Leo Tolstoy: The Complete Novels and Novellas. Leo Tolstoy

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СКАЧАТЬ my eyes veiled with drowsiness I gaze at her wistfully. Suddenly she seems to grow smaller and smaller, and her face vanishes to a point; yet I can still see it — can still see her as she looks at me and smiles. Somehow it pleases me to see her grown so small. I blink and blink, yet she looks no larger than a boy reflected in the pupil of an eye. Then I rouse myself, and the picture fades. Once more I half-close my eyes, and cast about to try and recall the dream, but it has gone,

      I rise to my feet, only to fall back comfortably into the armchair.

      “There! You are failing asleep again, little Nicolas,” says Mamma. “You had better go to by-by.”

      “No, I won’t go to sleep, Mamma,” I reply, though almost inaudibly, for pleasant dreams are filling all my soul. The sound sleep of childhood is weighing my eyelids down, and for a few moments I sink into slumber and oblivion until awakened by some one. I feel in my sleep as though a soft hand were caressing me. I know it by the touch, and, though still dreaming, I seize hold of it and press it to my lips. Every one else has gone to bed, and only one candle remains burning in the drawing-room. Mamma has said that she herself will wake me. She sits down on the arm of the chair in which I am asleep, with her soft hand stroking my hair, and I hear her beloved, well-known voice say in my ear:

      “Get up, my darling. It is time to go by-by.”

      No envious gaze sees her now. She is not afraid to shed upon me the whole of her tenderness and love. I do not wake up, yet I kiss and kiss her hand.

      “Get up, then, my angel.”

      She passes her other arm round my neck, and her fingers tickle me as they move across it. The room is quiet and in half-darkness, but the tickling has touched my nerves and I begin to awake. Mamma is sitting near me — that I can tell — and touching me; I can hear her voice and feel her presence. This at last rouses me to spring up, to throw my arms around her neck, to hide my head in her bosom, and to say with a sigh:

      “Ah, dear, darling Mamma, how much I love you!”

      She smiles her sad, enchanting smile, takes my head between her two hands, kisses me on the forehead, and lifts me on to her lap.

      “Do you love me so much, then?” she says. Then, after a few moments’ silence, she continues: “And you must love me always, and never forget me. If your Mamma should no longer be here, will you promise never to forget her — never, Nicolinka? and she kisses me more fondly than ever.

      “Oh, but you must not speak so, darling Mamma, my own darling Mamma!” I exclaim as I clasp her knees, and tears of joy and love fall from my eyes.

      How, after scenes like this, I would go upstairs, and stand before the ikons, and say with a rapturous feeling, “God bless Papa and Mamma!” and repeat a prayer for my beloved mother which my childish lips had learnt to lisp-the love of God and of her blending strangely in a single emotion!

      After saying my prayers I would wrap myself up in the bedclothes. My heart would feel light, peaceful, and happy, and one dream would follow another. Dreams of what? They were all of them vague, but all of them full of pure love and of a sort of expectation of happiness. I remember, too, that I used to think about Karl Ivanitch and his sad lot. He was the only unhappy being whom I knew, and so sorry would I feel for him, and so much did I love him, that tears would fall from my eyes as I thought, “May God give him happiness, and enable me to help him and to lessen his sorrow. I could make any sacrifice for him!” Usually, also, there would be some favourite toy — a china dog or hare — stuck into the bed-corner behind the pillow, and it would please me to think how warm and comfortable and well cared-for it was there. Also, I would pray God to make every one happy, so that every one might be contented, and also to send fine weather to- morrow for our walk. Then I would turn myself over on to the other side, and thoughts and dreams would become jumbled and entangled together until at last I slept soundly and peacefully, though with a face wet with tears.

      Do in after life the freshness and light-heartedness, the craving for love and for strength of faith, ever return which we experience in our childhood’s years? What better time is there in our lives than when the two best of virtues — innocent gaiety and a boundless yearning for affection — are our sole objects of pursuit?

      Where now are our ardent prayers? Where now are our best gifts — the pure tears of emotion which a guardian angel dries with a smile as he sheds upon us lovely dreams of ineffable childish joy? Can it be that life has left such heavy traces upon one’s heart that those tears and ecstasies are for ever vanished? Can it be that there remains to us only the recollection of them?

Chapter 16 — Verse-Making

      Rather less than a month after our arrival in Moscow I was sitting upstairs in my Grandmamma’s house and doing some writing at a large table. Opposite to me sat the drawing master, who was giving a few finishing touches to the head of a turbaned Turk, executed in black pencil. Woloda, with out-stretched neck, was standing behind the drawing master and looking over his shoulder. The head was Woloda’s first production in pencil and to-day — Grandmamma’s name-day — the masterpiece was to be presented to her.

      “Aren’t you going to put a little more shadow there?” said Woloda to the master as he raised himself on tiptoe and pointed to the Turk’s neck.

      “No, it is not necessary,” the master replied as he put pencil and drawing-pen into a japanned folding box. “It is just right now, and you need not do anything more to it. As for you, Nicolinka” he added, rising and glancing askew at the Turk.

      “won’t you tell us your great secret at last? What are you going to give your Grandmamma? I think another head would be your best gift. But good-bye, gentlemen,” and taking his hat and cardboard he departed.

      I too had thought that another head than the one at which I had been working would be a better gift; so, when we were told that Grandmamma’s name-day was soon to come round and that we must each of us have a present ready for her, I had taken it into my head to write some verses in honour of the occasion, and had forthwith composed two rhymed couplets, hoping that the rest would soon materialise. I really do not know how the idea — one so peculiar for a child — came to occur to me, but I know that I liked it vastly, and answered all questions on the subject of my gift by declaring that I should soon have something ready for Grandmamma, but was not going to say what it was.

      Contrary to my expectation, I found that, after the first two couplets executed in the initial heat of enthusiasm, even my most strenuous efforts refused to produce another one. I began to read different poems in our books, but neither Dimitrieff nor Derzhavin could help me. On the contrary, they only confirmed my sense of incompetence. Knowing, however, that Karl Ivanitch was fond of writing verses, I stole softly upstairs to burrow among his papers, and found, among a number of German verses, some in the Russian language which seemed to have come from his own pen.

      To L

      Remember near

      Remember far,

      Remember me.

      To-day be faithful, and for ever —

      Aye, still beyond the grave — remember

      That I have well loved thee.

      Karl Mayer.

      These verses (which were written in a fine, round hand on thin letter-paper) pleased me with the touching sentiment with which they seemed СКАЧАТЬ