Cast in Silence. Michelle Sagara

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      Author’s Note

      One of the best things—for me—about writing fantasy is that a writer can enlarge issues that people face on a daily basis, by making the stakes higher; it’s not often that you can cause the end of the world in real life because of choices you’ve made. But the end-of-the-world feeling is a very real dread day to day. The consequences are always bigger, but the emotional response is rooted in a writer’s experience, and our experiences don’t actually include dark gods, primal chaos and perfect immortals. Except maybe when we’re sleeping.

      Kaylin Neya started life on the page as a Private in the arm of Law enforcement known as The Hawks—her city’s version of a cop. But, as is so often the case, her known life started before that, and what there was of it was buried in the organizational nightmare I often refer to as my notes. Some of that past came to light in her first outing, Cast in Shadow, because a lot of her story makes no sense without it.

      She doesn’t live in the past, although she will always be affected by it, and she’s managed to keep a lid on it—until now. Cast in Silence is about the missing six months of her life, between her life in the fief of Nightshade and her life as a Hawk. To say she’s ambivalent about those six months would be a bit of an understatement.

      But to me, it echoes a lot of ambivalence about choices we made for various reasons when we were younger or less experienced. Or at least choices I did. If you’re returning to Kaylin and Elantra, I hope you enjoy reading the book as much as I did writing it.

      This is for Ayami, the sister-in-law who makes having a brother a blessing.

      ACKNOWLEDGMENTS

      Living with a writer is not easy. My children are probably used to it because it’s all they’ve ever known, but my husband, Thomas, had a sane and reasonable upbringing, and still manages to create the space in which I do write, day-in and day-out. He and Terry Pearson form my alpha reader team, and are brave enough to argue with me when reading a raw first draft (and I mean raw).

      If living with a writer is not easy, it’s my suspicion that working with a writer is often just as fraught, so I am deeply grateful to Mary-Theresa Hussey, who has been the very model of patience and understanding, and who continues to provide a home for Elantra. And to Kathleen Oudit and the art staff for the fabulous job they continue to do when creating covers for these books. If writing a novel is a solitary endeavor, publishing a novel is teamwork, and I have been blessed with a great team.

      CONTENTS

      CHAPTER 1

      CHAPTER 2

      CHAPTER 3

      CHAPTER 4

      CHAPTER 5

      CHAPTER 6

      CHAPTER 7

      CHAPTER 8

      CHAPTER 9

      CHAPTER 10

      CHAPTER 11

      CHAPTER 12

      CHAPTER 13

      CHAPTER 14

      CHAPTER 15

      CHAPTER 16

      CHAPTER 17

      CHAPTER 18

      CHAPTER 19

      CHAPTER 20

      CHAPTER 21

      CHAPTER 22

      CHAPTER 23

      CHAPTER 24

      CHAPTER 25

      CHAPTER 26

      CHAPTER 27

      CHAPTER 28

      CHAPTER 29

      EPILOGUE

      CHAPTER 1

      “It’s eight o’clock in the morning. Please remember to fill out your reports and hand in your paperwork.” Had the cheerful and musical voice belonged to a person who could be easily strangled, it would have stopped in mid-sentence.

      Sadly, it was the melodious voice of the streetside window which interrupted the bustling and vastly less perky office in which the branch of Law known as the Hawks was based. That window, which had been installed complete with a magical, time-telling voice in some misguided attempt at humor, had been adjusted in the past couple of weeks by Acting Sergeant Mallory, and no one who had to work where they could hear it—and were prevented by office regulations from destroying it—considered the adjustments to be an improvement.

      Sergeant СКАЧАТЬ