THE COMPLETE WORKS OF E. F. BENSON (Illustrated Edition). Эдвард Бенсон

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СКАЧАТЬ style="font-size:15px;">      'I feel inclined to chuck the whole thing,' said Daisy.

      'But you can't. Masses of tickets have been sold. And who's to pay for the Golden Hind and the roast sheep and all the costumes?' asked Georgie. 'Not to mention all our trouble. Why not ask her to help, if you want her to?'

      'Georgie, will you ask her?' said Daisy.

      'Certainly not,' said Georgie very firmly. 'You've been managing it from the first. It's your show. If I were you, I would ask her at once. She'll be over here in a few minutes, as we're going to have a music. Pop in.'

      A melodious cry of 'Georgino mio!' resounded from the open window of Georgie's drawing-room, and he hobbled away down the garden walk. Ever since that beautiful understanding they had arrived at, that both of them shrank, as from a cup of hemlock, from the idea of marriage, they had talked Italian or baby-language to a surprising extent from mere lightness of heart.

      'Me tummin',' he called. ' 'Oo very good girl, Lucia. 'Oo molto punctuale.'

      (He was not sure about that last word, nor was Lucia, but she understood it.)

      'Georgino! Che curiose scalpe!' said Lucia, leaning out of the window.

      'Don't be so cattiva. They are cattivo enough,' said Georgie. 'But Drake did have shoes exactly like these.'

      The mere mention of Drake naturally caused Lucia to talk about something else. She did not understand any allusion to Drake.

      'Now for a good practice,' she said, as Georgie limped into the drawing-room. 'Foljambe beamed at me. How happy it all is! I hope you said you were at home to nobody. Let us begin at once. Can you manage the sostenuto pedal in those odd shoes?'

      Foljambe entered.

      'Mrs Quantock, sir,' she said.

      'Daisy darling,' said Lucia effusively. 'Come to hear our little practice? We must play our best, Georgino.'

      Daisy was still in queenly costume, except for the ruff. Lucia seemed as usual to be quite unconscious of it.

      'Lucia, before you begin — ' said Daisy.

      'So much better than interrupting,' said Lucia. 'Thank you, dear. Yes?'

      'About this fête. Oh, for gracious sake don't go on seeming to know nothing about it. I tell you there is to be one. And it's all nohow. Can't you help us?'

      Lucia sprang from the music-stool. She had been waiting for this moment, not impatiently, but ready for it if it came, as she knew it must, without any scheming on her part. She had been watching from Perdita's garden the straggling procession smoking cigarettes, the listless halberdiers not walking in step, the courtiers yawning in Her Majesty's face, the languor and the looseness arising from the lack of an inspiring mind. The scene on the Golden Hind, and that of Elizabeth's speech to her troops were equally familiar to her, for though she could not observe them from under her garden-hat close at hand, her husband had been fond of astronomy and there were telescopes great and small, which brought these scenes quite close. Moreover, she had that speech which poor Daisy found so elusive by heart. So easy to learn, just the sort of cheap bombast that Elizabeth would indulge in: she had found it in a small history of England, and had committed it to memory, just in case . . .

      'But I'll willingly help you, dear Daisy,' she said. 'I seem to remember you told me something about it. You as Queen Elizabeth, was it not, a roast sheep on the Golden Hind, a speech to the troops, Morris-dances, bear-baiting, no, not bear-baiting. Isn't it all going beautifully?'

      'No! It isn't,' said Daisy in a lamentable voice. 'I want you to help us, will you? It's all like dough.'

      Great was Lucia. There was no rubbing in: there was no hesitation, there was nothing but helpful sunny cordiality in response to this SOS.

      'How you all work me!' she said, 'but I'll try to help you if I can. Georgie, we must put off our practice, and get to grips with all this, if the fête is to be a credit to Riseholme. Addio, caro Mozartino for the present. Now begin, Daisy, and tell me all the trouble.'

      For the next week Mozartino and the Symposium and contract bridge were non-existent and rehearsals went on all day. Lucia demonstrated to Daisy how to make her first appearance, and, when the trumpeters blew a fanfare, she came out of the door of The Hurst, and without the slightest hurry majestically marched down the crazy pavement. She did not fumble at the gate as Daisy always did, but with a swift imperious nod to Robert Quantock, which made him pause in the middle of a sneeze, she caused him to fly forward, open it, and kneel as she passed through. She made a wonderful curtsey to her lieges and motioned them to close up in front of her. And all this was done in the clothes of today, without a ruff or a pearl to help her.

      'Something like that, do you think, dear Daisy, for the start of the procession?' she said to her. 'Will you try it like that and see how it goes? And a little more briskness, gentlemen, from the halberdiers. Would you form in front of me now, while Mrs Quantock goes into the house . . . Ah, that has more snap, hasn't it? Excellent. Quite like guardsmen. Piggy and Goosie, my dears, you must remember that you are Elizabethan Countesses. Very stately, please, and Countesses never giggle. Sweep two low curtsies, and while still down pick up the Queen's train. You opened the gate very properly, Robert. Very nice indeed. Now may we have that all over again. Queen, please,' she called to Daisy.

      Daisy came out of the house in all the panoply of Majesty, and with the idea of not hurrying came so slowly that her progress resembled that of a queen following a hearse. ('A little quicker, dear,' called Lucia encouragingly. 'We're all ready.') Then she tripped over a piece of loose crazy pavement. Then she sneezed, for she had certainly caught Robert's cold. Then she forgot to bow to her lieges, until they had closed up in procession in front of her, and then bobbed to their backs.

      'Hey ho, nonny, nonny,' sang Lucia to start the chorus. 'Off we go! Right, left — I beg your pardon, how stupid of me — Left, right. Crescendo, choir. Sing out, please. We're being Merrie England. Capital!'

      Lucia walked by the side of the procession across the green, beating time with her parasol, full of encouragement and enthusiasm. Sometimes she ran on in front and observed their progress, sometimes she stood still to watch them go by.

      'Open out a little, halberdiers,' she cried, 'so that we can get a glimpse of the Queen from in front. Hey nonny! Hold that top G, choirboys! Queen, dear, don't attempt to keep step with the halberdiers. Much more royal to walk as you choose. The train a little higher, Piggy and Goosie. Hey nonny, nonny HEY!'

      She looked round as they got near the Golden Hind, to see if the cooks were basting the bolster that did duty for the sheep, and that Drake's sailors were dancing their hornpipes.

      'Dance, please, sailors,' she shrieked. 'Go on basting, cooks, until the procession stops, and then begins the chorus of sailors on the last "nonny Hey". Cooks must join in, too, or we shan't get enough body of sound. Open out, halberdiers, leave plenty of room for the Queen to come between you. Slowly, Elizabeth! "When the storm winds blow and the surges sweep." Louder! Are you ready, Georgie? No; don't come off the Golden Hind. You receive the Queen on the deck. A little faster, Elizabeth, the chorus will be over before you get here.'

      Lucia clapped her hands.

      'A moment, please,' she said. 'A wonderful scene. But just one suggestion. May I be Queen for a minute and show you the effect I want to get, dear Daisy? Let us go back, procession, please, twenty yards. Halberdiers still walking in front of Queen. Sailors' chorus all over again. Off СКАЧАТЬ