Out of the Dark: Tales of Terror by Robert W. Chambers. Robert W. Chambers

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       THE MAKER OF MOONS

      ‘I have heard what the Talkers were talking – the talk

      Of the beginning and the end;

      But I do not talk of the beginning or the end.’

      I

      Concerning Yue-Laou and the Xin I know nothing more than you shall know. I am miserably anxious to clear the matter up. Perhaps what I write may save the United States Government money and lives, perhaps it may arouse the scientific world to action; at any rate it will put an end to the terrible suspense of two people. Certainty is better than suspense.

      If the Government dares to disregard this warning and refuses to send a thoroughly equipped expedition at once, the people of the State may take swift vengeance on the whole region and leave a blackened devastated waste where today forest and flowering meadowland border the lake in the Cardinal Woods.

      You already know part of the story; the New York papers have been full of alleged details. This much is true: Barris caught the ‘Shiner’ red-handed, or rather yellow-handed, for his pockets and boots and dirty fists were stuffed with lumps of gold. I say gold, advisedly. You may call it what you please. You also know how Barris was – but unless I begin at the beginning of my own experiences you will be none the wiser after all.

      On the third of August of this present year I was standing in Tiffany’s, chatting with George Godfrey of the designing department. On the glass counter between us lay a coiled serpent, an exquisite specimen of chiseled gold.

      ‘No,’ replied Godfrey to my question, ‘it isn’t my work; I wish it was. Why, man, it’s a masterpiece!’

      ‘Whose?’ I asked.

      ‘Now I should be very glad to know also,’ said Godfrey. ‘We bought it from an old jay who says he lives in the country somewhere about the Cardinal Woods. That’s near Starlit Lake, I believe—’

      ‘Lake of the Stars?’ I suggested.

      ‘Some call it Starlit Lake – it’s all the same. Well, my rustic Reuben says that he represents the sculptor of this snake for all practical and business purposes. He got his price too. We hope he’ll bring us something more. We have sold this already to the Metropolitan Museum.’

      I was leaning idly on the glass case, watching the keen eyes of the artist in precious metals as he stooped over the gold serpent.

      ‘A masterpiece!’ he muttered to himself, fondling the glittering coil, ‘look at the texture! whew!’ But I was not looking at the serpent. Something was moving – crawling out of Godfrey’s coat pocket – the pocket nearest me – something soft and yellow with crablike legs all covered with coarse yellow hair.

      ‘What in Heaven’s name,’ said I, ‘have you got in your pocket? It’s crawling out – it’s trying to creep up your coat, Godfrey!’

      He turned quickly and dragged the creature out with his left hand.

      I shrank back as he held the repulsive object dangling before me, and he laughed and placed it on the counter.

      ‘Did you ever see anything like that?’ he demanded.

      ‘No,’ said I truthfully, ‘and I hope I never shall again. What is it?’

      ‘I don’t know. Ask them at the Natural History Museum – they can’t tell you. The Smithsonian is all at sea too. It is, I believe, the connecting link between a sea urchin, a spider, and the devil. It looks venomous but I can’t find either fangs or mouth. Is it blind? These things may be eyes but they looks as if they were painted. A Japanese sculptor might have produced such an impossible beast, but it is hard to believe that God did. It looks unfinished too. I have a mad idea that this creature is only one of the parts of some larger and more grotesque organism – it looks so lonely, so hopelessly dependent, so cursedly unfinished. I’m going to use it as a model. If I don’t out-Japanese the Japs my name isn’t Godfrey.’

      The creature was moving slowly across the glass case towards me. I drew back.

      ‘Godfrey,’ I said, ‘I would execute a man who executed any such work as you propose. What do you want to perpetuate such a reptile for? I can stand the Japanese grotesque but I can’t stand that – spider—’

      ‘It’s a crab.’

      ‘Crab or spider or blindworm – ugh! What do you want to do it for? It’s a nightmare – it’s unclean!’

      I hated the thing. It was the first living creature that I had ever hated.

      For some time I had noticed a damp acrid odor in the air, and Godfrey said it came from the reptile.

      ‘Then kill it and bury it,’ I said, ‘and by the way, where did it come from?’

      ‘I don’t know that either,’ laughed Godfrey. ‘I found it clinging to the box that this gold serpent was brought in. I suppose my old Reuben is responsible.’

      ‘If the Cardinal Woods are the lurking places for things like this,’ said I, ‘I am sorry that I am going to the Cardinal Woods.’

      ‘Are you?’ asked Godfrey; ‘for the shooting?’

      ‘Yes, with Barris and Pierpont. Why don’t you kill that creature?’

      ‘Go off on your shooting trip, and let me alone,’ laughed Godfrey.

      I shuddered at the ‘crab’, and bade Godfrey good-bye until December.

      That night, Pierpont, Barris, and I sat chatting in the smoking car of the Quebec Express when the long train pulled out of the Grand Central Depot. Old David had gone forward with СКАЧАТЬ