THE COLLECTED WORKS OF RUDYARD KIPLING (Illustrated Edition). Rudyard Kipling
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Название: THE COLLECTED WORKS OF RUDYARD KIPLING (Illustrated Edition)
Автор: Rudyard Kipling
Издательство: Bookwire
Жанр: Книги для детей: прочее
isbn: 9788027202027
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Men living in expensive tenements suffer from chronic sore throat, and will tell you cheerily that ‘we’ve got typhoid in Calcutta now.’ Is the pest ever out of it? Everything seems to be built with a view to its comfort. It can lodge comfortably on roofs, climb along from the gutter-pipe to piazza, or rise from sink to verandah and thence to the topmost story. But Calcutta says that all is sound and produces figures to prove it; at the same time admitting that healthy cut flesh will not readily heal. Further evidence may be dispensed with.
Here come pouring down Park Street on the maiden a rush of broughams, neat buggies, the lightest of gigs, trim office brownberrys, shining victorias, and a sprinkling of veritable hansom cabs. In the broughams sit men in top-hats. In the other carts, young men, all very much alike, and all immaculately turned out. A fresh stream from Chowringhi joins the Park Street detachment, and the two together stream away across the maidân toward the business quarter of the city. This is Calcutta going to office — the civilians to the Government Buildings and the young men to their firms and their blocks and their wharves Here one sees that Calcutta has the best turn-out in the Empire. Horses and traps alike are enviably perfect, and — mark the touchstone of civilisation — the lamps are in their sockets! The countrybred is a rare beast here; his place is taken by the Waler, and the Waler, though a ruffian at heart, can be made to look like a gentleman. It would be indecorous to applaud the winking harness, the perfectly lacquered panels, and the liveried saises. They show well in the outwardly fair roads shadowed by the Palaces.
How many sections of the complex society of the place do the carts carry? First, the Bengal Civilian who goes to Writers’ Buildings and sits in a perfect office and speaks flippantly of ‘sending things into India,’ meaning thereby he refers matters to the Supreme Government. He is a great person, and his mouth is full of promotion-and-appointment ‘shop.’ Generally he is referred to as a ‘rising man.’ Calcutta seems full of ‘rising men.’ Secondly, the Government of India man, who wears a familiar Simla face, rents a flat when he is not up in the Hills, and is rational on the subject of the drawbacks of Calcutta. Thirdly, the man of the ‘firms,’ the pure non-official who fights under the banner of one of the great houses of the City, or for his own hand in a neat office, or dashes about Clive Street in a brougham doing ‘share work’ or something of the kind. He fears not ‘Bengal,’ nor regards he ‘India.’ He swears impartially at both when their actions interfere with his operations. His ‘shop’ is quite unintelligible. He is like the English city man with the chill off, lives well and entertains hospitably. In the old days he was greater than he is now, but still he bulks large. He is rational in so far that he will help the abuse of the Municipality, but womanish in his insistence on the excellences of Calcutta. Over and above these who are hurrying to work are the various brigades, squads, and detachments of the other interests. But they are sets and not sections, and revolve round Belvedere, Government House, and Fort William. Simla and Darjeeling claim them in the hot weather. Let them go. They wear top-hats and frock-coats.
It is time to escape from Chowringhi Road and get among the long-shore folk, who have no prejudices against tobacco, and who all use very much the same sort of hat.
Chapter 3.
The Council of the Gods
He set up conclusions to the number of nine thousand seven hundred and sixty-four . . . he went afterwards to the Sorbonne, where he maintained argument against the theologians for the space of six weeks, from four o’clock in the morning till six in the evening, except for an interval of two hours to refresh themselves and take their repasts, and at this were present the greatest part of the lords of the court, the masters of request, presidents, counsellors, those of the accompts, secretaries, advocates, and others; as also the sheriffs of the said town.
— Pantagruel.
‘The Bengal Legislative Council is sitting now. You will find it in an octagonal wing of Writers’ Buildings: straight across the maidân. It’s worth seeing.’ ‘What are they sitting on?’ ‘Municipal business. No end of a debate.’ So much for trying to keep low company. The long-shore loafers must stand over. Without doubt this Council is going to hang some one for the state of the City, and Sir Steuart Bayley will be chief executioner. One does not come across councils every day.
Writers’ Buildings are large. You can trouble the busy workers of half a dozen departments before you stumble upon the black-stained staircase that leads to an upper chamber looking out over a populous street. Wild orderlies block the way. The Councillor Sahibs are sitting, but any one can enter. ‘To the right of the Lât Sahib’s chair, and go quietly.’ Ill-mannered minion! Does he expect the awe-stricken spectator to prance in with a war-whoop or turn Catherine-wheels round that sumptuous octagonal room with the blue-domed roof? There are gilt capitals to the half pillars and an Egyptian-patterned lotus-stencil makes the walls gay. A thick-piled carpet covers all the floor, and must be delightful in the hot weather. On a black wooden throne, comfortably cushioned in green leather, sits Sir Steuart Bayley, Ruler of Bengal. The rest are all great men, or else they would not be there. Not to know them argues oneself unknown. There are a dozen of them, and sit six aside at two slightly curved lines of beautifully polished desks. Thus Sir Steuart Bayley occupies the frog of a badly made horse-shoe split at the toe. In front of him, at a table covered with books and pamphlets and papers, toils a secretary. There is a seat for the Reporters, and that is all. The place enjoys a chastened gloom, and its very atmosphere fills one with awe. This is the heart of Bengal, and uncommonly well upholstered. If the work matches the first-class furniture, the inkpots, the carpet, and the resplendent ceilings, there will be something worth seeing. But where is the criminal who is to be hanged for the stench that runs up and down Writers’ Buildings staircases; for the rubbish heaps in the Chitpore Road; for the sickly savour of Chowringhi; for the dirty little tanks at the back of Belvedere; for the street full of smallpox; for the reeking gharri-stand outside the Great Eastern; for the state of the stone and dirt pavements; for the condition of the gullies of Shampooker, and for a hundred other things?
‘This, I submit, is an artificial scheme in supersession of Nature’s unit, the individual.’ The speaker is a slight, spare native in a flat hat-turban, and a black alpaca frock-coat. He looks like a scribe to the boot-heels, and, with his unvarying smile and regulated gesticulation, recalls memories of up-country courts. He never hesitates, is never at a loss for a word, and never in one sentence repeats himself. He talks and talks and talks in a level voice, rising occasionally half an octave when a point has to be driven home. Some of his periods sound very familiar. This, for instance, might be a sentence from the Mirror: ‘So much for the principle. Let us now examine how far it is supported by precedent.’ This sounds bad. When a fluent native is discoursing of ‘principles’ and ‘precedents,’ the chances are that he will go on for some time. Moreover, where is the criminal, and what is all this talk about abstractions? They want shovels not sentiments, in this part of the world.
A friendly whisper brings enlightenment: ‘They are ploughing through the Calcutta Municipal Bill — plurality of votes, СКАЧАТЬ