The Squire Quartet. Brian Aldiss

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СКАЧАТЬ know, why don’t they build houses with green bricks instead of red ones?’ Jane said. ‘Then they’d merge with the landscape.’

      ‘Who’s ever heard of green bricks, Stupid?’ said her sister.

      ‘Well, they could invent them … Only I daresay they’d fade after a year and turn the colour of dog shit.’

      ‘I heard that Ray Bond was having an affair with two women at once,’ Ann said. ‘Both of them married. Isn’t that beastly, Dad?’

      ‘Beastly complicated.’

      ‘It’s disgusting. You girls shouldn’t listen to village gossip,’ Teresa told them.

      Ann rolled onto her back, and pulled Nellie on top of her. With evening, a chilly wind was blowing in from the coast, and the big old electric fire was burning. She rested a slippered foot on top of it and announced, ‘I think I shall have affairs when I grow up. I’d like to have people gossiping about me.’

      ‘What, affairs with people like Ray Bond? You are nauseating,’ Jane said. ‘That’s just about your style.’

      ‘Oh, you can stick to your boring old ecology. You think caterpillars are more important than love, but I don’t. Grownups think love is important, don’t you, Mummy?’

      ‘Yes,’ said Teresa, and nothing more; so that Matilda, who sat quietly on a large Moroccan pouffe just beyond the compass of the light falling on Teresa’s paper, added, ‘Love can be a way of perception, like science or art, Ann, provided you don’t use it for power over people.’

      ‘To think I once used to be in love with that odious Robert Mais! I was only six then. I’ve got better taste now …’ Ann thought a while and then asked Squire, ‘Were you in love when you were very young, Dad?’

      ‘I don’t remember being in love at six. But I was at nine.’

      Ann sat up. ‘Go on, don’t just stop there! True confessions … Who was she? Do we know her? I suppose she must be pretty ancient now.’

      He laughed. ‘That’s true. Her name was Rachel. She lived here during the war. I loved her dearly.’

      ‘She lived here!’ Ann laughed. ‘I smell a rat! Did you have an affair with her, Dad? I mean, you know, a real flaming affair?’

      ‘Oh, shut up, Ann!’ Jane exclaimed. ‘You’re embarrassing poor Daddy, can’t you see? Nellie, eat her, go on, eat her! This conversation is getting too carnal entirely.’

      They rolled together, shrieking. Teresa called to them ineffectually to stop.

      ‘Was it carnal, Dad? Tell us, we won’t tell anyone!’

      He broke into laughter. ‘I just loved her, that’s all.’

      Matilda, smiling, said, ‘Even carnal love can be a sign of someone’s yearning for Unity, though one can only really achieve unity with God.’

      ‘You’re bound to say that because you’re the Reverend Rowlinson’s daughter,’ said Ann, derisively. ‘I bet you’ve never had carnal knowledge – not even with Ray Bond, have you?’

      ‘That’s very rude, Ann. Apologize and go up to bed at once.’ Squire joined his wife with a shout of ‘Apologize!’

      ‘We’re only talking, Mummy,’ Jane said, soothingly.

      But Ann had already shifted back to her original target. Jumping up, laughing, she demanded again, ‘Were you carnal, Pop – even when you were only nine?’

      The noise of a woodcock roused Squire. For a moment he had a vision of happier things, imagining that his father was alive and moving about in his room; then his waking senses returned. His bladder was full. His body felt cold. Sighing, he sat up.

      Light of another day filtered through the long windows. His carriage clock pronounced the time to be five-twenty. He was lying cramped on the chesterfield in his study, with a quarter-full glass of whisky standing on the carpet beside him. His head ached. His mouth was dry.

      The pallid light seemed to cast a veil between Squire and a painting on the wall on which his sickened gaze rested. The painting dated from 1821, and had been executed by a nineteenth-century artist whom Squire had collected consistently over the past quarter century, Edward Calvert. Entitled ‘The Primaeval City’, it showed a scene which charmingly mingled the rural with the urban. A bullock cart trundled among trees into a city of thatch and domes and ruin, where figures could be seen in cameo, a bucolic pressing wine, a nun entering the church, a woman hanging out washing, a man pulling a donkey. In the background, garlanded with leaves, a gibbous moon rose like a planet above the crumbling rooftops, and a shepherd tended his sheep. In the foreground, dominating everything, stood a nude maiden in a leafy bower of pomegranate trees, having climbed from a brook. She looked over one shoulder without coquetry at the viewer, a bewitching mixture of flesh and spirit.

      Recalling the previous evening, Squire turned his regard from these symbols and yawned.

      Painfully, he got to his feet and staggered across to the french windows. When he twisted the latch, they opened with a squeal. He walked stealthily across the terrace, arms enfolding his chest to ward off the chill. He went on tiptoe down a gravel path and made his way barefoot over damp grass to the nearest clump of rhododendrons.

      Down by the Guymell, faintly, he could see cattle standing without movement. Steam attended their flanks. All was still, artificial. The nearby cedars stood in a mist which rendered them as outlines. As a painter reduces a tree to a symbol which will function within his composition as a real tree does in a real landscape, so these outlines rendered the awakening world artificial. They and it had been sponged, as if Cotman were temporarily God.

      As Squire turned after relieving himself, he saw the Jaguar standing at the front of the house, half-hidden by a corner of the building. Its two doors hung open. Something on the driver’s side had fallen out onto the gravel; a travel atlas, possibly.

      In the mist-blurred wall of the house, fluorescent light spread towards the garden, where he had left on the kitchen lights when getting tea.

      Looking up at the damp eaves as he picked his way back to the study, he observed that the bedroom light also was burning. The bedroom curtains had been pulled half-way back. The light spread a faded orange wash across the ceiling, a glow belonging to midnight rather than dawn, an ominous shade boding no good.

      So she had not slept, or would not sleep, or could not sleep. Or was already prowling about the house. It had only been a minor tiff. He must eat humble pie, reassure her. All would be well again in a day or two.

      He entered the study, shivering. As he turned from securing the windows, he discovered with a start that Teresa had entered the room while he was out of it; she stood in her dressing-gown, drawn up to her full height, by the door into the rear hall, in shadow. Her motionlessness was unnatural. She regarded Squire with fixed intensity.

      ‘You startled me, Tess. A Lady Macbeth act? Couldn’t you sleep?’

      In a tone different from her usual tone, she said, ‘You have been getting into bed with that piece of goods, Laura, haven’t you?’

      ‘Yes. Yes, Teresa, I have. I’m sorry if it hurts you. It means very little СКАЧАТЬ