Spirit Dances. C.E. Murphy

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      For a few moments silence greeted me, and I wondered if I hadn’t left enough shiny food out for my spirit guide lately. He had a weakness for Pop-Tarts—a weakness I shared, in fact, although I liked the fakey white frosting and he liked the flimsy tinfoil wrappers. I’d gotten much, much better about leaving him treats and generally trying to be appreciative since he’d hauled my ass out of a scary spiritual snowstorm, but I still probably wasn’t the world’s most grateful shaman.

      His wings cut across the silence of the Dead Zone like the air was frozen, a whish-whish of sound that settled calmness around my heart. He plonked onto my shoulder and stuck his beak in my hair, pulling it, and I turned my face to grin into his feathery chest. “Hey, Raven. Thank you. I’m looking for a dead woman. A dancer. Naomi Allison. She…understood magic,” I said after a moment’s consideration. “Can you help me find her? You’re a lot cleverer at navigating the dead places than I am.”

      Raven let go a caw that sounded ridiculously proud, and beat his wings in the air. Or against my head, more accurately, but I wasn’t going to complain, because as he did so, the Dead Zone changed.

      I’d been flattering the bird outrageously, but I wasn’t lying. He walked a line between the living and the dead that I could never do without his help and guidance. Through his eyes, the Dead Zone became manageable: still terribly large, but traversable. Rivers appeared, some with boats full of the dead drifting down them, others broad and wide with ferrymen poling coin-eyed corpses across. Grim reapers, ranging in form from beautiful, gentle creatures to the scythe-bearing hooded thing of nightmares, led ghosts across the realm, bringing them from their mortal lives to something beyond. The Dead Zone was a transitory place, somewhere people lingered only briefly.

      And I, as a living thing, had no business there. The dead and their masters could be drawn to the living, and when they were, they tended to want to consume it. Without Raven’s presence, I was alarmingly vulnerable. With it, I merely wanted to get out of there as fast as I could. I said, “Naomi Allison,” aloud, and waited to see if reverberations touched any single soul in particular.

      I couldn’t see it, if they did. Raven, though, gave an excited quark and dug his claws into my shoulder, wings smacking my head to urge me forward. He didn’t weigh very much, but his wingspan was more than two feet across, and he hit hard. I made a feeble sound of protest, but broke into a run. There wasn’t much point in asking for his help and then sulking when he smacked me around so I’d notice it.

      I didn’t think of the Dead Zone as having any features like hills or plains, but we crested a hill and I skidded to a stop looking down on a ghost dance somewhat more literal than the one at the theater. This one, for example, was being performed by actual ghosts.

      And Naomi Allison was at its heart. She wasn’t dancing, only standing as she had been in the last moments of the theatrical performance, like she was waiting to take in all the power the others were building for her. Their dance was silent, with neither song nor drums, but somehow I could still hear both of those things in the small bones of my ears. Noiseless chanting grew in strength, reverberating around the Dead Zone and warning that my time was growing short.

      I let out a yell and slid down the hill, disrupting ghosts that were barely more than mist on my skin, raising hairs against a chill. They dissipated into nothingness as I brushed by, but others—or maybe the same ones, hell if I could tell— appeared and continued the dance. There was a different sort of feel to the Dead Zone dance. It lacked the real world’s vibrancy and sense of life, reaching beyond it to attain acceptance that had an urgency all of its own.

      I recognized the difference only a few steps from Naomi’s side, and knew then that I was already too late.

      The soundless music stopped in a shout. Naomi’s smile was brief, breathless, incandescent: all the things it should have been in the last moment of her dance at the theater. Power rushed her, but not the healing magic her troupe had built. This was the last push to take her over to the other side.

      And like that, she was gone.

      I gasped, a hard sound that hurt my throat, and to my horror, the dancers turned to me. Made me the centerpiece of their dance, the recipient of their next push. The raven on my shoulder flapped his wings like a mad thing, as if he could fly us both out of there.

      Which he probably could, actually. He’d done it before. But given that I was in full agreement with him as to the importance of skedaddling, I thought this time I could do us both a favor and use my nice long legs to run like hell.

      I ran all the way out of the Dead Zone, and awakened slumped over Naomi Allison’s unmoving body.

      The worst part was watching hope fade from everyone’s eyes as I looked up. Some of them were already crying. Others had been hanging on until I shook my head, and emptiness filled their faces. I said, “I’m sorry. She was already gone,” very quietly, and at more or less the same time people in the background began shouting about paramedics and please get out of the way and emergency action.

      I got up awkwardly. My knees were bright red from kneeling on the floor, and though I didn’t think I’d been there very long, my feet had gone to sleep. I opened a thread of healing power within myself, trying to encourage blood flow to return, then had to clench a hand in the nearby curtain to keep myself from doing a dance of oh, God, ow, my feet are waking up ow, ow, ow.

      One of the paramedics frowned at me, which was question enough. He wanted to know what a theater patron was doing backstage bending over the dead woman. He obviously hoped I was a doctor.

      I said, “Police.” His expression cleared and he turned his full attention to Naomi, shooing the dancers back to give his coworkers room to do their jobs. I watched bleakly, hoping for a miracle I was quite certain wouldn’t manifest.

      “Walker?” Morrison appeared at my side and I had the weary impulse to bury my face in his shoulder. Maybe there was some universe out there where I was five foot six and that would’ve been charming, but as it was, I’d have to stoop. Even if it weren’t professionally inappropriate, it would just look wrong.

      “They’ll have to call it heart failure,” I said softly. Very softly, because I didn’t want anyone else to overhear me. “I don’t know what else they can call it. But she was murdered, Captain. I’m sure of it. And I’m probably the only cop in the city who might have a chance at figuring out by whom.”

      “What about Holliday?”

      My partner, after all, was the one who saw ghosts. Murdered ghosts, which would make Naomi Allison a prime target for him to talk to, if she hadn’t already scurried off to the Great Beyond. I shook my head. “He’s good with violent deaths. This was close enough to natural I don’t think her soul even considered sticking around. I’m sure he’ll be able to help, but…”

      Morrison sounded like he’d rather be shouting. “Murder is never close to natural, Walker.”

      “Tell that to King George.” I sighed as Morrison’s ears turned red, sure sign he was working hard not to yell. “George the Third of England may have been poisoned with arsenic so slowly over so many years it looked like a natural descent into madness and death. His spirit wouldn’t have known to hang around hoping to be avenged any more than Naomi Allison’s might’ve.”

      “How do you know this, Walker?”

      I wasn’t sure if it was exasperation or incredulity in Morrison’s voice. “How do I know about King George or how do I know ab—”

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