IN SEARCH OF LOST TIME - Complete Edition (All 7 Books in One Volume). Marcel Proust

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СКАЧАТЬ the earlier part of my stay there, my indifference was still only intermittent. Often, our life being so careless of chronology, interpolating so many anachronisms in the sequence of our days, I lived still among those—far older days than yesterday or last week—in which I loved Gilberte. And at once not seeing her became as exquisite a torture to me as it had been then. The self that had loved her, which another self had already almost entirely supplanted, rose again in me, stimulated far more often by a trivial than by an important event. For instance, if I may anticipate for a moment my arrival in Normandy, I heard some one who passed me on the sea-front at Balbec refer to the 'Secretary to the Ministry of Posts and his family.' Now, seeing that as yet I knew nothing of the influence which that family was to exercise over my life, this remark ought to have passed unheeded; instead, it gave me at once an acute twinge, which a self that had for the most part long since been outgrown in me felt at being parted from Gilberte. Because I had never given another thought to a conversation which Gilberte had had with her father in my hearing, in which allusion was made to the Secretary to the Ministry of Posts and to his family. Now our love memories present no exception to the general rules of memory, which in turn are governed by the still more general rules of Habit. And as Habit weakens every impression, what a person recalls to us most vividly is precisely what we had forgotten, because it was of no importance, and had therefore left in full possession of its strength. That is why the better part of our memory exists outside ourselves, in a blatter of rain, in the smell of an unaired room or of the first crackling brushwood fire in a cold grate: wherever, in short, we happen upon what our mind, having no use for it, had rejected, the last treasure that the past has in store, the richest, that which when all our flow of tears seems to have dried at the source can make us weep again. Outside ourselves, did I say; rather within ourselves, but hidden from our eyes in an oblivion more or less prolonged. It is thanks to this oblivion alone that we can from time to time recover the creature that we were, range ourselves face to face with past events as that creature had to face them, suffer afresh because we are no longer ourselves but he, and because he loved what leaves us now indifferent. In the broad daylight of our ordinary memory the images of the past turn gradually pale and fade out of sight, nothing remains of them, we shall never find them again. Or rather we should never find them again had not a few words (such as this 'Secretary to the Ministry of Posts') been carefully locked away in oblivion, just as an author deposits in the National Library a copy of a book which might otherwise become unobtainable.

      But this suffering and this recrudescence of my love for Gilberte lasted no longer than such things last in a dream, and this time, on the contrary, because at Balbec the old Habit was no longer there to keep them alive. And if these two effects of Habit appear to be incompatible, that is because Habit is bound by a diversity of laws. In Paris I had grown more and more indifferent to Gilberte, thanks to Habit. The change of habit, that is to say the temporary cessation of Habit, completed Habit's task when I started for Balbec. It weakens, but it stabilises; it leads to disintegration but it makes the scattered elements last indefinitely. Day after day, for years past, I had begun by modelling my state of mind, more or less effectively, upon that of the day before. At Balbec, a strange bed, to the side of which a tray was brought in the morning that differed from my Paris breakfast tray, could not, obviously, sustain the fancies upon which my love for Gilberte had fed: there are cases (though not, I admit, commonly) in which, one's days being paralysed by a sedentary life, the best way to save time is to change one's place of residence. My journey to Balbec was like the first outing of a convalescent who needed only that to convince him that he was cured.

      The journey was one that would now be made, probably, in a motorcar, which would be supposed to render it more interesting. We shall see too that, accomplished in such a way, it would even be in a sense more genuine, since one would be following more nearly, in a closer intimacy, the various contours by which the surface of the earth is wrinkled. But after all the special attraction of the journey lies not in our being able to alight at places on the way and to stop altogether as soon as we grow tired, but in its making the difference between departure and arrival not as imperceptible but as intense as possible, so that we are conscious of it in its totality, intact, as it existed in our mind when imagination bore us from the place in which we were living right to the very heart of a place we longed to see, in a single sweep which seemed miraculous to us not so much because it covered a certain distance as because it united two distinct individualities of the world, took us from one name to another name; and this difference is accentuated (more than in a form of locomotion in which, since one can stop and alight where one chooses, there can scarcely be said to be any point of arrival) by the mysterious operation that is performed in those peculiar places, railway stations, which do not constitute, so to speak, a part of the surrounding town but contain the essence of its personality just as upon their sign-boards they bear its painted name.

      But in this respect as in every other, our age is infected with a mania for shewing things only in the environment that properly belongs to them, thereby suppressing the essential thing, the act of the mind which isolated them from that environment. A picture is nowadays 'presented' in the midst of furniture, ornaments, hangings of the same period, a second-hand scheme of decoration in the composition of which in the houses of to-day excels that same hostess who but yesterday was so crassly ignorant, but now spends her time poring over records and in libraries; and among these the masterpiece at which we glance up from the table while we dine does not give us that exhilarating delight which we can expect from it only in a public gallery, which symbolises far better by its bareness, by the absence of all irritating detail, those innermost spaces into which the artist withdrew to create it.

      Unhappily those marvellous places which are railway stations, from which one sets out for a remote destination, are tragic places also, for if in them the miracle is accomplished whereby scenes which hitherto have had no existence save in our minds are to become the scenes among which we shall be living, for that very reason we must, as we emerge from the waiting-room, abandon any thought of finding ourself once again within the familiar walls which, but a moment ago, were still enclosing us. We must lay aside all hope of going home to sleep in our own bed, once we have made up our mind to penetrate into the pestiferous cavern through which we may have access to the mystery, into one of those vast, glass-roofed sheds, like that of Saint-Lazare into which I must go to find the train for Balbec, and which extended over the rent bowels of the city one of those bleak and boundless skies, heavy with an accumulation of dramatic menaces, like certain skies painted with an almost Parisian modernity by Mantegna or Veronese, beneath which could be accomplished only some solemn and tremendous act, such as a departure by train or the Elevation of the Cross.

      So long as I had been content to look out from the warmth of my own bed in Paris at the Persian church of Balbec, shrouded in driving sleet, no sort of objection to this journey had been offered by my body. Its objections began only when it had gathered that it would have itself to take part in the journey, and that on the evening of my arrival I should be shewn to 'my' room which to my body would be unknown. Its revolt was all the more deep-rooted in that on the very eve of my departure I learned that my mother would not be coming with us, my father, who would be kept busy at the Ministry until it was time for him to start for Spain with M. de Norpois, having preferred to take a house in the neighbourhood of Paris. On the other hand, the spectacle of Balbec seemed to me none the less desirable because I must purchase it at the price of a discomfort which, on the contrary, I felt to indicate and to guarantee the reality of the impression which I was going there to seek, an impression the place of which no spectacle of professedly equal value, no 'panorama' which I might have gone to see without being thereby precluded from returning home to sleep in my own bed, could possibly have filled. It was not for the first time that I felt that those who love and those who find pleasure are not always the same. I believed myself to be longing fully as much for Balbec as the doctor who was treating me, when he said to me, surprised, on the morning of our departure, to see me look so unhappy, "I don't mind telling you that if I could only manage a week to go down and get a blow by the sea, I shouldn't wait to be asked twice. You'll be having races, regattas; you don't know what all!" But I had already learned the lesson—long before I was taken to hear Berma—that, whatever it might be that I loved, it would never be attained save at the end of a long and heart-rending pursuit, in the course of which I should have first to sacrifice my own pleasure СКАЧАТЬ