Inhabited. Charlie Quimby

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       June – August

      Native landscaping costs less to maintain than non-native plantings and turf grasses.

      —“Home” with Meg Mogrin, Grand Junction Style

      She had been born here and so had to learn that eyes from wetter climes saw brown as the color of failure. The dismay of northerners weary of rain and snow should have been obvious from those unhappy years in Denver when she looked toward the alien east unstopped by the mountains. Farmtowns dustbowled out of existence. Cattle living in feedlot shit. A dachshund-colored haze lapping the sky. The city clutching the skirt of the Front Range and burying its face in snowcaps, granite and redrock. Though not so apparent here, the west slope of the Rockies shared that arid reality with the relentless high plains.

      Homebuyers craved green. Green represented sanctuary, abundance, progress, fecundity, and until they encountered it in full sufficiency, Meg Mogrin might as well have been showing them burial plots. Her job was to guide the immigrants gently, since surely they had hoped to find in these brown barrens their own little patch of swampland.

      She made sure retirees saw the orchards and vineyards and golf courses. Families she drove past the sprinklered ball parks and the waterslide at the pool, pointing out the gasflame-blue sky through windows sealed against its swelter. And in season, the Botanical Gardens. In the west, she would say, towns thrive only because of water and here we are at the junction of two grand rivers. From drive-by distance, the tamarisk remained a distant splurge of olive foliage and pink feathery blooms, not a creeping riverbank strangler. Butterflies shimmered among lavender blossoms, unmindful that the soil once hosted mill tailings and scrapyards.

      On glorious mornings like this one, it was easy to forget how much of the town had settled atop ruin and reclamation.

      Meg stopped to watch five made-up little girls strut across the parking lot toward the Discovery Castle. They looked like barhopping bridesmaids wearing leotards and leg warmers, saggy tees and pixie tutus layered in bright pastels, hair bunched by head scarves, wrists rattling with plastic bracelets. Their ten-year-old voices piped the chorus of “Hit Me With Your Best Shot.” A watchful mother young enough to be Pat Benatar’s daughter followed, no doubt conscious of how closely СКАЧАТЬ