Название: The Judas Trap
Автор: Anne Mather
Издательство: HarperCollins
Жанр: Контркультура
Серия: Mills & Boon Modern
isbn: 9781472099563
isbn:
‘Oh, but …’ Sara cast another longing look towards the windows. She couldn’t stay here, she thought wildly, but how could she get away without proving that Diane had made a fool of him yet again? Maybe he did not expect her to stay. Surely he knew Diane would never agree to remain at the house, alone with him. Perhaps his invitation was for dinner only, a chance for them to talk together about—about—what? Old times? Hardly. Her work? Hardly that either. A divorce? She breathed more freely. Yes, perhaps that was it. Adam wanted a divorce. He might have found someone else, someone he wanted to marry. A Portuguese girl maybe. A biddable Portuguese dona da casa, with no desire to do anything but care for her husband and bring up his children.
‘Diane.’
He was closer now, and in the shaft of light issuing through the unguarded window she saw his eyes, shadowed behind the tinted lenses of his glasses. Deeply set eyes they were, beneath heavy lids, strangely piercing eyes that while she knew could not see her, seemed to penetrate her guilty façade His face, too, was deeply tanned, evidence of the warmer climes he had been inhabiting, and his throat rising from the opened neck-line of a dark blue shirt was strong and corded with muscle. There was a disc suspended from a gold chain about his throat, one of those coins that could be used as a means of identity, and he wore two rings, a plain gold signet ring, and a flat copper amulet. Although he resembled the pictures she had seen of Adam Tregower, in the flesh he seemed so much more disturbing somehow, and she began to understand why Diane had been so eager to become his wife. She wondered at the ambition which had driven the other girl to leave him, for while Lance Wilmer was a handsome man, he had never possessed this man’s purely sexual attraction.
‘Come …’
He was holding out a hand towards her now, and avoiding it she had no choice but to cross the hall towards the library door. There was a moment’s pause before he followed her, and then she heard his footsteps right behind her.
The library was large, by anybody’s standards, but age and neglect had added an air of dampness and decay. Nevertheless, a fire was smouldering comfortingly in the grate, and the smell of Havana tobacco went a long way to disguising its less pleasurable aspects. Shelves of books lined two long walls and half the third, where drawn blinds indicated a shaded window. The fourth was taken up by the huge fireplace, and a pair of darkwood cabinets, in which resided a collection of chess pieces, from jade and ivory, to ebony and alabaster. There was a desk, on which a tray of drinks rested, and as well as the leather chair that faced it there was a pair of worn green velvet armchairs that fronted one another across the hearth.
Hovering in the centre of the room, Sara heard Adam close the door behind him, and presently he passed her to indicate the chairs beside the fire.
‘Won’t you sit down?’ he suggested, and with a sureness born of long practice, his hand sought the tray of drinks upon the desk.
Sara sat, partly because her legs felt a little unsure, and partly because it put more distance between them. It was all very well, posing as Caesar’s wife, but she did not know what he might expect of her, what indeed he might do to induce her to stay.
The temptation to confess her identity rose within her again only to be squashed as she watched him fumbling with the bottles. Evidently their shape and size identified them to him, and presently he turned and said: ‘What can I offer you? Whisky, gin? Or your usual?’ His lips twisted suddenly, the first sign of bitterness? ‘Or perhaps it’s not your usual any more.’
Sara hesitated. Diane’s usual drink these days was bitter lemon, with an occasional dash of vermouth, when calories permitted.
‘My—usual, I think,’ she conceded doubtfully, and swallowed rather convulsively when he presented her with a tall glass that looked as if it contained Coke, and smelled strongly of rum. She guessed Bacardi had been added, and when she tasted it her suspicions were justified.
‘Ah …’ Adam had poured himself a measure of whisky, holding the neck of the bottle against the rim of the glass, listening to the sound it made and measuring its contents accordingly. ‘It’s been a long time, Diane.’
Sara nodded, realised he couldn’t see her, and said: ‘Yes,’ in a low tone.
‘I must say you’re less—aggressive than I would have expected,’ he continued, surprisingly, supporting himself against the lip of the desk. ‘I guessed you’d come—but not without protest.’
Sara took a sip of her drink to give herself courage. So it was confirmed. Adam had sent for Diane. But why? Had he told her?
‘Do you think the place has changed much?’ he was asking now, and as this was safer ground she felt able to answer him.
‘I think—there’s dampness,’ she ventured. ‘I expect, because the house has stood empty for so long …’
‘So long,’ he agreed, his mouth drawing down at the corners. ‘Too long. What do you think, Diane?’
She didn’t understand what he was getting at. Why had he asked Diane to come down here? What possible motive could he have? He must know she was a working actress—he had intimated as much in the hall. And yet he thought he had persuaded her to come down here …
Sara pressed her lips together and stared anxiously up at those hooded eyes, dark behind their concealing lenses. What thoughts were going through his mind? What manner of man was he to imagine he could summon back a wife who had left him without scruple seven years before? If, sick and blinded, after the accident when it was suspected he had tried to kill himself, he had been unable to sustain Diane’s sympathy, why should he suppose she might come back now?
It was all getting rather deep and disturbing, and with the sky darkening outside, Sara was feeling a distinct sense of unease. It wasn’t just that she was here under false pretences. If she had been Diane herself, she felt sure she would have experienced the same kind of feeling, a sense of enclosure, of being trapped, of being imprisoned with this man in the darkness he had occupied for the past seven years …
‘Another drink?’ he suggested, but looking down at the almost untouched glass in her hands Sara demurred.
‘I—I shall have to be going soon,’ she murmured, and sensed rather than saw his stiffening features. ‘I—can’t stay here.’
‘Why not?’ His voice was harsh. ‘There are plenty of rooms; plenty, as you know only too well.’
Sara set down her glass on the hearth, welcoming the fire’s warmth against her chilled fingers. ‘I—I don’t think you understand’—she was beginning, deciding this had gone far enough, when once again he interrupted her.
‘It’s you who don’t understand, Diane!’ he declared coldly. ‘I didn’t bring you here for a friendly chat, as you’re aware. Nor do I intend that you should leave again, the minute you decide I’m no real threat to that comfortable life you’ve made for yourself!’ He tossed back the remainder of the whisky in his glass with a careless gesture. Then he faced her across the width of the faded patterned carpet, and if she had not known better she would have sworn he could see her there, sitting nervously on the edge of her chair. ‘You came because my letter frightened you, because you didn’t really believe it, but you couldn’t be absolutely certain. Since your arrival you’ve been watching me, studying my reactions, trying to decide whether I meant what I said, and if I did, what I could do about it.’
Sara СКАЧАТЬ