Название: Wabi Sabi
Автор: Andrew Juniper
Издательство: Ingram
Жанр: Дом и Семья: прочее
isbn: 9781462901616
isbn:
Taoism has been described as “the art of being in the world,” and the main thrust of its teaching was opposed to the Confucian ideas of social order. Instead, it stressed that the individual should seek to flow with the watercourse way, the Tao. Lao-tzu described this mystical concept, which like Zen defies objective analysis, in the following way:
The Tao is something vague and indefinable
How indefinable! How Vague!
Yet in it there is a form.
How vague, how indefinable
Yet in it there is a thing.
How obscure! How deep!
Yet in it there is a substance.
The substance is genuine
And in it sincerity.
From of old until now
Its name never departs,
Whereby it inspects all things.
How do I know all things in their suchness?
It is because of this.
—Daisetz Suzuki, Zen and Japanese Culture
To be at one with the Tao, one must practice wu-wei and refrain from forcing anything to happen that does not happen of its own accord.
To be at one with the Tao is to accept that we must yield to a power much greater than ourselves. Through this acceptance of the natural flow of life, and by discarding all learned doctrines and knowledge, a person is able to achieve real unity with the Tao. This harmony brings with it a mystical power known as To–, which enables those who have harnessed it to peer beyond the horizons of everyday perception into a world where there are no mundane distinctions between all the opposing ideas of the dualistic world.
During the time prior to the influx of Buddhist ideas from the Indian subcontinent, the Taoists sought to extend their lives through alchemy, physical regimes, rigorous hygiene, and breathing exercises, but under the influence of Buddhism, Taoist religious groups turned more toward an institutional monasticism. There was also a shift from the focus on bodily immortality to the spiritual immortality offered by the Buddhists.
The fusion of Taoism with Buddhist ideas is thought to have been inspired by the arrival of the eccentric monk known as the Bodhidharma (referred to as the Daruma in Japan). Bodhidharma was twenty-eighth in the direct line from the first Buddhist disciple, Kasyapa, and when he brought his style of Buddhism to China in 527, it was to start ripples that sent shock waves not just through China but across the seas to Japan as well.
On arrival in China, Bodhidharma was offered an audience with Emperor Wu, who, it seems, was seeking approval from the Indian monk for the devout work he felt he had done. But much to the disappointment of the expectant emperor, the sage, when asked if there was any merit in his building of temples and copying of scriptures, replied, “No merit.” Deflated by the abrupt and unexpected reply, the emperor then asked Bodhidharma who was this man who stood before him, to which Bodhidharma said, “I know not, Your Majesty.”
From this uncompromising start, Bodhidharma then went on to increase the aura of mystery that surrounded him by spending the next nine years meditating in front of a wall in a cave. Legend has it that he was so determined to succeed in his enlightenment that he cut off his own eyelids when they prevented him from staying awake while meditating. It is also part of folklore that he meditated for so long that his arms and legs fell off, and this is the reason why, in Japan, the Daruma is depicted by red papier-mâché models without legs or arms.
A man called Shang Kwang, who sought the wisdom of Bodhidharma, asked that he might be admitted to study under him. Though he waited in the freezing snow for a week, it was not until he had cut off his own left arm and presented it as a symbol of his determination to learn that Bodhidharma relented and passed on his wisdom to the man who was to become his successor.
The pragmatic and disciplined Chinese thinkers of that time tried to demystify the very ethereal teachings of Indian Buddhism and to bring in a framework that would allow the great insights to be harnessed in a more practical way. The meeting of the three religions of Buddhism, Confucianism, and Taoism was depicted in the famous picture of the vinegar tasters where Sakyamuni (the name given to the Buddha), Confucius, and Lao-tzu stood around a large vat of vinegar that symbolized life. Confucius found it sour, the Buddha found it bitter, but the Taoist Lao-tzu pronounced it sweet. Taoism seeks to accept things as they are and to find beauty and wonder in the face of the mundane.
Although Zen is in name a Buddhist movement, the impact of Taoism was profound and far-reaching, and the two ideologies are closer in nature than are Zen and other Buddhist teachings. Both eschew learning and formality, and both advocate a return to the natural state of nondualism by transcending our shared view of the world to see reality as it is.
The first seeds of Buddhism were sown in Japan as early as 538 when the king of Korea sent a mission to Japan, which included some Buddhist sutras. It was the Soga family in Japan who actively sought to spread the teachings, but their efforts were hindered by the powerful Mononobe family, who felt that the introduction of a foreign religion would offend the native gods. When the Soga family attained military and political dominance over the Mononobe family in the following century, the dissemination of Buddhism started in earnest.
It was Prince Shotoku, second son of the emperor Yomei, whose work in founding monasteries has made his name synonymous with the founding of Buddhism in Japan, although it was to be many years before the Zen Buddhist movement gathered any real momentum.
With the support of the ruling classes, and especially that of the Emperor Shomu, Buddhism flourished in the Nara period (710–794), with monasteries being established in all provinces.
During this time many ideas were being brought from mainland China, often through the Korean peninsula, but despite the free movement of ideas it was not until centuries after Bodhidharma’s arrival that the true core of his teachings found serious adherents in Japan. One of his disciples, Hui-neng (638–713), is considered a key figure in the history of Ch’an, as it was he who wrote the Platform Sutra that delineated all the main tenets of the Ch’an school. Many Chinese Ch’an masters came to Japan to propagate the Ch’an tradition, but they failed to capture a significant audience even though there was much interest in other Buddhist thought at the time.
It was not until the monks Eisai (1141–1215) and Dogen (1200–1253) returned from their pilgrimages to temples in China that Zen started to catch the imagination of the Japanese.
Eisai, who had become increasingly disillusioned with the lack of discipline and growing hypocrisy in his native temples, set sail for China to learn firsthand from the Ch’an masters. After various stays at Tendai monasteries during two separate journeys, Eisai eventually came back to Kyoto and advocated the Chinese style of Zen. This was not well received by the established monks, who had friends in high places, and Eisai was forced to travel to Kamakura, the site of the newly established shogunate, where he received a warm welcome and was made founding abbot of a new monastery called Kenninji. It was from here that he taught a mixture of Zen, Tendai, and esoteric Buddhism that was to become the start of the Rinzai sect.
Dogen founded СКАЧАТЬ