The 30-Minute Shakespeare Anthology. William Shakespeare

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      To the memory

      of my uncle

      Peter H. Sellers

      a true Renaissance man

      Special thanks to Joanne Flynn, Bill Newlin, Eliza Newlin Carney, William and Louisa Newlin, Michael Tolaydo, Hilary Kacser, Sarah Juckniess, Katherine Little, Eva Zimmerman, Leah Gordon, Tanya Tolchin, Frank Harris, Julie Schaper and all of Consortium, Leo Bowman and the students, faculty, and staff at Banneker Academic High School, Charlie Feeser, Paul Reisman, Robert Young Ph.D., Peggy O’Brien Ph.D., and the Folger Shakespeare Library, especially the wonderful Education Department.

       TABLE OF CONTENTS

Introduction

As You Like It

The Comedy of Errors

Hamlet

Henry IV, Part 1

Julius Caesar

       King Lear

       Love’s Labor’s Lost

       Macbeth

       The Merchant of Venice

       The Merry Wives of Windsor

       A Midsummer Night’s Dream

       Much Ado About Nothing

       Othello

       Romeo and Juliet

       The Taming of the Shrew

       The Tempest

       Twelfth Night

       The Two Gentlemen of Verona

      Performing Shakespeare

      Additional Resources

       INTRODUCTION

      There is something about a Shakespearean monologue that sets it apart from all other speeches. It is not just the iambic pentameter, although no other playwright uses that structure with such brilliance. It is the way the language transports us into the inner life of the speaker, using words so descriptive and colorful as to almost magically bring characters into existence, fully human and breathtakingly dramatic.

      This collection contains nine monologues for male characters and nine for female characters. You can act across gender lines, of course: Shakespeare would approve, since male actors generally played the female roles in his time. I saw a wonderful all-male production of Twelfth Night on Broadway in 2014. Female high school students originally performed many of the male characters’ speeches in this book on an Elizabethan stage as part of Folger Education’s annual Secondary School Shakespeare Festival in Washington, D.C.

      If you are reciting the monologues for an audition, unless you have a reason for doing otherwise, you may prefer to stick to roles that correspond with your gender. The choice is yours. In some of these monologues, a female character is disguising herself as a male. The dramatic and comedic possibilities for gender bending already exist in the plays—have fun!

      This book is designed for students, teachers, and anyone interested in furthering a love for Shakespeare’s poetic language, characters, and stories. It is perfect for a classroom, audition, competition, or performance. Everyone from middle and high school to graduate school and the professional world will benefit from this collection of scenes with featured monologues, all of which I have directed in performance with groups of high school English students at Folger Education’s Secondary School Shakespeare Festival.

      Some of these speeches are famous, recognizable as part of Shakespeare’s СКАЧАТЬ