Sugar And Spice. Shirley Jump

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      Published by Kensington Publishing Corporation

      Sugar and Spice

      FERN MICHAELS

       BEVERLY BARTON

       JOANNE FLUKE

       SHIRLEY JUMP

      Contents

      The Christmas Stocking

      FERN MICHAELS

      Ghost of Christmas Past

      BEVERLY BARTON

      Twelve Desserts of Christmas

      JOANNE FLUKE

      Twelve Days

      SHIRLEY JUMP

      The Christmas Stocking

      FERN MICHAELS

      Chapter One

      Los Angeles, California

       October, Two Months Before Christmas

      It was a beautiful five-story building with clean lines, shimmering plate glass and a bright yellow door. A tribute to the architect who designed the building. An elongated piece of driftwood attached to the right of the door was painted the same shade of yellow. The plaque said it was the Sara Moss Building. The overall opinion of visitors and clients was that the building was impressive, which was the architect and owner’s intent.

      The young sun was just creeping over the horizon when Gus Moss tucked his briefcase between his knees as he fished in his jeans pocket for the key that would unlock his pride and joy, the Sara Moss Building named after his mother.

      Inside, Gus turned off the alarm, flicked light switches. He took a moment to look around the lobby of the building he’d designed when he was still in school studying architecture. He thanked God every day that he’d been able to show his mother the blueprints before she’d passed on. It was his mother’s idea to have live bamboo plants to match the green marble floors. It was also her idea to paint clouds and a blue sky on the ceiling. The fieldstone wall behind the shimmering mahogany desk was a must, she’d said. Fieldstones he’d brought to California from Fairfax, Virginia, in a U-Haul truck. There was nothing he could deny his mother because he was who he was because of her.

      There was only one picture hanging in the lobby: Sara Moss standing next to a sixty-foot blue spruce Christmas tree that she had his father plant the day he was born. That tree was gone now from the Moss Christmas Tree Farm, donated to the White House by his father the same year his mother died. Over his objections.

      He’d gone to Washington, DC, that year and took the Christmas tour so he could see the tree. He’d been so choked up he could hardly get the words out to one of the security detail. “Can you break off a branch from the back of the tree and give it to me?” For one wild moment he thought he was going to be arrested until he explained to the agent why he wanted the branch. He’d had to wait over two hours for one of the gardeners to arrive with a pair of clippers. He’d had a hard time not bawling his eyes out that day but he’d returned to California with the branch. Pressed between two panes of glass, it now hung on the wall over his drafting table. He looked at it a hundred times a day and it meant more to him than anything else in the world.

      Gus stared at the picture of his mother the way he did every morning. As always, his eyes grew moist and his heart took on an extra beat. He offered up a snappy salute the way he’d always done when she was right about something and he was wrong. At this point in his daily routine, he never dawdled. He sprinted across the lobby to the elevator and rode to the fifth floor where he had his office so he could settle in for the day.

      As always, Gus made his own coffee. While he waited for it to drip into the pot, he checked his appointment book. A light day. He really liked Fridays because they led to the weekend. Still, it was the middle of October and business tended to slow down as a rule. He wished it was otherwise, because the approaching holiday season always left him depressed. He told himself not to complain; he had more business than he could handle the other ten months of the year. When you were named “Architect of the Year” five years running and “Architect to the Stars” six years running, there was no reason to complain. His burgeoning bank balance said his net worth was right up there with some of Hollywood’s finest stars. He wasn’t about money, though. He was about creating something from nothing, letting his imagination run the gamut. Architectural Digest had featured eleven of his projects to date and called him a “Wonder Boy.”

      Everyone in the business who knew or knew of Gus Moss were aware that when the new owners moved into one of his custom-designed houses, Gus himself showed up wearing a tool belt and carrying a Marty Bell painting, his gift to the new owners, СКАЧАТЬ