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Stephanie Chasin
Anticapitalism and the Emergence of Antisemitism
Library of Congress Cataloging-in-Publication Data
Names: Chasin, Stephanie M., author.
Title: Anticapitalism and the emergence of antisemitism / Stephanie M. Chasin.
Description: New York: Peter Lang Publishing, Inc., 2020.
Includes bibliographical references and index.
Identifiers: LCCN 2019022449 | ISBN 978-1-4331-7087-4 (hardback: alk. paper)
ISBN 978-1-4331-7084-3 (ebook pdf)
ISBN 978-1-4331-7085-0 (epub) | ISBN 978-1-4331-7086-7 (mobi)
Subjects: LCSH: Antisemitism—Europe, Western—History. | Antisemitism—Europe—History. | Capitalism—Europe—History.
Classification: LCC DS146.E85 C427 | DDC 305.892/404—dc23
LC record available at https://lccn.loc.gov/2019022449
DOI 10.3726/b15877
Bibliographic information published by Die Deutsche Nationalbibliothek.
Die Deutsche Nationalbibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data are available on the Internet at http://dnb.d-nb.de/.
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Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited.
About the author
Stephanie M. Chasin earned her Ph.D. from UCLA. She taught at UC Irvine and UCLA as a visiting lecturer and worked as an independent researcher. Presently, she is an independent scholar specializing in Jewish and European history.
About the book
The longest-lived stereotype of Jews with the broadest appeal is the idea that Jews are money-driven. From the fi ctional moneylender Shylock demanding his pound of fl esh to the Wall Street banker, for centuries Jews have been portrayed as caring only for profi t and motivated by greed. This is a construction that is allied to the history of anticapitalism. Whether medieval theologians or antiglobalist protesters, capitalism is commonly criticized as exploitative and immoral as are the providers of capital. This book tells the story of how, when, and where Jews and capital became negatively stereotyped. With a new perspective, it places the issue of antisemitism within a larger ideological question, debated since the beginnings of capitalism. Is making money off money immoral and is there such a thing as “excessive” profi t? The book shows that Jews were not the sole creditors or even the dominant ones, that their history was not one of unceasing hostility, and that it is when that stereotype of Jews and money is a political tool that it is at its most dangerous.
This eBook can be cited
This edition of the eBook can be cited. To enable this we have marked the start and end of a page. In cases where a word straddles a page break, the marker is placed inside the word at exactly the same position as in the physical book. This means that occasionally a word might be bifurcated by this marker.
Contents
1. “The Shadowy Realm of Usury”
2. “The Purses and Leeches of Princes”
3. “The Filthy Rich”
4. “In the Name of God and Profit”
5. A Dangerous Game of Monopoly
6. The Virtue of Vice
7. The “Regeneration” of Jewish Usurers
8. The Globalization of Capital
9. Sharing the Wealth
10. The “Tyranny of Usury” Conspiracy
11. “Mr. Moneybags”
Index
A 1933 definition of the word “Jew” in the Oxford English Dictionary reads: “As a name of opprobrium: spec. applied to a grasping or extortionate person.” Even as late as the 1970s, the term “Jew” was commonly used to refer to a greedy person. The link between Jews and money is, as one writer noted, a “terribly durable myth,” that has ebbed, halted, lay dormant, and flowed again through history. A recent upswing in antisemitism in Europe and the US includes comments made by public officials about Jews and finance that some years ago would have ended in a resignation. In February 2019, Ilhan Omar, the Democratic representative for Minnesota, tweeted that the relationship between the US and Israel was “all about the Benjamins.” In France, Yellow Vest protesters (Gilet Jaune) protested outside the Rothschilds bank in Paris, holding signs referring to “Banksters” and condemning “slavery by usury” (l’esclavage par l’usure). In England, the Labour party is rife with antisemitism, and one slogan used by some supporters twisted Jeremy Corbyn’s mantra, “For the many, not the few,” replacing the last word with “Jew.” In 2018, Corbyn defended a 2012 mural by the American artist Mear One which depicts hook-nosed Jewish bankers sitting at a large Monopoly table stacked with money. The table rests on the backs of faceless black men. In March 2019, a carnival float by the group Vismooiln in the Belgian city of Aalst, Belgium, featured a grotesque version of two Orthodox Jews. While their hands ←vii | viii→grabbed moneybags, a rat sat on top of another sack filled with cash. The float was decorated with gold and silver coins. The response by the float makers was that it was a piece of satire, no different to the polemical cartoons put out by the magazine Charlie Hebdo in Paris.1
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