Название: Time Travel
Автор: James Gleick
Издательство: HarperCollins
Жанр: Критика
isbn: 9780007544448
isbn:
All this came under the rubric of fact. For fiction, he had Amazing Stories.
Beginning in April 1926, Amazing Stories was the first periodical solely devoted to a genre that did not, until this moment, have a name. In Paris in 1902, Alfred Jarry wrote an admiring essay about the “scientific novel” or “hypothetical novel”—the novel that asks, “What if …?” The hypothetical novel might later prove futuristic, he suggested, depending on the future. Maurice Renard, a practitioner himself, declared this a whole new genre, which he called “the scientific-marvelous novel” (le roman merveilleux scientifique). “I say a new genre,” he wrote in Le Spectateur; after all, genre was a French word. “Until Wells,” he added, “one might well have doubted it.”
Gernsback dubbed it “scientifiction.” “By ‘scientifiction,’” he wrote in the first issue, “I mean the Jules Verne, H. G. Wells, and Edgar Allan Poe type of story—a charming romance intermingled with scientific fact and prophetic vision.” He had published quite a few of these before, even in Radio News, and had written a serial novel of his own, Ralph 124Cfn4 41+: A Romance of the Year 2660 (self-published in his Modern Electrics magazine and described by Martin Gardner much later as “surely the worst SF novel ever written”).fn5 It took just a few more years for “scientifiction” to become “science fiction.” Gernsback lost control of Amazing Stories in one of his bankruptcies, but the magazine continued for almost eighty years and helped define the genre. “Extravagant Fiction Today—Cold Fact Tomorrow” was the magazine’s motto.
“Let it be understood,” Gernsback wrote in a short treatise for would-be writers, “that a science fiction story must be an exposition of a scientific theme and it must be also a story … It must be reasonable and logical and must be based upon known scientific principles.”fn6 In the first issues of Amazing Stories he reprinted Verne, Wells, and Poe, along with Murray Leinster’s “Runaway Skyscraper.” In the second year he reprinted the entire Time Machine. He didn’t bother paying for these reprints. He offered writers twenty-five dollars for original stories, but they often had trouble collecting. As part of his tireless promotion of the genre, Gernsback founded a fan organization, the Science Fiction League, with chapters in three countries.
So the idea of science fiction as a genre, distinct from literary fiction and presumably inferior, was born here, in trashy magazines barely distinguishable from the funnies or pornography. Yet so was a cultural form, a way of thinking, that soon could not be dismissed as trash. “I can just suggest,” wrote Kingsley Amis when not much time had passed, “that while in 1930 you were quite likely to be a crank or a hack if you wrote science fiction, by 1940 you could be a normal young man with a career to start, you were a member of the first generation who had grown up with the medium already in existence.” In the pages of the pulps, the theory and praxis of time travel began to take shape. Besides the stories themselves, there were letters from probing readers and notes from the editors. Paradoxes were discovered and, with some difficulty, put into words.
“How about this Time Machine?” wrote “T.J.D.” in July 1927. Consider some other possibilities. What if our inventor journeys back to his schoolboy days? “His watch ticks forward although the clock on the laboratory wall goes backward.” What if he encounters his younger self? “Should he go up and shake hands with this ‘alter ego’? Will there be two physically distinct but characteristically identical persons? … Boy! Page Einstein!”
Two years later Gernsback had a new scientifiction magazine, this time called Science Wonder Stories, sister publication to Air Wonder Stories, and the December 1929 issue featured on its cover a story of time travel called “The Time Oscillator.”fn7 It involved, yet again, some odd machinery with crystals and dials and some professorial discourse on the fourth dimension. (“As I have before explained, time is only a relative term. It means literally nothing.”) This time the travelers head off into the distant past—which prompted a special editor’s note from Gernsback. “Can a time traveler,” he asked, “going back in time—whether ten years or ten million years—partake in the life of that time and mingle in with its people; or must he remain suspended in his own time-dimension, a spectator who merely looks on but is powerless to do more?” A paradox loomed; Gernsback could see it plainly, and he put it into words:
Suppose I can travel back into time, let me say 200 years; and I visit the homestead of my great great great grandfather … I am thus enabled to shoot him, while he is still a young man and as yet unmarried. From this it will be noted that I could have prevented my own birth; because the line of propagation would have ceased right there.
Henceforth this would be known as the grandfather paradox. It turns out that one person’s objection is another’s story idea. Gernsback invited comments from readers by mail and received quite a few, over a period of years. A boy in San Francisco suggested yet another paradox, “the last knock on time traveling”: What if a man were to travel into the past and marry his mother? Could he be his own father?
Page Einstein indeed.
“Time is a mental concept,” said Pringle. “They looked for time everywhere else before they located it in the human mind. They thought it was a fourth dimension. You remember Einstein.”
—Clifford D. Simak (1951)
BEFORE WE HAVE clocks we experience time as fluid, mercurial, and inconstant. Pre-Newtonians did not assume that time was a universal, trustworthy, absolute affair. Time was well known to be relative—to use that word in its psychological sense, not to be confused with the newer sense that came into being circa 1905. Time travels in divers paces with divers persons.fn1 Clocks reified time and then Newton made time … let’s say, official. He made it an essential part of science: time t, a factor to be plugged into equations. Newton regarded time as part of the “sensorium of God.” His view is handed down to us as if engraved on tablets of stone:
Absolute, true, and mathematical time, in and of itself and of its own nature, without reference to anything external, flows uniformly …
The cosmic clock ticks invisibly and inexorably, everywhere the same. Absolute time is God’s time. This was Newton’s credo. He had no evidence for it, and his clocks were rubbish compared to ours
It may be, that there is no such thing as an equable motion, whereby time may be accurately measured. All motions may be accelerated and retarded, but the flowing of absolute time is not liable to any change.
Besides religious conviction, Newton was motivated by mathematical necessity: he needed absolute time, as he needed absolute space, in order to define his terms and express his laws. Motion is defined as the change in place over time; acceleration is the change in velocity over time. With a backdrop of absolute, true, and mathematical time, he could build an entire cosmology, a System of the World. This was an abstraction; a convenience; a framework for calculating. But for Newton it was also a statement about the world. You may believe it, or not.fn2
Albert Einstein believed СКАЧАТЬ