Erebus. Michael Palin

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      I’ve always been fascinated by sea stories. I discovered C.S. Forester’s Horatio Hornblower novels when I was eleven or twelve, and scoured Sheffield city libraries for any I might have missed. For harder stuff, I moved on to The Cruel Sea by Nicholas Monsarrat – one of the most powerful books of my childhood, even though I was only allowed to read the ‘Cadet’ edition, with all the sex removed. In the 1950s there was a spate of films about the Navy and war: The Sea Shall Not Have Them, Above Us the Waves, Cockleshell Heroes. They were stories of heroism, pluck and survival against all the odds. Unless you were in the engine room, of course.

      As luck would have it, much later in life I ended up spending a lot of time on ships, usually far from home, with only a BBC camera crew and one of Patrick O’Brian’s novels for company. I found myself, at different times, on an Italian cruise ship, frantically thumbing through Get By in Arabic as we approached the Egyptian coast, and in the Persian Gulf, dealing with an attack of diarrhoea on a boat whose only toilet facility was a barrel slung over the stern. I’ve been white-water rafting below the Victoria Falls, and marlin-fishing (though not catching) on the Gulf Stream – what Hemingway called ‘the great blue river’. I’ve been driven straight at a canyon wall by a jet boat in New Zealand, and have swabbed the decks of a Yugoslav freighter on the Bay of Bengal. None of this has put me off. There’s something about the contact between boat and water that I find very natural and very comforting. After all, we emerged from the sea and, as President Kennedy once said, ‘we have salt in our blood, in our sweat, in our tears. We are tied to the ocean. And when we go back to the sea . . . we are going back to whence we came’.

      In 2013 I was asked to give a talk at the Athenaeum Club in London. The brief was to choose a member of the club, dead or alive, and tell their story in an hour. I chose Joseph Hooker, who ran the Royal Botanic Gardens at Kew for much of the nineteenth century. I had been filming in Brazil and heard stories of how he had pursued a policy of ‘botanical imperialism’, encouraging plant-hunters to bring exotic, and commercially exploitable, specimens back to London. Hooker acquired rubber-tree seeds from the Amazon, germinated them at Kew and exported the young shoots to Britain’s Far Eastern colonies. Within two or three decades the Brazilian rubber industry was dead, and the British rubber industry was flourishing.

      I didn’t get far into my research before I stumbled across an aspect of Hooker’s life that was something of a revelation. In 1839, at the unripe age of twenty-two, СКАЧАТЬ