The Creativity Code. Marcus du Sautoy

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СКАЧАТЬ called ‘amashi’. One commentator compared it to a city investor who, rather than squirrelling away small gains that accumulate over time, bet the whole bank.

      Sedol and his team had stayed up all of Saturday night trying to reverse-engineer from AlphaGo’s games how it played. It seemed to work on a principle of playing moves that incrementally increase its probability of winning rather than betting on the potential outcome of a complicated single move. Sedol had witnessed this when AlphaGo preferred lazy moves to win game 3. The strategy they’d come up with was to disrupt this sensible play by playing the risky single moves. An all-or-nothing strategy might make it harder for AlphaGo to score so easily.

      AlphaGo seemed unfazed by this line of attack. Seventy moves into the game, commentators were already beginning to see that AlphaGo had once again gained the upper hand. This was confirmed by a set of conservative moves that were AlphaGo’s signal that it had the lead. Sedol had to come up with something special if he was going to regain the momentum.

      If move 37 of game 2 was AlphaGo’s moment of creative genius, move 78 of game 4 was Sedol’s retort. He’d sat there for thirty minutes staring at the board, staring at defeat, when he suddenly placed a white stone in an unusual position, between two of AlphaGo’s black stones. Michael Redmond, who was commentating on the YouTube channel, spoke for everyone: ‘It took me by surprise. I’m sure that it would take most opponents by surprise. I think it took AlphaGo by surprise.’

      It certainly seemed to. AlphaGo appeared to completely ignore the play, responding with a strange move. Within several more moves AlphaGo could see that it was losing. The DeepMind team stared at their screens behind the scenes and watched their creation imploding. It was as if move 78 short-circuited the program. It seemed to cause AlphaGo to go into meltdown as it made a whole sequence of destructive moves. This apparently is another characteristic of the way Go algorithms are programmed. Once they see that they are losing they go rather crazy.

      Silver, the chief programmer, winced as he saw the next move AlphaGo was suggesting: ‘I think they’re going to laugh.’ Sure enough, the Korean commentators collapsed into fits of giggles at the moves AlphaGo was now making. Its moves were failing the Turing Test. No human with a shred of strategic sense would make them. The game dragged on for a total of 180 moves, at which point AlphaGo put up a message on the screen that it had resigned. The press room erupted with spontaneous applause.

      The human race had got one back. AlphaGo 3 Humans 1. The smile on Lee Sedol’s face at the press conference that evening said it all. ‘This win is so valuable that I wouldn’t exchange it for anything in the world.’ The press cheered wildly. ‘It’s because of the cheers and the encouragement that you all have shown me.’

      Gu Li, who was commentating on the game in China, declared Sedol’s move 78 as the ‘hand of god’. It was a move that broke the conventional way to play the game and that was ultimately the key to its shocking impact. Yet this is characteristic of true human creativity. It is a good example of Boden’s transformational creativity, whereby breaking out of the system you can find new insights.

      At the press conference, Hassabis and Silver could not explain why AlphaGo had lost. They would need to go back and analyse why it had made such a lousy move in response to Sedol’s move 78. It turned out that AlphaGo’s experience in playing humans had led it to totally dismiss such a move as something not worth thinking about. It had assessed that this was a move that had only a one in 10,000 chance of being played. It seems as if it just had not bothered to learn a response to such a move because it had prioritised other moves as more likely and therefore more worthy of response.

      Perhaps Sedol just needed to get to know his opponent. Perhaps over a longer match he would have turned the tables on AlphaGo. Could he maintain the momentum into the fifth and final game? Losing 3–2 would be very different from 4–1. The last game was still worth competing in. If he could win a second game, then it would sow seeds of doubt about whether AlphaGo could sustain its superiority.

      But AlphaGo had learned something valuable from its loss. You play Sedol’s one in 10,000 move now against the algorithm and you won’t get away with it. That’s the power of this sort of algorithm. It learns from its mistakes.

      That’s not to say it can’t make new mistakes. As game 5 proceeded, there was a moment quite early on when AlphaGo seemed to completely miss a standard set of moves in response to a particular configuration that was building. As Hassabis tweeted from backstage: ‘#AlphaGo made a bad mistake early in the game (it didn’t know a known tesuji) but now it is trying hard to claw it back … nail-biting.’

      Sedol was in the lead at this stage. It was game on. Gradually AlphaGo did claw back. But right up to the end the DeepMind team was not exactly sure whether it was winning. Finally, on move 281 – after five hours of play – Sedol resigned. This time there were cheers backstage. Hassabis punched the air. Hugs and high fives were shared across the team. The win that Sedol had pulled off in game 4 had suddenly re-engaged their competitive spirit. It was important for them not to lose this last game.

      Looking back at the match, many recognise what an extraordinary moment this was. Some immediately commented on its being an inflexion point for AI. Sure, all this machine could do was play a board game, and yet, for those looking on, its capability to learn and adapt was something quite new. Hassabis’s tweet after winning the first game summed up the achievement: ‘#AlphaGo WINS!!!! We landed it on the moon.’ It was a good comparison. Landing on the moon did not yield extraordinary new insights about the universe, but the technology that we developed to achieve such a feat has. Following the last game, AlphaGo was awarded an honorary professional 9 dan rank by the South Korean Go Association, the highest accolade for a Go player.

      From hilltop to mountain peak

      Move 37 of game 2 was a truly creative act. It was novel, certainly, it caused surprise, and as the game evolved it proved its value. This was exploratory creativity, pushing the limits of the game to the extreme.

      One of the important points about the game of Go is that there is an objective way to test whether a novel move has value. Anyone can come up with a new move that appears creative. The art and challenge are in making a novel move that has some sort of value. How should we assess value? It can be very subjective and time-dependent. Something that is panned critically at the time of its release can be recognised generations later as a transformative creative act. Nineteenth-century audiences didn’t know what to make of Beethoven’s Symphony no. 5, and yet it is central repertoire now. During his lifetime Van Gogh could barely sell his paintings, trading them for food or painting materials, but now they go for millions. In Go there is a more tangible and immediate test of value: does it help you win the game? Move 37 won AlphaGo game 2. There was an objective measure that we could use to value the novelty of this move.

      AlphaGo had taught the world a new way to play an ancient game. Analysis since the match has resulted in new tactics. The fifth line is now played early on, as we have come to understand that it can have big implications for the endgame. AlphaGo has gone on to discover still more innovative strategies. DeepMind revealed at the beginning of 2017 that its latest iteration had played online anonymously against a range of top-ranking professionals under two pseudonyms: Master and Magister. Human players were unaware that they were playing a machine. Over a few weeks it had played a total of sixty complete games. It won all sixty games.

      But it was the analysis of the games that was truly insightful. Those games are now regarded as a treasure trove of new ideas. In several games AlphaGo played moves that beginners would have their wrists slapped for by their Go master. Traditionally you do not play a stone in the intersection of the third column and third row. And yet AlphaGo showed how to use such a move to your advantage.

Hassabis describes how the game of Go СКАЧАТЬ