The Lost Treasures of R&B. Nelson George
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Название: The Lost Treasures of R&B

Автор: Nelson George

Издательство: Ingram

Жанр: Зарубежные детективы

Серия: A D Hunter Mystery

isbn: 9781617753275

isbn:

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       Table of Contents

      ___________________

       I’VE GOT DREAMS TO REMEMBER

       100 YARD DASH

       . . . TIL THE COPS COME KNOCKIN’

       COUNTRY BOY & CITY GIRL

       INNER CITY BLUES

       THAT’S THE WAY OF THE WORLD

       ASCENSION

       I’LL ALWAYS LOVE MY MAMA

       YOU GOT ME

       POUR IT UP

       SUMTHIN’ SUMTHIN’

       ON & ON

       LIVE LIKE A KING

       FIRE WE MAKE

       FEENIN’

       A CHANGE IS GONNA COME

       OTHERSIDE OF THE GAME

       TIGHTROPE

       ASK OF YOU

       I’M COMING OUT

       LOVE HANGOVER

       BE HERE

       LONELY TEARDROPS

       GETTIN’ IN THE WAY

       SHIT, DAMN, MOTHERFUCKER

       THE ROOT

       BAD HABITS

       DIDN’T CHA KNOW

       SMILING FACES SOMETIMES

       FISTFUL OF TEARS

       The Lost Treasures Playlist

       E-Book Extra, excerpt from The Plot Against Hip Hop

       Nelson George

       Copyright & Credits

       About Akashic Books

       Dedicated to the woman who taught me to read—

       my mother, Arizona B. George.

       Special thanks: Samson for the fight club, Alan Leeds for the access,

       the UK Stunners for the fun (RIP the Queen of Clubz), and the

       now departed “record men” (Joe Medlin, Jack Gibson,

       Dave Clark) for embodying Edge.

      I’VE GOT DREAMS TO REMEMBER

      D Hunter had been having sad, traumatic, musical, sometimes unspeakable, oft times prophetic dreams since he was eight. All three of his brothers had been murdered in Brownsville by then, so there was no doubt that this trauma had twisted up homeboy’s subconscious.

      But did these dreams really contain prophecies? He never understood them while they were happening. Not until well after the fact was their truth revealed. He certainly didn’t think he deserved foresight and he sure as hell didn’t want it, since it felt more an affliction than a comfort. D’s dream on his last night living in Manhattan had gone like this:

       A soul singer, resplendent in a shark fin–silver suit with three buttons open on his white shirt, was onstage at some Chitlin’ Circuit palace that could have been Harlem’s Apollo, Chicago’s Regal, Philly’s Uptown, or DC’s Howard back when a Negro’s big-city life was trapped within a few square miles per metropolis.

       But the soul singer wasn’t singing. From his open mouth came the percussive sounds of bass, drums, and even keyboards, as if Doug E. Fresh had been teleported back to the ’60s. Break beats—“Funky Drummer,” “Dance to the Drummer’s Beat,” “Tramp,” songs recorded before D was born and reanimated by DJs and B-boys—exploded in a barrage of rhythm.

       D sat alone, orchestra center, row E, seat twenty-four, his eyes locked with the shark skin–suited beat boxer as the lights went down and the singer became a living black-light poster with his teeth, cuff links, and pocket square radiating a blue neon glow.

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