Blood Stitches. Erin Fanning

Чтение книги онлайн.

СКАЧАТЬ on>

      Cover Copy

      It’s called El Toque de la Luna—Touched by the Moon. At least that’s how nineteen-year-old Gabby’s older sister, Esperanza, refers to the magical powers she inherited from their Mayan ancestors. Esperanza says women with El Toque weave magic into their knitting, creating tapestries capable of saving—or devastating—the world. Gabby thinks Esperanza is more like touched in the head—until a man dressed like a candy corn arrives at their Seattle home on Halloween. But “Mr. C” is far from sweet…

      Soon, Gabby and her almost-more-than-friend, Frank, find themselves spirited away to a demon ball, complete with shape shifters—and on a mission to destroy Esperanza’s tapestries before they cause an apocalyptic disaster…And before it’s too late to confess their true feelings for each other.

      Visit us at www.kensingtonbooks.com

      Books by Erin Fanning

      Blood Stitches

      Published by Kensington Publishing Corporation

      Blood Stitches

      Erin Fanning

      LYRICAL PRESS

      Kensington Publishing Corp.

      www.kensingtonbooks.com

      Copyright

      Lyrical Press books are published by

      Kensington Publishing Corp. 119 West 40th Street New York, NY 10018

      Copyright © 2014 by Erin Fanning

      All rights reserved. No part of this book may be reproduced in any form or by any means without the prior written consent of the Publisher, excepting brief quotes used in reviews.

      All Kensington titles, imprints, and distributed lines are available at special quantity discounts for bulk purchases for sales promotion, premiums, fund- raising, and educational or institutional use.

      Special book excerpts or customized printings can also be created to fit specific needs. For details, write or phone the office of the Kensington Special Sales Manager:

      Kensington Publishing Corp.

      119 West 40th Street

      New York, NY 10018

      Attn. Special Sales Department. Phone: 1-800-221-2647.

      Kensington and the K logo Reg. U.S. Pat. & TM Off.

      Lyrical Press and the L logo are trademarks of Kensington Publishing Corp.

      First Electronic Edition: May 2015

      eISBN-13: 978-1-61650-673-5

      eISBN-10: 1-61650-673-3

      Printed in the United States of America

      Dedication

      For my mother Sherry and sister Kelly,

      my first, and still favorite, reading companions.

      Acknowledgements

      In 2009, an Italian woman, trapped underneath her bed after an earthquake, kept herself occupied by knitting. I read about her around the same time I was learning how to knit. I imagined firefighters digging through the rubble and finding her wrapped in a knitted afghan.

      The story tumbled around in my brain, somehow intersecting with my interest in Mexican culture. From there, I discovered the Mayan twin myth and the battle with the demon Vucub Caquix. Bit and pieces of Mayan mythology adhered themselves to my imagination, morphing into a history of magic and needlework.

      Soon Gabby and her family formed, along with a question: what if you could not only knit your way to safety but also create a disaster through knitting. It wasn’t long afterward that Blood Stitches pushed its way through my fingertips.

      As with all writing, many people touched this story and I’m forever grateful to them. Lori, Emily, and Carl read early drafts of Blood Stitches, and then Lori read it all over again. Ann, Kelly, and Sherry encouraged me more than they’ll ever realize. Finally, Renee and Lyrical Press gave Blood Stitches a chance to find an audience, while Penny helped me sculpt it into a better book.

      But, as with most good things in my life, I ultimately have my husband Keith to thank. The story never would have existed if he hadn’t said almost twenty years ago, “Let’s quit our jobs and travel.” It opened the possibilities of a life no longer constrained by societal expectations and reignited the writing flame from my childhood.

      Chapter 1

      Trick or Treat

      A gust of wind scattered leaves across the University of Seattle campus. My hair tangled over my face. New contacts tortured my eyes, and books weighed down my backpack. It didn’t matter. A tornado could have snatched me up. As long as it carried me home and put an end to the anniversary of the worst day of my life.

      “Watch out, Gabby.” My best friend Frank thrust his hands deep into the pockets of his pinstriped suit. “We’re being followed by a giant candy corn.”

      “Giant candy corn? Yeah, right.” If I turned around, Frank would laugh and say, “Gotcha”, or some other dorky thing. The mind-numbing boredom of Calculus I, our last class of the day, always set Frank off, making him zanier than usual.

      “I mean it. We’ve got a candy corn on our tail.” Frank whistled a Lester Ruben song as he sauntered ahead.

      “Okay, okay. Let me see this Halloween wonder.” If I didn’t give in, Frank would never leave me alone. I whirled, ready to hear Frank’s laugh, and almost ran into a man. His face glowed orange, like someone who’d spent too much time in a tanning booth, and he wore a white cap pulled down to his ears. A yellow scarf hid his neck and chin. For once, Frank wasn’t kidding. The man resembled a giant candy corn.

      Shredded paper and a postage stamp poked out of his scarf, and a moon decorated an edge of the knitting, like one of my older sister Esperanza’s creations. It didn’t seem possible, but no one else I knew added garbage and a signature moon to their knitting. A wool coat covered the rest of him, except his face and steel-tipped boots.

      “Sorry.” I jumped back.

      Frank’s chuckles mixed with squirrels chattering in a nearby tree. Drizzle moistened my forehead, and a cold dampness seeped into my bones. Everything seemed to happen in slow motion, like watching Esperanza unravel her knitting one stitch at a time to fix a mistake.

      The man, smelling of hot chocolate and rotten eggs, stepped closer. He only reached my shoulder but doubled me in width, giving an impression of strength instead of fat, as if more than his boots were constructed of steel. I met his eyes, bloodshot СКАЧАТЬ