Название: Tess of the D’Urbervilles
Автор: Томас Харди
Издательство: HarperCollins
Жанр: Классическая проза
isbn: 9780007382569
isbn:
The chief pleasure of these philosophers lay in going every Saturday night, when work was done, to Chaseborough, a decayed market-town two or three miles distant; and, returning in the small hours of the next morning, to spend Sunday in sleeping off the dyspeptic effects of the curious compounds sold to them as beer by the monopolisers of the once independent inns.
For a long time Tess did not join in the weekly pilgrimages. But under pressure from matrons not much older than herself—for a field-man’s wages being as high at twenty-one as at forty, marriage was early here—Tess at length consented to go. Her first experience of the journey afforded her more enjoyment than she had expected, the hilariousness of the others being quite contagious after her monotonous attention to the poultry-farm all the week. She went again and again. Being graceful and interesting, standing moreover on the momentary threshold of womanhood, her appearance drew down upon her some sly regards from loungers in the streets of Chaseborough; hence, though sometimes her journey to the town was made independently, she always searched for her fellows at nightfall, to have the protection of their companionship homeward.
This had gone on for a month or two when there came a Saturday in September, on which a fair and a market coincided; and the pilgrims from Trantridge sought double delights at the inns on that account. Tess’s occupations made her late in setting out, so that her comrades reached the town long before her. It was a fine September evening, just before sunset, when yellow lights struggle with blue shades in hairlike lines, and the atmosphere itself forms a prospect without aid from more solid objects, except the innumerable winged insects that dance in it. Through this low-lit mistiness Tess walked leisurely along.
She did not discover the coincidence of the market with the fair till she had reached the place, by which time it was close upon dusk. Her limited marketing was soon completed; and then as usual she began to look about for some of the Trantridge cottagers.
At first she could not find them, and she was informed that most of them had gone to what they called a private little jig at the house of a hay-trusser and peat-dealer who had transactions with their farm. He lived in an out-of-the-way nook of the townlet, and in trying to find her course thither her eyes fell upon Mr. d’Urberville standing at a street corner.
‘What—my Beauty? You here so late?’ he said.
She told him that she was simply waiting for company homeward.
‘I’ll see you again,’ said he over her shoulder as she went on down the back lane.
Approaching the hay-trussers she could hear the fiddled notes of a reel proceeding from some building in the rear; but no sound of dancing was audible—an exceptional state of things for these parts, where as a rule the stamping drowned the music. The front door being open she could see straight through the house into the garden at the back as far as the shades of night would allow; and nobody appearing to her knock she traversed the dwelling and went up the path to the outhouse whence the sound had attracted her.
It was a windowless erection used for storage, and from the open door there floated into the obscurity a mist of yellow radiance, which at first Tess thought to be illuminated smoke. But on drawing nearer she perceived that it was a cloud of dust, lit by candles within the outhouse, whose beams upon the haze carried forward the outline of the doorway into the wide night of the garden.
When she came close and looked in she beheld indistinct forms racing up and down to the figure of the dance, the silence of their footfalls arising from their being overshoe in ‘scroff’—that is to say, the powdery residuum from the storage of peat and other products, the stirring of which by their turbulent feet created the nebulosity that involved the scene. Through this floating, fusty debris of peat and hay, mixed with the perspirations and warmth of the dancers, and forming together a sort of vegeto-human pollen, the muted fiddles feebly pushed their notes, in marked contrast to the spirit with which the measure was trodden out. They coughed as they danced, and laughed as they coughed. Of the rushing couples there could barely be discerned more than the high lights—the indistinctness shaping them to satyrs clasping nymphs—a multiplicity of Pans whirling a multiplicity of Syrinxes; Lotis attempting to elude Priapus, and always failing.
At intervals a couple would approach the doorway for air, and the haze no longer veiling their features, the demigods resolved themselves into the homely personalities of her own next-door neighbours. Could Trantridge in two or three short hours have metamorphosed itself thus madly!
Some Sileni of the throng sat on benches and hay-trusses by the wall; and one of them recognized her.
‘The maids don’t think it respectable to dance at “The Flower-de-Luce,”’ he explained. ‘They don’t like to let everybody see which be their fancy-men. Besides, the house sometimes shuts up just when their jints begin to get greased. So we come here and send out for liquor.’
‘But when be any of you going home?’ asked Tess with some anxiety.
‘Now—a’most directly. This is all but the last jig.’
She waited. The reel drew to a close, and some of the party were in the mind of starting. But others would not, and another dance was formed. This surely would end it, thought Tess. But it merged in yet another. She became restless and uneasy; yet, having waited so long, it was necessary to wait longer; on account of the fair the roads were dotted with roving characters of possibly ill intent; and, though not fearful of measurable dangers, she feared the unknown. Had she been near Marlott she would have had less dread.
‘Don’t ye be nervous, my dear good soul,’ expostulated, between his coughs, a young man with a wet face, and his straw hat so far back upon his head that the brim encircled it like the nimbus of a saint. ‘What’s yer hurry? Tomorrow is Sunday, thank God, and we can sleep it off in church-time. Now, have a turn with me?’
She did not abhor dancing, but she was not going to dance here. The movement grew more passionate: the fiddlers behind the luminous pillar of cloud now and then varied the air by playing on the wrong side of the bridge or with the back of the bow. But it did not matter; the panting shapes spun onwards.
They did not vary their partners if their inclination were to stick to previous ones. Changing partners simply meant that a satisfactory choice had not as yet been arrived at by one or other of the pair, and by this time every couple had been suitably matched. It was then that the ecstasy and the dream began, in which emotion was the matter of the universe, and matter but an adventitious intrusion likely to hinder you from spinning where you wanted to spin.
Suddenly there was a dull thump on the ground: a couple had fallen, and lay in a mixed heap. The next couple, unable to check its progress, came toppling over the obstacle. An inner cloud of dust rose around the prostrate figures amid the general one of the room, in which a twitching entanglement of arms and legs was discernible.
‘You shall catch it for this, my gentleman, when you get home!’ burst in female accents from the human heap—those of the unhappy partner of the man whose clumsiness had caused the mishap; she happened also to be his recently married wife, in which assortment there was nothing unusual at Trantridge as long as any affection remained between wedded couples; and, indeed, it was not uncustomary in their later lives, to avoid making odd lots of the single people between whom there might be a warm understanding.
A loud laugh from behind Tess’s back, in the shade of the garden, united with the titter within the room. She looked round, and saw the red coal of a cigar: Alec d’Urberville was standing there alone. He beckoned to her, and she reluctantly retreated towards him.
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