The quoted passage here is taken from Ludwig von Bertalanffy, Problems of Life: An Evaluation of Modern Biological and Scientific Thought (Pitman Publishing, Ltd., London, 1952), p. 103

Joyce Carol Oates asserts the moral right to be identified as the author of this work.

A catalogue record for this book is available from the British Library

This novel is entirely a work of fiction. The names, characters and incidents portrayed in it are the work of the author’s imagination. Any resemblance to actual persons, living or dead, events or localities is entirely coincidental.

All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins

Source ISBN: 9781841156996

Ebook Edition © DECEMBER 2012 ISBN: 9780007502134

Version: 2020-01-31

PRAISE

From the reviews of We Were the Mulvaneys:

‘Oates’s finest … a major achievement’

Chicago Tribune

‘We Were the Mulvaneys works not simply because of its meticulous details and gestures … What keeps us coming back to Oates Country is something stronger and spookier: her uncanny gift of making the page a window, with something on the other side that we’d swear was life itself’

DAVID GATES, New York Times

‘This is a book that will break your heart, heal it, then break it again every time you think about it’

Los Angeles Times

‘Novelists such as Updike, Roth, Wolfe and Mailer slug it out for the title of the Great American Novelist. But maybe they’re wrong. Maybe, just maybe, the Great American Novelist is a woman’

Herald

‘A brilliantly detailed and varied picture of family life and a succession of dramatic set pieces … These are people we recognise, and she makes us care deeply about them’

Kirkus