American Music Documentary. Benjamin J. Harbert

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       American Music Documentary

      FIVE CASE STUDIES OF CINÉ-ETHNOMUSICOLOGY

      WESLEYAN UNIVERSITY PRESS Middletown, Connecticut

      Wesleyan University Press

      Middletown CT 06459

       www.wesleyan.edu/wespress

      © 2018 Benjamin J. Harbert

      All rights reserved

      Manufactured in the United States of America

      Typeset in Aller and Arnhem types

      by Tseng Information Systems, Inc.

      Library of Congress Cataloging-in-Publication Data

      Names: Harbert, Benjamin J. author.

      Title: American music documentary: five case studies of ciné-ethnomusicology / Benjamin J. Harbert.

      Description: Middletown, Connecticut: Wesleyan University Press, 2018. | Series: Music/Interview | Includes bibliographical references and index. | Includes filmography. | Identifiers: LCCN 2017036468 (print) | LCCN 2017042746 (ebook) | ISBN 9780819578020 (ebook) | ISBN 9780819578006 (cloth: alk. paper) | ISBN 9780819578013 (pbk.: alk. paper)

      Subjects: LCSH: Documentary films—United States—History and criticism. | Motion picture music—United States—History and criticism.

      Classification: LCC PN1995.9.D6 (ebook) | LCC PN1995.9.D6 H295 2018 (print) | DDC 070.1/8—dc23

      LC record available at https://lccn.loc.gov/2017036468

      5 4 3 2 1

      Cover illustration: soundwave © yewkeo/iStockphoto.

       To Marina Goldovskaya

       CONTENTS

       List of Illustrations viii

       Acknowledgments xi

       Introduction 1

       1 Where Is the Music? What Is the Music?

      Albert Maysles, Gimme Shelter (1970) 24

       2 Representing the Margins and Underrepresenting the Real

      Jill Godmilow, Antonia: A Portrait of the Woman (1974) 67

       3 The Use and Abuse of Musicological Concepts

      Shirley Clarke, Ornette: Made in America (1985) 108

       4 The Theater of Mass Culture

      D. A. Pennebaker and Chris Hegedus, Depeche Mode: 101 (1988) 156

       5 Cinematic Dub and the Multitude

      Jem Cohen and Fugazi, Instrument (1999) 200

       Epilogue: Toward a Ciné-Ethnomusicology

       Appendix A: Extended Music Filmography 255

       Appendix B: Cited Interviews and Archival Material 259

       Appendix C: Glossary of Terms: Sounds, Shots, and Editing Techniques 261

       Notes 265

       Works Cited 275

       Index 289