Название: A Modern Chronicle — Complete
Автор: Winston Churchill
Издательство: Bookwire
Жанр: Языкознание
isbn: 4057664619662
isbn:
“You are doing too much, Eleanor,” she said.
Mrs. Hanbury was likewise a direct person.
“I will, take it back on one condition, Mary. If you will tell me that Tom has finished paying Randolph's debts.”
Mrs. Leffingwell was silent.
“I thought not,” said Mrs. Hanbury. “Now Randolph was my own cousin, and I insist.”
Aunt Mary turned over the envelope, and there followed a few moments' silence, broken only by the distant clamour of tin horns and other musical instruments of the season.
“I sometimes think, Mary, that Honora is a little like Randolph, and-Mrs. Randolph. Of course, I did not know her.”
“Neither did I,” said Aunt Mary.
“Mary,” said Mrs. Hanbury, again, “I realize how you worked to make the child that velvet coat. Do you think you ought to dress her that way?”
“I don't see why she shouldn't be as well dressed as the children of my friends, Eleanor.”
Mrs. Hanbury laid her hand impulsively on Aunt Mary's.
“No child I know of dresses half as well,” said Mrs. Hanbury. “The trouble you take—”
“Is rewarded,” said Aunt Mary.
“Yes,” Mrs. Hanbury agreed. “If my own daughters were half as good looking, I should be content. And Honora has an air of race. Oh, Mary, can't you see? I am only thinking of the child's future.”
“Do you expect me to take down all my mirrors, Eleanor? If she has good looks,” said Aunt Mary, “she has not learned it from my lips.”
It was true: Even Aunt Mary's enemies, and she had some, could not accuse her of the weakness of flattery. So Mrs. Hanbury smiled, and dropped the subject.
CHAPTER IV. OF TEMPERAMENT
We have the word of Mr. Cyrus Meeker that Honora did not have to learn to dance. The art came to her naturally. Of Mr. Cyrus Meeker, whose mustaches, at the age of five and sixty, are waxed as tight as ever, and whose little legs to-day are as nimble as of yore. He has a memory like Mr. Gladstone's, and can give you a social history of the city that is well worth your time and attention. He will tell you how, for instance, he was kicked by the august feet of Mr. George Hanbury on the occasion of his first lesson to that distinguished young gentleman; and how, although Mr. Meeker's shins were sore, he pleaded nobly for Mr. George, who was sent home in the carriage by himself—a punishment, by the way, which Mr. George desired above all things.
This celebrated incident occurred in the new ballroom at the top of the new house of young Mrs. Hayden, where the meetings of the dancing class were held weekly. Today the soot, like the ashes of Vesuvius, spouting from ten thousand soft-coal craters, has buried that house and the whole district fathoms deep in social obscurity. And beautiful Mrs. Hayden what has become of her? And Lucy Hayden, that doll-like darling of the gods?
All this belongs, however, to another history, which may some day be written. This one is Honora's, and must be got on with, for it is to be a chronicle of lightning changes. Happy we if we can follow Honora, and we must be prepared to make many friends and drop them in the process.
Shortly after Mrs. Hayden had built that palatial house (which had a high fence around its grounds and a driveway leading to a porte-cochere) and had given her initial ball, the dancing class began. It was on a blue afternoon in late November that Aunt Mary and Honora, with Cousin Eleanor and the two girls, and George sulking in a corner of the carriage, were driven through the gates behind Bias and the fat horses of the Hanburys.
Honora has a vivid remembrance of the impression the house made on her, with its polished floors and spacious rooms filled with a new and mysterious and altogether inspiring fashion of things. Mrs. Hayden represented the outposts in the days of Richardson and Davenport—had Honora but known it. This great house was all so different from anything she (and many others in the city) had ever seen. And she stood gazing into the drawing room, with its curtains and decorously drawn shades, in a rapture which her aunt and cousins were far from guessing.
“Come, Honora,” said her aunt. “What's the matter, dear?”
How could she explain to Aunt Mary that the sight of beautiful things gave her a sort of pain—when she did not yet know it herself? There was the massive stairway, for instance, which they ascended, softly lighted by a great leaded window of stained glass on the first landing; and the spacious bedrooms with their shining brass beds and lace spreads (another innovation which Honora resolved to adopt when she married); and at last, far above all, its deep-set windows looking out above the trees towards the park a mile to the westward, the ballroom—the ballroom, with its mirrors and high chandeliers, and chairs of gilt and blue set against the walls, all of which made no impression whatever upon George and Mary and Edith, but gave Honora a thrill. No wonder that she learned to dance quickly under such an inspiration!
And how pretty Mrs. Hayden looked as she came forward to greet them and kissed Honora! She had been Virginia Grey, and scarce had had a gown to her back when she had married the elderly Duncan Hayden, who had built her this house and presented her with a checkbook—a check-book which Virginia believed to be like the widow's cruse of oil-unfailing. Alas, those days of picnics and balls; of dinners at that recent innovation, the club; of theatre-parties and excursions to baseball games between the young men in Mrs. Hayden's train (and all young men were) who played at Harvard or Yale or Princeton; those days were too care-free to have endured.
“Aunt Mary,” asked Honora, when they were home again in the lamplight of the little sitting-room, “why was it that Mr. Meeker was so polite to Cousin Eleanor, and asked her about my dancing instead of you?”
Aunt Mary smiled.
“Because, Honora,” she said, “because I am a person of no importance in Mr. Meeker's eyes.”
“If I were a man,” cried Honora, fiercely, “I should never rest until I had made enough money to make Mr. Meeker wriggle.”
“Honora, come here,” said her aunt, gazing in troubled surprise at the tense little figure by the mantel. “I don't know what could have put such things into your head, my child. Money isn't everything. In times of real trouble it cannot save one.”
“But it can save one from humiliation!” exclaimed Honora, unexpectedly. Another sign of a peculiar precociousness, at fourteen, with which Aunt Mary was finding herself unable to cope. “I would rather be killed than СКАЧАТЬ