Название: The Second Science Fiction MEGAPACK®
Автор: Robert Silverberg
Издательство: Ingram
Жанр: Научная фантастика
isbn: 9781434437815
isbn:
“And here is a quote from Kingsley-Schultz: ‘Hull-Mendoza don’t know what he’s talking about. He should drop dead.’ Unquote. Hull-Mendoza says he won’t publistat the affydavits to pertect his sources. He says they was sworn by three former employees of the Bureau which was fired for in-competence and in-com-pat-ibility by Kingsley-Schultz.
“Elsewhere they was the usual run of traffic accidents. A three-way pileup of cars on Route 66 going outta Chicago took twelve lives. The Chicago-Los Angeles morning rocket crashed and exploded in the Mo-have-Mo-javvy-whatever-you-call-it Desert. All the 94 people aboard got killed. A Civil Aeronautics Authority investigator on the scene says that the pilot was buzzing herds of sheep and didn’t pull out in time.
“Hey! Here’s a hot one from New York! A diesel tug run wild in the harbor while the crew was below and shoved in the port bow of the luck-shury liner S. S. Placentia. It says the ship filled and sank taking the lives of an es-ti-mated 180 passengers and 50 crew members. Six divers was sent down to study the wreckage, but they died, too, when their suits turned out to be fulla little holes.
“And here is a bulletin I just got from Denver. It seems—”
Barlow took off the headset uncomprehendingly. “He seemed so callous,” he yelled at the driver. “I was listening to a newscast—”
Tinny-Peete shook his head and pointed at his ears. The roar of air was deafening. Barlow frowned baffledly and stared out of the window. A glowing sign said: MOOGS! WOULD YOU BUY IT FOR A QUARTER? He didn’t know what Moogs was or were; the illustration showed an incredibly proportioned girl, 99.9 percent naked, writhing passionately in animated full color. The roadside jingle was still with him, but with a new feature. Radar or something spotted the car and alerted the lines of the jingle. Each in turn sped along a roadside track, even with the car, so it could be read before the next line was alerted.
IF THERE’S A GIRL YOU WANT TO GET
DEFLOCCULIZE UNROMANTIC SWEAT.
“A*R*M*P*I*T*T*O”
Another animated job, in two panels, the familiar “Before and After.” The first said, “Just Any Cigar?” and was illustrated with a two-person domestic tragedy of a wife holding her nose while her coarse and red-faced husband puffed a slimy-looking rope. The second panel glowed, “Or a VUELTA ABAJO?” and was illustrated with—Barlow blushed and looked at his feet until they had passed the sign.
“Coming into Chicago!” bawled Tinny-Peete. Other cars were showing up, all of them dreamboats. Watching them, Barlow began to wonder if he knew what a kilometer was, exactly. They seemed to be traveling so slowly, if you ignored the roaring air past your ears and didn’t let the speedy lines of the dreamboats fool you. He would have sworn they were really crawling along at twenty-five, with occasional spurts up to thirty. How much was a kilometer, anyway? The city loomed ahead, and it was just what it ought to be: towering skyscrapers, overhead ramps, landing platforms for helicopters—
He clutched at the cushions. Those two copters. They were going to—they were going to—they—
He didn’t see what happened because their apparent collision courses took them behind a giant building. Screamingly sweet blasts of sound surrounded them as they stopped for a red light.
“What the hell is going on here?” said Barlow in a shrill, frightened voice, because the braking time was just about zero, and he wasn’t hurled against the dashboard. “Who’s kidding who?”
“Why, what’s the matter?” demanded the driver.
The light changed to green and he started the pickup. Barlow stiffened as he realized that the rush of air past his ears began just a brief, unreal split second before the car was actually moving. He grabbed for the door handle on his side. The city grew on them slowly: scattered buildings, denser buildings, taller buildings, and a red light ahead. The car rolled to a stop in zero braking time, the rush of air cut off an instant after it stopped, and Barlow was out of the car and running frenziedly down a sidewalk one instant after that.
They’ll track me down, he thought, panting. It’s a secret police thing. They’ll get you—mind-reading machines, television eyes everywhere, afraid you’ll tell their slaves about freedom and stuff. They don’t let anybody cross them, like that story I once read. Winded, he slowed to a walk and congratulated himself that he had guts enough not to turn around. That was what they always watched for. Walking, he was just another business-suited back among hundreds. He would be safe, he would be safe—
A hand gripped his shoulder and words tumbled from a large, coarse, handsome face thrust close to his: “Wassamatta bumpinninna people likeya owna sidewalk gotta miner slamya jima mushya bassar!” It was neither the mad potter nor the mad driver.
“Excuse me,” said Barlow. “What did you say?”
“Oh, yeah?” yelled the stranger dangerously, and waited for an answer.
Barlow, with the feeling that he had somehow been suckered into the short end of an intricate land-title deal, heard himself reply belligerently, “Yeah!”
The stranger let go of his shoulder and snarled, “Oh, yeah?”
“Yeah!” said Barlow, yanking his jacket back into shape.
“Aaah!” snarled the stranger, with more contempt and disgust than ferocity. He added an obscenity current in Barlow’s time, a standard but physiologically impossible directive, and strutted off hulking his shoulders and balling his fists.
Barlow walked on, trembling. Evidently he had handled it well enough. He stopped at a red light while the long, low dreamboats roared before him and pedestrians in the sidewalk flow with him threaded their ways through the stream of cars. Brakes screamed, fenders clanged and dented, hoarse cries flew back and forth between drivers and walkers.
He leaped backward frantically as one car swerved over an arc of sidewalk to miss another. The signal changed to green; the cars kept on coming for about thirty seconds and then dwindled to an occasional light runner. Barlow crossed warily and leaned against a vending machine, blowing big breaths.
Look natural, he told himself. Do something normal. Buy something from the machine. He fumbled out some change, got a newspaper for a dime, a handkerchief for a quarter and a candy bar for another quarter. The faint chocolate smell made him ravenous suddenly. He clawed at the glassy wrapper printed “Crigglies” quite futilely for a few seconds, and then it divided neatly by itself. The bar made three good bites, and he bought two more and gobbled them down. Thirsty, he drew a carbonated orange drink in another one of the glassy wrappers from the machine for another dime. When he fumbled with it, it divided neatly and spilled all over his knees.
Barlow decided he had been there long enough and walked on. The shop windows were—shop windows. People still wore and bought clothes, still smoked and bought tobacco, still ate and bought food. And they still went to the movies, he saw with pleased surprise as he passed and then returned to a glittering place whose sign said it was THE BIJOU. The place seemed to be showing a triple feature, Babies Are Terrible, Don’t Have Children, and The Canali Kid.
It was irresistible; he paid a dollar and went in. He caught the tail end of The Canali Kid in three-dimensional, full-color, full-scent production. It appeared to be an interplanetary saga winding up with a chase scene and a reconciliation between estranged hero and heroine. Babies Are Terrible and Don’t Have Children were fantastic arguments СКАЧАТЬ