The Nebuly Coat. John Meade Falkner

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СКАЧАТЬ but couldn’t find my friends of the evening before, and the gaffer in the drinking-tent said he couldn’t remember as he’d ever seen any such. I spent the livelong day searching here and there, till the folks laughed at me, because I looked so wild with drinking the night before, and with sleeping out, and with having nothing to eat; for every penny was took from me. I told the constable, and he took it all down, but I see him looking at me the while, and at the torn lining hanging out under my waistcoat, and knew he thought ’twas only a light tale, and that I had the drink still in me. ’Twas dark afore I give it up, and turned to go back.

      “ ’Tis seven mile good by the nigh way from Beacon Hill to Wydcombe; and I was dog-tired, and hungry, and that shamed I stopped a half-hour on the bridge over Proud’s mill-head, wishing to throw myself in and ha’ done with it, but couldn’t bring my mind to that, and so went on, and got to Wydcombe just as they was going to bed. They stared at me, Farmer Michael, and Master Martin, and Miss Phemie, as if I was a spirit, while I told my tale; but I never said as how ’twas Sophia Joliffe as had bought the horses. Old Michael, he said nothing, but had a very blank look on his face, and Miss Phemie was crying; but Master Martin broke out saying ’twas all make-up, and I’d stole the money, and they must send for a constable.

      “ ‘’Tis lies,’ he said. ‘This fellow’s a rogue, and too great a fool even to make up a tale that’ll hang together. Who’s going to believe a woman ’ud buy the team, and give a hundred and twenty pounds in notes for hosses that ’ud be dear at seventy pounds? Who was the woman? Did ’ee know her? There must be many in the fair ’ud know such a woman. They ain’t so common as go about with their pockets full of banknotes, and pay double price for hosses what they buy.’

      “I knew well enough who’d bought ’em, but didn’t want to give her name for fear of grieving Farmer Joliffe more nor he was grieved already, so said nothing, but held my peace.

      “Then the farmer says: ‘Tom, I believe ’ee; I’ve know’d ’ee thirty year, and never know’d ’ee tell a lie, and I believe ’ee now. But if thou knows her name, tell it us, and if thou doesn’t know, tell us what she looked like, and maybe some of us ’ll guess her.’

      “But still I didn’t say aught till Master Martin goes on:

      “ ‘Out with her name. He must know her name right enough, if there ever was a woman as did buy the hosses; and don’t you be so soft, father, as to trust such fool’s tales. We’ll get a constable for ’ee. Out with her name, I say.’

      “Then I was nettled like, at his speaking so rough, when the man that suffered had forgiven me, and said:

      “ ‘Yes, I know her name right enough, if ’ee will have it. ’Twas the missis.’

      “ ‘Missis?’ he says; ‘what missis?’

      “ ‘Your mother,’ says I. ‘She was with a man, but he weren’t the man she runned away from here with, and she made he buy the team.’

      “Master Martin didn’t say any more, and Miss Phemie went on crying; but there was a blanker look come on old master’s face, and he said very quiet:

      “ ‘There, that’ll do, lad. I believe ’ee, and forgive thee. Don’t matter much to I now if I have lost a hundred pound. ’Tis only my luck, and if ’tweren’t lost there, ’twould just as like be lost somewhere else. Go in and wash thyself, and get summat to eat; and if I forgive ’ee this time, don’t ’ee ever touch the drink again.’

      “ ‘Master,’ I says, ‘I thank ’ee, and if I ever get a bit o’ money I’ll pay thee back what I can; and there’s my sacred word I’ll never touch the drink again.’

      “I held him out my hand, and he took it, for all ’twas so dirty.

      “ ‘That’s right, lad; and to-morrow we’ll put the p’leece on to trace them fellows down.’

      “I kep’ my promise, Mr—Mr—Mr—”

      “Westray,” the architect suggested.

      “I didn’t know your name, you see, because Rector never introduced me yesterday. I kep’ my promise, Mr. Westray, and bin teetotal ever since; but he never put the p’leece on the track, for he was took with a stroke next morning early, and died a fortnight later. They laid him up to Wydcombe nigh his father and his grandfather, what have green rails round their graves; and give his yellow breeches and blue waistcoat to Timothy Foord the shepherd, and he wore them o’ Sundays for many a year after that. I left farming the same day as old master was put underground, and come into Cullerne, and took odd jobs till the sexton fell sick, and then I helped dig graves; and when he died they made I sexton, and that were forty years ago come Whitsun.”

      “Did Martin Joliffe keep on the farm after his father’s death?” Westray asked, after an interval of silence.

      They had wandered along the length of the stalls as they talked, and were passing through the stone screen which divides the minster into two parts. The floor of the choir at Cullerne is higher by some feet than that of the rest of the church, and when they stood on the steps which led down into the nave, the great length of the transepts opened before them on either side. The end of the north transept, on the outside of which once stood the chapter-house and dormitories of the monastery, has only three small lancet-windows high up in the wall, but at the south end of the cross-piece there is no wall at all, for the whole space is occupied by Abbot Vinnicomb’s window, with its double transoms and infinite subdivisions of tracery. Thus is produced a curious contrast, for, while the light in the rest of the church is subdued to sadness by the smallness of the windows, and while the north transept is the most sombre part of all the building, the south transept, or Blandamer aisle, is constantly in clear daylight. Moreover, while the nave is of the Norman style, and the transepts and choir of the Early English, this window is of the latest Perpendicular, complicated in its scheme, and meretricious in the elaboration of its detail. The difference is so great as to force itself upon the attention even of those entirely unacquainted with architecture, and it has naturally more significance for the professional eye. Westray stood a moment on the steps as he repeated his question:

      “Did Martin keep on the farm?”

      “Ay, he kep’ it on, but he never had his heart in it. Miss Phemie did the work, and would have been a better farmer than her father, if Martin had let her be; but he spent a penny for every ha’penny she made, till all came to the hammer. Oxford puffed him up, and there was no one to check him; so he must needs be a gentleman, and give himself all kinds of airs, till people called him ‘Gentleman Joliffe,’ and later on ‘Old Neb’ly’ when his mind was weaker. ’Twas that turned his brain,” said the sexton, pointing to the great window; “ ’twas the silver and green what done it.”

      Westray looked up, and in the head of the centre light saw the nebuly coat shining among the darker painted glass with a luminosity which was even more striking in daylight than in the dusk of the previous evening.

Chapter Five.

       Table of Contents

      After a week’s trial, Westray made up his mind that Miss Joliffe’s lodgings would suit him. It was true that the Hand of God was somewhat distant from the church, but, then, it stood higher than the rest of the town, and the architect’s fads were not confined to matters of eating and drinking, but attached exaggerated importance to bracing air and the avoidance of low-lying situations. СКАЧАТЬ