Chambers's Edinburgh Journal, No. 425. Various

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СКАЧАТЬ p>Chambers's Edinburgh Journal, No. 425 / Volume 17, New Series, February 21, 1852

      VENICE

      At six, on a bright morning, the 1st of September 1851, we left the quay of Trieste in the steamer for Venice. We were in no particular mood upon the subject. If anything, we rather feared that the famous City of the Sea might turn out to have been overpraised. However, we resolved to be candid.

      The morning passed pleasantly enough. We admired the snowy tops of the Styrian Alps on the right, and the deep green of the Adriatic was beautiful. We had calculated upon an eight hours' voyage; but it was scarcely eleven o'clock when the pinnacles and towers of the city began to appear above the water's edge to the west, taking us a little by surprise. It was thenceforward an interesting occupation for an hour or so to watch these objects gradually rising out of the waves. By and by, a large dome took its place amongst them; then some little domes and more pinnacles: at length a connected range of city objects lay along the horizon, and this we knew was Venice. The steamer by and by began to wind through some straits or channels of the sea, with fortifications covering the low banks on both sides. It went on; and about one o'clock, under a bright sun, we found ourselves in an open space of sea, opposite the famous series of buildings composed of the Doge's Palace, the Cathedral of San Marco, the Piazza, &c.—objects perhaps of their kind the most generally known in Europe.

      The first few minutes was a confused mixture of romantic association and solicitude about a right hotel. Our thoughts slid with prosaic facility from the lion on the top of the obelisk, so well remembered from Canaletti's pictures, to the sign of the Leone Bianca—a place of entertainment not far off, much recommended by Murray. I recalled the Byronian heroines sailing about in those gondolas, which we saw skimming away here and there, and wondered whether it would be best to go to Dameli's or the Emperor of Austria. The first business was to get a gondola for ourselves and luggage; thus, at the very first reducing to the character of a mere cab that picturesque species of conveyance—I, the conductor of the party, wondering all the time how much those two cowled villains would charge me. Seated there with my two ladies, we speedily proceeded along the Grand Canal towards the hotel last mentioned, to try if we could obtain accommodation in it. It was curious to land from a boat at the steps of a house, and walk from the sea into the hall. It was dazzling to see the splendour of the building, with its fine marble vestibule within, and its superb staircases. We did not find in it, however, exactly the range of rooms we required, and we after all returned along the canal, and tried the Hôtel de l'Europe, a similar, but somewhat plainer house, where we got apartments to our mind.

      I was curious at first to study the arrangements of houses and streets in Venice. Here I found that what had once been the palace of a noble, presented, first, a ground-floor about three feet above the medium level of the Adriatic, composed of a broad vestibule crossing through from front to rear, with the inferior apartments on each side; second, a floor of good apartments, with an open hall in the centre right over the vestibule—this hall adorned with pictures; third, a similar good floor, with another hall in the centre, which had been the banqueting or dining-room, and was now used as the salle-a-manger of the hotel—and this salle had balconied windows at one end looking out upon the canal. There was, I suppose, a fourth floor of inferior rooms, but there I never had occasion to be. Most of the rooms, looking out at the sides of the building into narrow lanes, were ill-lighted: only those having windows to the front were light or cheerful. The walls, staircases, and floors, were all of marble—the proportions large, and the decorations elegant. The date, 'Jan. 1676,' appeared over an inner door in the salle.

      A side-door in the rear of the house gave me exit for a walk into the town. I found myself in a paved lane, here called a calle, with good houses on each side. It led me into a wider lane, which had all the characters of a street, excepting that it was comparatively narrow, and only traversed by people on foot. Here I found shops of many kinds, but almost all on a small scale; as also many stalls for the sale of fruit and other petty articles. Following this way to the right, I soon came to the outside of the great square, which is the principal public place in the city. It was but necessary to go through a wide passage, to find myself in the Piazza—that well-known paved and arcaded quadrangle, which we have seen so often in pictures; the far extremity being closed by the singular church of St Mark, while close by rose the lofty campanile and the three tall flag-staffs. We sauntered for an hour about this grand central region, viewing the outsides of things only, and dreaming of those scenes of the past with which they were connected. After dinner, I again went out by myself to walk through the town, for it was agreed that we should put off regular sight-seeing till next day. Let not the reader be surprised to hear of walking through Venice. It is permeated in all directions by calles and narrow streets, which cross the canals by high-arched stone bridges, thus giving pedestrian access to and from all parts of the city. Certainly, however, no such thing as a leading thoroughfare exists, and it must be difficult for strangers to acquire that local knowledge which will enable them to find their way without a guide. Unlike all other cities, no kind of vehicle, not so much as a wheelbarrow, ever rattles along these narrow, tortuous ways. The gondolas upon the canals are strictly the only conveyances used in Venice. Thus the city has a stillness which, even in its most brilliant days, must have impressed strangers with a sense of melancholy. In our time, when Venice is reduced at once from independence and from wealth, the effect is peculiarly depressing. I felt as if Venice were only a curiosity to look at for a few days, not a place in which any considerable portion of life could be spent with comfort.

      Next morning, at eight o'clock, by which time we had breakfasted, a gondola with two rowers waited for us at the porch of the hotel, along with a clever, well-informed youth named Alessandro, who had undertaken to be our cicerone. The charges for both gondolas and guides had, we found, been raised since the late troubles, in common with everything else in Venice, liberty being always somehow a provocative to taxation, whether temporarily or permanently enjoyed. What in 1843 would have cost six English shillings, now stood us eight or nine. The gondola, as is well known, is a long boat, pointed at both ends, and painted black—furnished in the centre with cushioned seats, all black, over which is erected a kind of cot, with windows, to screen the passengers. One man stands in the fore, another in the back part, rowing with their faces forward, the oar working in a twisting manner on the top of a piece of wood curiously grooved for the purpose. I cannot say that I saw anything very peculiar in the dress of the gondoliers, or indeed in the appearance of any of the people of Venice, excepting the female water-carriers. With that exception, the people are dressed in much the same manner as is customary over Europe generally. So far as I recollect, not a single veiled or half-veiled lady, sailing in her own gondola, met our eyes while we were in Venice. We have to revert for all such things to Goldoni's plays and the pages of our own Byron.

      The real grand thoroughfare of Venice is the Canale Grande—a wide curving street, which sweeps through a great part of the city. The principal palaces of the nobility, the superbest of the churches, and the best hotels, are placed along this water-street. As we moved along, Alessandro told us, in respectable French, the history of each great mansion, and what its owners had done in the history of the republic: a recital as intelligent and as accurate as could have been expected in a book. Most of these buildings have a melancholy, decayed look, being generally very old, and few of the owners being able to spend much in or on them. A few that look tolerably fresh, are found to be occupied by the post, the customs, or some other office, the insignia of which figure in gaudy colouring over the principal entrance. In connection with most of the palaces, the name of some architect of reputation is mentioned. They are wholly of marble; and, in many cases, round stones of a precious kind, or pieces of marble of a brilliantly veined character, are set in a species of framework in front, communicating a peculiarly rich effect. The least pleasing circumstance connected with these superb mansions, is their being so closely beset by other buildings. We saw only one or two which had any spare space associated with them, to form either a court-yard or a piece of garden-ground. Space is indeed the great want of Venice. Many of the canals, dividing lines of houses as lofty as those of the Old Town of Edinburgh, are not wider than the wynds of that celebrated city. And yet there we see the landing-places and entrances of magnificent mansions, though more СКАЧАТЬ