Lifestyle Gurus. Chris Rojek
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Название: Lifestyle Gurus

Автор: Chris Rojek

Издательство: John Wiley & Sons Limited

Жанр: Кинематограф, театр

Серия:

isbn: 9781509530205

isbn:

СКАЧАТЬ of intervention may draw on selected strands of scientific knowledge to appear credible and true. However, although lifestyle gurus commonly appeal to scientific knowledge, they are generally defined in antithesis to professional expertise and elite diagnosis and treatment. While lacking any objectively adequate certification of probity, and with surprisingly low responsibilities to subject themselves to independent regulatory discipline, the lifestyle solutions and motivational programmes advanced by lifestyle gurus carry the enamel ring of common-sense. Virtue signalling is the means to achieve the end of life satisfaction. The power of positive thinking, self-knowledge and level-headed acceptance of one’s limits along with consciousness of one’s potential, prevail over all other proposed solutions to lifestyle dilemmas and problems. Although much online advice wears its ‘alternative’ credentials with pride, solutions to life’s problems are generally exclusively focused on the individual. Testimonials to the value of collective mobilisation, organisation and protest are thin on the ground. Complicity against the domination and power of professionals is a crucial resource in social bonding and trust building. Lifestyle gurus offer lifestyle solutions that are crucially, outside of the system. Remedies are usually presented in a ludic way, involving escapism and fun. In the country of wounded amour propre, the smiley solution set by the lifestyle guru is king.

      Mead and Cooley wrote before the age of modern mass communications. It is generally accepted that the rise of modern mass communications, particularly television, has altered the ratio between the influence of direct and indirect relationships in the construction of self-feeling and self-knowledge. A key concept here is ‘para-social relationships’. Coined at the dawn of the television age, the term refers to the affective and imaginary relationships that audiences form with figures transmitted to them through the media of film and television (Horton and Wohl 1956). On-screen Others became significant affective resources for modifying the Looking-Glass Self. These para-social relationships were understood to challenge the primacy of kith and kin networks, especially in the lives of vulnerable and isolated people (Horton and Wohl 1956). In general, the discussion accepted that it was the fate of para-social relationships to loom larger in the field of interpersonal contact. Horton and Wohl did not speculate upon the form and content of imaginary and fantasy relationships in the para-social field. However, it is clear that these matters are integral to the concept.