THE COMPLETE SHORT STORIES OF RUDYARD KIPLING: 440+ Tales in One Edition. Rudyard Kipling

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СКАЧАТЬ to be French and rave about my mother, but have I ever told you that I have a mother, and a brother who was my pet before I married? He's married now. Can't you imagine the pleasure that the news of the elopement will give him? Have you any people at Home, Guy, to be pleased with your performances?

      HE. One or two. One can't make omelets without breaking eggs.

      SHE. (slowly). I don't see the necessity—

      HE. Hah! What do you mean?

      SHE. Shall I speak the truth?

      HE. Under the circumstances, perhaps it would be as well.

      SHE. Guy, I'm afraid.

      HE. I thought we'd settled all that. What of?

      SHE. Of you.

      HE. Oh, damn it all! The old business! This is too had!

      SHE. Of you.

      HE. And what now?

      SHE. What do you think of me?

      HE. Beside the question altogether. What do you intend to do?

      SHE. I daren't risk it. I'm afraid. If I could only cheat—

      HE. A la Buzgago? No, thanks. That's the one point on which I have any notion of Honor. I won't eat his salt and steal too. I'll loot openly or not at all.

      SHE. I never meant anything else.

      HE. Then, why in the world do you pretend not to be willing to come?

      SHE. It's not pretence, Guy. I am afraid.

      HE. Please explain.

      SHE. It can't last, Guy. It can't last. You'll get angry, and then you'll swear, and then you'll get jealous, and then you'll mistrust me—you do now—and you yourself will be the best reason for doubting. And I—what shall I do? I shall be no better than Mrs. Buzgago found out—no better than any one. And you'll know that. Oh, Guy, can't you see?

      HE. I see that you are desperately unreasonable, little woman.

      SHE. There! The moment I begin to object, you get angry. What will you do when I am only your property—stolen property? It can't be, Guy. It can't be! I thought it could, but it can't. You'll get tired of me.

      HE. I tell you I shall not. Won't anything make you understand that?

      SHE. There, can't you see? If you speak to me like that now, you'll call me horrible names later, if I don't do everything as you like. And if you were cruel to me, Guy, where should I go—where should I go? I can't trust you. Oh! I can't trust you!

      HE. I suppose I ought to say that I can trust you. I've ample reason.

      SHE. Please don't, dear. It hurts as much as if you hit me.

      HE. It isn't exactly pleasant for me.

      SHE. I can't help it. I wish I were dead! I can't trust you, and I don't trust myself. Oh, Guy, let it die away and be forgotten!

      HE. Too late now. I don't understand you—I won't—and I can't trust myself to talk this evening. May I call tomorrow?

      SHE. Yes. No! Oh, give me time! The day after. I get into my 'rickshaw here and meet Him at Peliti's. You ride.

      HE. I'll go on to Peliti's too. I think I want a drink. My world's knocked about my ears and the stars are falling. Who are those brutes howling in the Old Library?

      SHE. They're rehearsing the singing-quadrilles for the Fancy Ball. Can't you hear Mrs. Buzgago's voice? She has a solo. It's quite a new idea. Listen.

      MRS. BUZGAGO (in the Old Library, con. molt. exp.).

      See-saw! Margery Daw! Sold her bed to lie upon straw. Wasn't she a silly slut To sell her bed and lie upon dirt?

      Captain Congleton, I'm going to alter that to "flirt." It sound better.

      HE. No, I've changed my mind about the drink. Good night, little lady. I shall see you tomorrow?

      SHE. Yes. Good night, Guy. Don't be angry with me.

      HE. Angry! You know I trust you absolutely. Good night and—God bless you!

      (Three seconds later. Alone.) Hmm! I'd give something to discover whether there's another man at the back of all this.

      A Second-Rate Woman

       Table of Contents

      Est fuga, volvitur rota,

       On we drift; where looms the dim port?

       One Two Three Four Five contribute their quota:

       Something is gained if one caught but the import,

       Show it us, Hugues of Saxe-Gotha.

       —Master Hugues of Saxe-Gotha.

      "Dressed! don't tell me that woman ever dressed in her life. She stood in the middle of her room while her ayah—no, her husband—it must have been a man—threw her clothes at her. She then did her hair with her fingers, and rubbed her bonnet in the flue under the bed. I know she did, as well as if I had assisted at the orgy. Who is she?" said Mrs. Hauksbee.

      "Don't!" said Mrs. Mallowe, feebly. "You make my head ache. I'm miserable today. Stay me with fondants, comfort me with chocolates, for I am—Did you bring anything from Peliti's?"

      "Questions to begin with. You shall have the sweets when you have answered them. Who and what is the creature? There were at least half a dozen men round her, and she appeared to be going to sleep in their midst."

      "Delville," said Mrs. Mallowe, "'Shady' Delville, to distinguish her from Mrs. Jim of that ilk. She dances as untidily as she dresses, I believe, and her husband is somewhere in Madras. Go and call, if you are so interested."

      "What have I to do with Shigramitish women? She merely caught my attention for a minute, and I wondered at the attraction that a dowd has for a certain type of man. I expected to see her walk out of her clothes—until I looked at her eyes."

      "Hooks and eyes, surely," drawled Mrs. Mallowe.

      "Don't be clever, Polly. You make my head ache. And round this hayrick stood a crowd of men—a positive crowd!"

      "Perhaps they also expected"—

      "Polly, don't be Rabelaisian!"

      Mrs. Mallowe curled herself up comfortably on the sofa, and turned her attention to the sweets. She and Mrs. Hauksbee shared the same house at Simla; and these things befell two seasons after the matter of Otis Yeere, which has been already recorded.

      Mrs. Hauksbee stepped into the veranda and looked down upon СКАЧАТЬ