Drawn From Paradise: The Discovery, Art and Natural History of the Birds of Paradise. Errol Fuller
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       Copyright

      HarperCollins Publishers

      1 London Bridge Street

      London SE1 9GF

       www.harpercollins.co.uk

      Collins is a registered trademark of HarperCollins Publishers Ltd.

      First published by HarperCollins Publishers 2012

      FIRST EDITION

      © David Attenborough & Errol Fuller 2012

      Designed by Errol Fuller

      The authors assert their moral right to be identified as the authors of this work.

      All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this ebook on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins.

      For HarperCollins

      Publisher: Myles Archibald

      Editor: Dr Jan McCann

      A catalogue record for this book is available from the British Library.

      Source ISBN: 9780007487615

      Ebook Edition © August 2012 ISBN: 9780007487622

      Version: 2016-02-09

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      Mr Thomson, Animal and Bird Preserver to the Leverian and British Museums (detail). Ramsey Richard Reinagle, c.1800. Oils on canvas. Courtesy of The Yale Centre for British Art, Paul Mellon Collection, New Haven.

      CONTENTS

       Title Page

      Copyright

      Introduction

      Chapter 1. The First of the Family

      Genus Paradisaea

      Chapter 2. The Twelve-wired Bird

      Genus Seleucidis

       Chapter 3. The King and his Cousins

      Genus Cicinnurus

       Chapter 4. The Head-plumed Dancers

      Genus Parotia

       Chapter 5. The Superb Bird

      Genus Lophorina

       Chapter 6. The Sicklebills

      Genus Epimachus and Genus Drepanornis

       Chapter 7. The Highlanders

      Genus Astrapia

       Chapter 8. The Riflebirds

      Genus Ptiloris

       Chapter 9. The Final Glories

      Genus Semioptera and Genus Pteridophora with Genus Astrapia

       Chapter 10. The Meaning of the Dances

       Chapter 11. Hybrids

       Appendix. People Associated with the Discovery and Visual Representation of Birds of Paradise

       Acknowledgements

       About the Publisher

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      John Gould with a specimen of Count Raggi’s Bird of Paradise (for a more formal reproduction see John Gould). H. R. Robertson, 1878. Oils on canvas. Private collection.

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      Papuans hunting the Greater Bird of Paradise on the Aru Islands. Engraving by T. W. Wood for A. R. Wallace’s celebrated book The Malay Archipelago (1869). The picture is misleading in that the plumes of the displaying birds are shown as if sprouting from above, instead of beneath the wings.

      Nature seems to have taken every precaution that these, her choicest treasures, may not lose value by being too easily obtained. First we find an open, harbourless, inhospitable coast, exposed to the full swell of the Pacific Ocean; next, a rugged and mountainous country, covered with dense forests, offering in its swamps and precipices and serrated ridges an almost impassable barrier to the central regions; and lastly, a race of the most savage and ruthless character… In such a country and among such a people are found these wonderful productions of nature. In those trackless wilds do they display that exquisite beauty and that marvellous development of plumage, calculated to excite admiration and astonishment among the most civilized and most intellectual races of man…

      Alfred Russel Wallace. ‘Narrative of Search after Birds of Paradise’, Proceedings of the Zoological Society of London (1862).

      End to the Squandering of Beauty (Entry of the Birds of Paradise into Western Thought). Raymond Ching, August to December, 2011. Oils on canvas, 180 cm × 240 cm (6 ft × 8 ft).

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      Two or three [men of Aru, New Guinea] begged me for the twentieth time to tell them the name of my country. Then, as they could not pronounce it… they insisted I was deceiving them, that it was a name of my own invention. One old man… was… indignant. ‘Ung-lung!’ said he. ‘Who ever heard of such a name? Ang lang, that can’t be the name of your country’ Then he tried to СКАЧАТЬ