lord Protector Somerset, similarly mounted, took place in his rear; the King’s Guard formed in single ranks on either side, clad in burnished armour; after the Protector followed a seemingly interminable procession of resplendent nobles attended by their vassals; after these came the lord mayor and the aldermanic body, in crimson velvet robes, and with their gold chains across their breasts; and after these the officers and members of all the guilds of London, in rich raiment, and bearing the showy banners of the several corporations. Also in the procession, as a special guard of honour through the city, was the Ancient and Honourable Artillery Company – an organisation already three hundred years old at that time, and the only military body in England possessing the privilege (which it still possesses in our day) of holding itself independent of the commands of Parliament. It was a brilliant spectacle, and was hailed with acclamations all along the line, as it took its stately way through the packed multitudes of citizens. The chronicler says, “The King, as he entered the city, was received by the people with prayers, welcomings, cries, and tender words, and all signs which argue an earnest love of subjects toward their sovereign; and the King, by holding up his glad countenance to such as stood afar off, and most tender language to those that stood nigh his Grace, showed himself no less thankful to receive the people’s goodwill than they to offer it. To all that wished him well, he gave thanks. To such as bade ‘God save his Grace,’ he said in return, ‘God save you all!’ and added that ‘he thanked them with all his heart.’ Wonderfully transported were the people with the loving answers and gestures of their King.”

      In Fenchurch Street a “fair child, in costly apparel,” stood on a stage to welcome his Majesty to the city. The last verse of his greeting was in these words—

      “Welcome, O King! as much as hearts can think;

      Welcome, again, as much as tongue can tell,—

      Welcome to joyous tongues, and hearts that will not shrink:

      God thee preserve, we pray, and wish thee ever well.”

      The people burst forth in a glad shout, repeating with one voice what the child had said. Tom Canty gazed abroad over the surging sea of eager faces, and his heart swelled with exultation; and he felt that the one thing worth living for in this world was to be a king, and a nation’s idol. Presently he caught sight, at a distance, of a couple of his ragged Offal Court comrades – one of them the lord high admiral in his late mimic court, the other the first lord of the bedchamber in the same pretentious fiction; and his pride swelled higher than ever. Oh, if they could only recognise him now! What unspeakable glory it would be, if they could recognise him, and realise that the derided mock king of the slums and back alleys was become a real King, with illustrious dukes and princes for his humble menials, and the English world at his feet! But he had to deny himself, and choke down his desire, for such a recognition might cost more than it would come to: so he turned away his head, and left the two soiled lads to go on with their shoutings and glad adulations, unsuspicious of whom it was they were lavishing them upon.

      Every now and then rose the cry, “A largess! a largess!” and Tom responded by scattering a handful of bright new coins abroad for the multitude to scramble for.

      The chronicler says, “At the upper end of Gracechurch Street, before the sign of the Eagle, the city had erected a gorgeous arch, beneath which was a stage, which stretched from one side of the street to the other. This was an historical pageant, representing the King’s immediate progenitors. There sat Elizabeth of York in the midst of an immense white rose, whose petals formed elaborate furbelows around her; by her side was Henry VII, issuing out of a vast red rose, disposed in the same manner: the hands of the royal pair were locked together, and the wedding-ring ostentatiously displayed. From the red and white roses proceeded a stem, which reached up to a second stage, occupied by Henry VIII, issuing from a red and white rose, with the effigy of the new King’s mother, Jane Seymour, represented by his side. One branch sprang from this pair, which mounted to a third stage, where sat the effigy of Edward VI himself, enthroned in royal majesty; and the whole pageant was framed with wreaths of roses, red and white.”

      This quaint and gaudy spectacle so wrought upon the rejoicing people, that their acclamations utterly smothered the small voice of the child whose business it was to explain the thing in eulogistic rhymes. But Tom Canty was not sorry; for this loyal uproar was sweeter music to him than any poetry, no matter what its quality might be. Whithersoever Tom turned his happy young face, the people recognised the exactness of his effigy’s likeness to himself, the flesh and blood counterpart; and new whirlwinds of applause burst forth.

      The great pageant moved on, and still on, under one triumphal arch after another, and past a bewildering succession of spectacular and symbolical СКАЧАТЬ