Название: The Pioneer Women Trilogy: The Coast of Bohemia, Dr. Breen's Practice & Annie Kilburn
Автор: William Dean Howells
Издательство: Bookwire
Жанр: Языкознание
isbn: 9788075838285
isbn:
She now fell asleep where she lay, and she was startled from her nap, but hardly surprised, to hear her name spoken in the hall far below, as if it were a theme of contention between the bass-voiced Irish girl and some one at the street door, who supported the other side of the question in low, indistinct, lady-like murmurs.
"No, she don't be in," said the Irish girl bluntly. The polite murmur insisted, and the Irish girl said, with finality, "Well, then, yous can go up yourselves and see; the room is right over the dure, four flights up."
Cornelia jumped up and tried to pull her hair into a knot before the glass. There came a tap at her door and the voice of Charmian Maybough asked, "May I come in, Miss Saunders,—Cornelia?"
"Yes," said Cornelia, and she opened the door as far as her trunk would let her.
Charmian pushed impetuously in. She took Cornelia in her arms and kissed her, as if they had not met for a long time.
"Oh," she said, whirling about, so as to sweep the whole room with her glance, before sinking down on Cornelia's trunk, "why can't I have something like this? Well, I shall have, I hope, before I die, yet. What made her say you weren't in? I knew you were." She rose and flew about the room, and examined it in detail. She was very beautifully dressed, in a street costume of immediate fashion, without a suggestion of the æstheticism of the picturesque gown she wore at the Synthesis; that had originality, but Cornelia perceived with the eye trained to see such differences, that this had authority. Charmian could not help holding and carrying herself differently in it, too. She was exquisitely gloved, and Cornelia instinctively felt that her hat was from Paris, though till then she had never seen a Paris hat to know it. She might have been a little overawed by it, if the wearer had not abruptly asked her what she thought of it.
"Well," said Cornelia, with her country directness, which was so different from the other's abruptness, "I think it's about the most perfect thing I ever saw."
Charmian sighed. "I saw you looking at it. Yes, it is a dream. But it's a badge of slavery. So's the whole costume. Look how I'm laced!" She flung open the jacket and revealed a waist certainly much smaller than she had earlier in the day. "That's the way it goes through my whole life. Mamma is dead set against the artistic, and I'm dead set against the fashionable. As long as I'm at the Synthesis, I do as the Synthetics do. I dress like the Synthesis, and I think like it, and I act like it. As soon as I get home in the afternoon, I have to be of the world worldly. I put on a Worth frock, and mamma would make me put on a Worth spirit, if she could. I do my best to conform, because it's the bargain, and I'll keep my word if it kills me. Now you see what a double life I lead! If I could only be steeped in hopeless poverty to the lips! If I could have a room like this, even! Sometimes I'm so bewildered by the twofold existence I'm leading, I don't really know what I'm saying. Those your things, of course?" She sprang from Cornelia's trunk, which she had sank down upon again, and swiftly traversed the sketches Cornelia had pinned about the wall. "What touch! Yes, you merely have to live on, to be anything you like. It'll do itself for you. Well, I suppose you'll have to see her." She turned about to Cornelia with an air of deprecation. "Mamma, you know. She's down stairs waiting for us. She thinks it right to come with me always. I dare say it is. She isn't so very bad, you know. Only she insists upon knowing all the girls I take a fancy to, herself. You needn't be afraid of her."
"I don't know why I should be afraid of anybody," said Cornelia.
The darker corner of the long parlor was occupied by a young couple in the earnest inquiry into each other's psychological peculiarities which marks a stage of the passion of love. It obliged them to get very close together, where they sat, she on a lounge and he in the chair, which he kept pulling nearer and nearer; they fulfilled these conditions and exchanged their observations with a freedom that ignored the presence of the lady sitting somewhat severely upright between the two long, front windows, exactly midway of the dingy lace curtains, trained fan-wise on the carpet. They were not disturbed when Cornelia and Charmian appeared; the young lady continued to dangle the tassel of a cushion through her fingers, and the young man leaned toward her with his face in his hand, and his elbow sunk in the arm of the lounge; but the other lady rose at once and came quickly forward, as if escaping from them. Beside the tall girls she looked rather little, and she was decidedly blonde against their brunette color. She wore a veil that came just between her upper and her lower lip, and that stirred lightly when she spoke. She was dressed with the same authoritative fashion as Charmian, but not so simply.
She did not wait for her daughter to speak, but took Cornelia's hand, and said in a soft voice, "Miss Saunders? I am very glad we found you at home. My daughter has been speaking to me about you, and we hoped to have come sooner, but we couldn't manage together before."
"Won't you sit down?" asked Cornelia.
"No, I thank you," Mrs. Maybough returned, with a velvety tenderness of tone that seemed to convey assent. "We shall be rather late, as it is. I hope you're comfortably situated here."
"Oh, very," said Cornelia. "I've never been away from home before, and of course it isn't like home."
"Yes," said Mrs. Maybough, "one misses the refinements of home in such places." She turned and swept the appointments of the room, including the students of psychology, with a critical eye.
"I wish I could come here," sighed the daughter. "If I could have a room like Cornelia's, mamma! I wish you could see it."
"I'm glad you're pleasantly placed, Miss Saunders. I hope you're not working too hard at the Synthesis. I understand the young ladies there are so enthusiastic."
"Oh, no," Cornelia protested.
"Of course she is!" said Charmian. "Everybody works too hard at the Synthesis. It's the ideal of the place. We woke her out of a nap, and I know she was tired to death."
Cornelia could not deny it, and so she said nothing.
"Oh!" said Mrs. Maybough, non-committally; "that won't do." She paused, without intermitting the scrutiny which Cornelia felt she had been subjecting her to from the first moment through her veil. "You mustn't wear yourself out." She paused again, and then while Charmian turned away with an effect of impatience, she asked, "Do you ever go out on Sundays?"
"Why, I don't know," Cornelia began, not certain whether Mrs. Maybough meant walking out or driving out; young people did both in Pymantoning.
Mrs. Maybough pursued: "We receive on Thursdays, but we have a few friends coming in to-morrow afternoon, and we should be very glad to see you, if you have nothing better."
The invitation was so tentatively, so gingerly offered in manner, if not in words, that Cornelia was not quite sure it had been given. She involuntarily searched her memory for something better before she spoke; for the first time in her life she was about to invent a previous engagement, when Charmian suddenly turned and laid her arms СКАЧАТЬ