An Invention without a Future. James Naremore

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      University of California Press

      BERKELEYLOS ANGELESLONDON

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      University of California Press

      Berkeley and Los Angeles, California

      University of California Press, Ltd.

      London, England

      © 2014 by The Regents of the University of California

      Library of Congress Cataloging-in-Publication Data

      Naremore, James.

      An invention without a future : essays on cinema / James Naremore.

      pagescm

      Includes bibliographical references and index.

      ISBN 978-0-520-27973-5 (cloth : alk. paper)—ISBN 978-0-520-27974-2 (pbk. : alk. paper)—ISBN 978-0-520-95794-7 (ebook)

      1. Motion pictures.I. Title.

      PN1995.N33952014

      791.43—dc23

      2013032932

      Manufactured in the United States of America

      23 22 21 20 19 18 17 16 15 14

      10 9 8 7 6 5 4 3 2 1

      In keeping with a commitment to support environmentally responsible and sustainable printing practices, UC Press has printed this book on Natures Natural, a fiber that contains 30% post-consumer waste and meets the minimum requirements of ANSI/NISO Z39.48-1992 (R 1997) (Permanence of Paper).

      For Darlene, as always

      Contents

      Acknowledgments

      Introduction: An Invention without a Future

      PART I.ISSUES

      Authorship, Auteurism, and Cultural Politics

      The Reign of Adaptation

      Notes on Acting in Cinema

      Imitation, Eccentricity, and Impersonation in Movie Acting

      The Death and Rebirth of Rhetoric

      PART II.AUTHORS, ACTORS, ADAPTATIONS

      Hawks, Chandler, Bogart, Bacall: The Big Sleep

      Uptown Folk: Blackness and Entertainment in Cabin in the Sky

      Hitchcock and Humor

      Hitchcock at the Margins of Noir

      Spies and Lovers: North by Northwest

      Welles, Hollywood, and Heart of Darkness

      Orson Welles and Movie Acting

      Welles and Kubrick: Two Forms of Exile

      The Treasure of the Sierra Madre

      The Return of The Dead

      PART III.IN DEFENSE OF CRITICISM

      James Agee

      Manny Farber

      Andrew Sarris

      Jonathan Rosenbaum

      Four Years as a Critic: 2007–2010

      Works Cited

      Index

      Acknowledgments

      Different versions of several essays in this book were published elsewhere or were commissioned as public lectures. I am grateful to the following publishers and institutions:

      “Authorship, Auteurism, and Cultural Politics” derives from “Authorship and the Cultural Politics of Film Criticism,” in Film Quarterly (Fall 1990) and “Authorship,” in A Companion to Film Theory, ed. Toby Miller and Robert Stam (Oxford: Blackwell, 1999).

      “The Reign of Adaptation,” in a different form, appeared in Distinguished Lecturer Series (Indiana University Institute for Advanced Study, no. 10) and as the Introduction to Film Adaptation, ed. James Naremore (New Brunswick, NJ: Rutgers, 2000).

      “Notes on Acting in Cinema” was originally published as “Acting in the Cinema,” in The Cinema Book, ed. Pam Cook (London: BFI, 2005).

      “Imitation, Eccentricity, and Impersonation in Movie Acting” is a revised and expanded version of a lecture entitled “Film Acting and the Arts of Imitation,” presented to the conference of the Group for the Study of the Actor in Cinema at the Cinémathèque de Nice, France; the lecture was later published in the proceedings of the conference and in Film Quarterly (Summer 2012).

      “The Death and Rebirth of Rhetoric,” in a shorter version, was a conference paper in a panel organized at the Society of Cinema Studies in 2000 and later published in the online journal Senses of Cinema (April 2000).

      “Hawks, Chandler, Bogart, Bacall: The Big Sleep” originated as the keynote address for the Noir Festival at the New School in New York, 2011. It was also delivered at the Key Figures in Film Studies lectures sponsored by King’s College London and the British Film Institute; at Middlebury College; and at the University of Iowa Annual Film Studies Lecture in 2011.

      “Uptown Folk: Blackness and Entertainment in Cabin in the Sky,” in a slightly different СКАЧАТЬ