Название: IN SEARCH OF LOST TIME - Complete Edition (All 7 Books in One Volume)
Автор: Marcel Proust
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788027221691
isbn:
My mother, seeing that I had difficulty in keeping back my tears, said to me: "'Regulus was in the habit, when things looked grave. . . .' Besides, it isn't nice for Mamma! What does Mme. de Sévigné say? Your grandmother will tell you: 'I shall be obliged to draw upon all the courage that you lack.'" And remembering that affection for another distracts one's selfish griefs, she endeavoured to beguile me by telling me that she expected the removal to Saint-Cloud to go without a hitch, that she liked the cab, which she had kept waiting, that the driver seemed civil and the seats comfortable. I made an effort to smile at these trifles, and bowed my head with an air of acquiescence and satisfaction. But they helped me only to depict to myself with more accuracy Mamma's imminent departure, and it was with an agonised heart that I gazed at her as though she were already torn from me, beneath that wide-brimmed straw hat which she had bought to wear in the country, in a flimsy dress which she had put on in view of the long drive through the sweltering midday heat; hat and dress making her some one else, some one who belonged already to the Villa Montretout, in which I should not see her.
To prevent the choking fits which the journey might otherwise give me the doctor had advised me to take, as we started, a good stiff dose of beer or brandy, so as to begin the journey in a state of what he called 'euphoria,' in which the nervous system is for a time less vulnerable. I had not yet made up my mind whether I should do this, but I wished at least that my grandmother should admit that, if I did so decide, I should have wisdom and authority on my side. I spoke therefore as if my hesitation were concerned only with where I should go for my drink, to the bar on the platform or to the restaurant-car on the train. But immediately, at the air of reproach which my grandmother's face assumed, an air of not wishing even to entertain such an idea for a moment, "What!" I said to myself, suddenly determining upon this action of going out to drink, the performance of which became necessary as a proof of my independence since the verbal announcement of it had not succeeded in passing unchallenged, "What! You know how ill I am, you know what the doctor ordered, and you treat me like this!"
When I had explained to my grandmother how unwell I felt, her distress, her kindness were so apparent as she replied, "Run along then, quickly; get yourself some beer or a liqueur if it will do you any good," that I flung myself upon her, almost smothering her in kisses. And if after that I went and drank a great deal too much in the restaurant-car of the train, that was because I felt that otherwise I should have a more violent attack than usual, which was just what would vex her most. When at the first stop I clambered back into our compartment I told my grandmother how pleased I was to be going to Balbec, that I felt that everything would go off splendidly, that after all I should soon grow used to being without Mamma, that the train was most comfortable, the steward and attendants in the bar so friendly that I should like to make the journey often so as to have opportunities of seeing them again. My grandmother, however, did not appear to feel the same joy as myself at all these good tidings. She answered, without looking me in the face:
"Why don't you try to get a little sleep?" and turned her gaze to the window, the blind of which, though we had drawn it, did not completely cover the glass, so that the sun could and did slip in over the polished oak of the door and the cloth of the seat (like an advertisement of a life shared with nature far more persuasive than those posted higher upon the walls of the compartment, by the railway company, representing places in the country the names of which I could not make out from where I sat) the same warm and slumberous light which lies along a forest glade.
But when my grandmother thought that my eyes were shut I could see her, now and again, from among the large black spots on her veil, steal a glance at me, then withdraw it, and steal back again, like a person trying to make himself, so as to get into the habit, perform some exercise that hurts him.
Thereupon I spoke to her, but that seemed not to please her either. And yet to myself the sound of my own voice was pleasant, as were the most imperceptible, the most internal movements of my body. And so I endeavoured to prolong it. I allowed each of my inflexions to hang lazily upon its word, I felt each glance from my eyes arrive just at the spot to which it was directed and stay there beyond the normal period. "Now, now, sit still and rest," said my grandmother. "If you can't manage to sleep, read something." And she handed me a volume of Madame de Sévigné which I opened, while she buried herself in the Mémoires de Madame de Beausergent. She never travelled anywhere without a volume of each. They were her two favourite authors. With no conscious movement of my head, feeling a keen pleasure in maintaining a posture after I had adopted it, I lay back holding in my hands the volume of Madame de Sévigné which I had allowed to close, without lowering my eyes to it, or indeed letting them see anything but the blue window-blind. But the contemplation of this blind appeared to me an admirable thing, and I should not have troubled to answer anyone who might have sought to distract me from contemplating it. The blue colour of this blind seemed to me, not perhaps by its beauty but by its intense vivacity, to efface so completely all the colours that had passed before my eyes from the day of my birth up to the moment in which I had gulped down the last of my drink and it had begun to take effect, that when compared with this blue they were as drab, as void as must be retrospectively the darkness in which he has lived to a man born blind whom a subsequent operation has at length enabled to see and to distinguish colours. An old ticket-collector came to ask for our tickets. The silvery gleam that shone from the metal buttons of his jacket charmed me in spite of my absorption. I wanted to ask him to sit down beside us. But he passed on to the next carriage, and I thought with longing of the life led by railwaymen for whom, since they spent all their time on the line, hardly a day could pass without their seeing this' old collector. The pleasure that I found in staring at the blind, and in feeling that my mouth was half-open, began at length to diminish. I became more mobile; I even moved in my seat; I opened the book that my grandmother had given me and turned its pages casually, reading whatever caught my eye. And as I read I felt my admiration for Madame de Sévigné grow.
It is a mistake to let oneself be taken in by the purely formal details, idioms of the period or social conventions, the effect of which is that certain people believe that they have caught the Sévigné manner when they have said: "Tell me, my dear," or "That Count struck me as being a man of parts," or "Haymaking is the sweetest thing in the world." Mme. de Simiane imagines already that she is being like her grandmother because she can write: "M. de la Boulie is bearing wonderfully, Sir, and is in excellent condition to hear the news of his death," or "Oh, my dear Marquis, how your letter enchanted me! What can I do but answer it?" or "Meseems, Sir, that you owe me a letter, and I owe you some boxes of bergamot. I discharge my debt to the number of eight; others shall follow. . . . Never has the soil borne so many. Apparently for your gratification." And she writes in this style also her letter on bleeding, on lemons and so forth, supposing it to be typical of the letters of Madame de Sévigné. But my grandmother who had approached that lady from within, attracted to her by her own love of kinsfolk and of nature, had taught me to enjoy the real beauties of her correspondence, which are altogether different. They were presently to strike me all the more forcibly inasmuch as Madame de Sévigné is a great artist of the same school as a painter whom I was to meet at Balbec, where his influence on my way of seeing things was immense. I realised at Balbec that it was in the same way as he that she presented things to her readers, in the order of our perception of them, instead of first having to explain them in relation to their several causes. But already that afternoon in the railway carriage, as I read over again that letter in which the moonlight СКАЧАТЬ