Mr Dixon Disappears. Ian Sansom

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СКАЧАТЬ Friel wrote something else.

      ‘Are you writing all this down?’ said Israel.

      ‘Of course.’

      ‘Why?’

      ‘Because because,’ said Sergeant Friel.

      ‘Because of the wonderful things he does?’ said Israel.

      Sergeant Friel took a note of this remark too.

      ‘You don’t have to write that down! That was a joke. That was—’

      Sergeant Friel cleared his throat and appeared to be about to deliver a speech.

      ‘I am keeping a contemporaneous record of our conversation, Mr Armstrong. Because we’re going to have to take you in for questioning.’

      ‘What?’

      ‘You may have some vital information.’

      ‘But I was just here setting up my exhibition.’

      ‘Your what?’

      ‘My five-panel touring exhibition on the history of Dixon and Pickering’s. Downstairs…’

      ‘Ah, well.’ Sergeant Friel noted this down carefully. ‘This is a major crime scene now.’

      ‘But—’ began Israel.

      Sergeant Friel cleared his throat again and began another speech. ‘You do not have to say anything, Mr Armstrong. But it may harm your defence if you do not mention when questioned something which you later rely on in court. And anything you do say may be given in evidence.’

      Israel stared at him, wide-eyed. ‘What?’

      ‘Do you understand that, Mr Armstrong?’

      ‘Yes. Of course I do. No. I mean, no. I mean…What? What are you talking about? You can’t take me in for questioning. What about my exhibition? I’ve worked for months getting all that stuff together.’

      ‘That’s hardly important now, is it, Mr Armstrong?’

      ‘It may not be important to you, Sergeant, but I spent months getting those photographs laminated!’

      ‘Aye, well, that’s howsoever.’ Sergeant Friel was still scribbling in his notebook. ‘And if you could speak more slowly and clearly?’ He raised a finger. ‘And just put these on.’

      Another policeman stepped forward and dangled handcuffs in front of Israel.

      ‘What?’

      ‘Handcuffs, please,’ said Sergeant Friel.

      ‘Look, if this is because of the fines,’ said Israel.

      ‘The what?’

      ‘The library fines. You know. Because you never return your true crime books on time, and now you’re persecuting me because—’

      ‘Ach!’ said Sergeant Friel, his face reddening around his moustache. ‘This is nothing to do with library fines! This is an extremely serious matter, Mr Armstrong, and I suggest you start taking it seriously. There has been a major robbery here, and a suspected kidnapping, and you are on the scene, so we’re taking you in. It’s really quite simple. Now put these on.’

      ‘No! No.’ Israel went to turn away. ‘I am not putting on any handcuffs. I haven’t done anything wrong.’

      ‘Very well.’

      Sergeant Friel nodded at the armed police officers flanking him, who promptly stepped forward and took Israel firmly by the elbows, while Sergeant Friel took the handcuffs and slipped them on Israel, palms inward.

      ‘Hang on!’ said Israel. ‘Hang on!’

      ‘Billy!’ called Sergeant Friel, and one of the white-suited policemen who were filling the room approached Israel.

      ‘Pockets,’ said Sergeant Friel, and the white paper-suited policeman started searching Israel’s duffle coat pockets.

      ‘What!’ shouted Israel. ‘What the hell are you…! Hey! Hey!’

      He stepped back, and the two armed officers once again moved forward and took him firmly by the elbows. As the white-suited man removed the items from his pockets he gave them to another man in a white paper suit.

      ‘What the hell’s he doing?’ Israel asked of Sergeant Friel.

      ‘He’s Exhibits Officer,’ said Sergeant Friel.

      ‘He’s what?’

      As the Exhibits Officer was handed each item from Israel’s pockets he placed them with his surgically gloved fingers in little see-through plastic bags, labelling each with a pen. (The contents of Israel’s pockets, as revealed by this process were: two Pentel rollerball pens; some tissues (used); a dog-eared copy of the London Review of Books, folded in half and then into quarters, which Israel had been carrying around with him for over six months, and which he fully intended to get round to reading, eventually, if only for the Personal ads at the back; a copy of Carry On, Jeeves, which was his current between-service-points reading; a page torn out from last week’s Guardian, containing an advertisement for the position of senior information assistant at the British Library, a job Israel knew he’d never get but which he might apply for anyway; a Snickers bar, which he’d clearly forgotten about, because if he’d known he’d have eaten it already; and a cassette, sides three and four, from an eight-cassette set of Stephen Fry reading Harry Potter and the Philosopher’s Stone, which had somehow become separated from the box in the library and which he’d forgotten to reshelve; his mobile phone; and lint, a lot of lint.)

      Then they swabbed his hands.

      Pockets emptied, hands wiped, Israel was escorted through the offices and down the first set of stairs into the department store, which was filled with policemen, swarming like locusts, and then down the mahogany staircase and out of the front of the building, where none other than Ted Carson happened at that moment to be arriving in his cab, his old Austin Allegro with its illuminated orange bear on the roof (‘Ted’s Cabs: If You Want To Get There, Call the Bear’). Ted was supposed to have been there over an hour ago, helping Israel set up the exhibition. He was too late now.

      Ted wound down his window.

      ‘What’s he done now then?’ said Ted, as if all he could expect from Israel was trouble, and as though the sight of him being escorted handcuffed by armed police officers was pretty much a normal turn of events.

      ‘Ted!’ said Israel.

      ‘Ted,’ said Sergeant Friel.

      ‘Brendan. What’s the trouble?’

      ‘There’s been a theft, Ted. This is a crime scene now.’

      ‘Aye, well,’ said Ted, who made the fact of Dixon and Pickering’s having turned into a crime scene sound no more interesting than a change in the weather. ‘But what’s he to do with it?’

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