Out of Time. Miranda Sawyer

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СКАЧАТЬ all the plans I had would remain unfulfilled.

      Because I was middle-aged.

      Still, could I be, really? There is something about middle age that is terrifically embarrassing. So embarrassing, in fact, that it cannot apply to me. Or you, either. We are of the mind to be young or old. There is cachet in both, even dignity. But not in between. Not in the middle.

      Because we know middle age. It belongs to Jeremy Clarkson. It’s blouson leather jackets. Terrible jeans. Nasty out-of-date attitudes manifesting themselves in nasty out-of-date jokes. Long-winded explanations of work techniques that everyone else bypassed years ago. Micro-management of events that mean nothing – e.g. a cake sale. Useless competitiveness about useless stuff that actually boils down to an argument about status, such as Whose Child Is The Most Naturally Gifted? or How Amazing Was Your Holiday In That Villa Of Your Really Rich Mate? or Have You Seen Our New Kitchen? Christ. Who’d want any of that?

      Nobody. Or at least nobody I know. I’m surrounded by people my own age who are convinced they’re not middle-aged. They know they’re not young – they sort of know they’re not young – but they’re definitely not middle-aged. And they’re boosted in this belief by mad midlife journalism. There are a lot of articles out there about how middle age doesn’t start until your fifties. Or your sixties. Or never. Everyone over 49 is shagging rampantly while shovelling in the drugs, apparently, just as they were in their twenties, thirties, forties …

      Fine by me. Because that means it’s possible that they – that I – will switch easily from their youthful selves into well-maintained, sexy, eccentric, yet wise older citizens. No worries about middle age for us. Suddenly – preferably overnight, if that can be arranged – we will all transform into Helen Mirren and Terence Stamp (looking good!), with the added bonus of Bill Murray’s wit and insouciance. We will merely walk out of one room (marked Young) and into another (Old). No corridors in between, no panicked running from room to room, opening the wrong doors, searching for the exit.

      Around this time, the death-maths time, I went for lunch with an old friend. In the 90s, he was a scabrous, hilarious journalist, a man who’d be sent to a far-right politics convention or a drugs den because he’d come back with something funny. Now, he was the same but different (like me, like us all). He was travelled, rather than travelling. And he, too, was struggling with midlife.

      I told him of how hard I found it to combine work with little kids. He told me he would like to have children, ‘because then you know what to live for, what the whole point of everything is’.

      We had a great lunch and he recommended a book to me. It was about survival. It told the tales of people who have successfully come through extreme events (successfully, meaning they didn’t die). The book was designed to inspire others to reassess their approach to life, meant to excite us boring people into living without fear.

      The book was jam-packed with action. A woman was shot by her husband in front of her children. A man was attacked – part-eaten! – by a bear. Another woman had a daughter, a healthy, beautiful, 4-year-old daughter, who caught a virus and died.

      God, I hated that book. But there was an image in it that stayed. I can’t remember now why it was mentioned, how it came up, but it was about a chess game. I’ll tell it as I saw it – as I see it – in my head. It’s like a recurring dream.

      I am in a bar. It’s a great bar, filled with stimulating people I know a little, but not so well that they’ve heard all my best anecdotes. Someone convivial invites me to play a chess game. ‘Hell, yes!’ I shout, and sit down, slopping my caipirinha as I do so. It doesn’t matter. I am funny, good-looking and clever. Everyone in the room loves me. I am sure to win, but also, as I don’t really care about chess, I’m going to win simply by playing as I wish. No strategy, no sell-out, but many thrilling, unexpected moves that simply pop into my head. Because I’m great!

      After about an hour when, in truth, I haven’t really been concentrating on what’s been going on, I go out of the room for a moment. When I come back, the atmosphere is different. The bar seems colder. All the exciting people have disappeared. The lights have dimmed; the person I’m playing chess with is hard to make out clearly.

      I look down at the chessboard and see that my hot-headed, non-strategic play has meant that I have lost some vital pieces: a bishop, both rooks, a knight, several pawns. Where did they go? How could I have discarded them so unthinkingly? My armoury is diminished. Moves have taken place that I didn’t even notice, and now my position is weak.

      I can see that it’s going to be tough to get anything at all out of this particular match. I’ve played it too casually. I’ve played it all wrong.

      I say, with a smile: ‘Perhaps I could start again?’

      And someone – my opponent, my conscience, God – answers me, in a voice that’s quiet and calm, but that fills the room, makes my ears ring, my stomach shudder: ‘No. This is the game.’

      This is the game.

      So I did the only thing I could think of that didn’t involve running away: I wrote about how I was. The fact of being over halfway through my life, and the feelings that fact created. The Observer ran the article I wrote, accompanied by a photograph of me, in a lot of make-up, looking younger than I usually do. This was very kind, though not so useful for the piece.

      The article’s title was ‘Is This It?’ And it was, I suppose. Except I couldn’t seem to shake off the uncomfortable feeling, the anxiety itch.

      I was still in the grips of my teeny tiny crise d’un certain age (French = more exciting), and it still didn’t show. No alarms and no surprises. I yearned for my desperation to become more flamboyant; I was like the child with stomach-ache who wants a bruise, a plaster, an ambulance rush to A&E. Nothing occurred.

      It was pathetic. Who was I kidding? I didn’t pack my bag anywhere except in my head. I couldn’t leave, and a quiet crisis seems, to everyone outside it, like no crisis at all. Why couldn’t I turn my panic into flight – abandon my home, even for a few months – to have a true middle-aged catastrophe? Why didn’t I shag a builder, or a bendy yoga dullard? Why wasn’t I taking a long, solo hike across an unfamiliar landscape, pausing only to meet authentic people who would tell me the meaning of life?

      I talked to S about this. I said: ‘Would you mind if I staged a midlife drama, if I left you and wandered around a bit for a couple of months?’

      He said: ‘Not a bother. As long as you take the kids.’

      On the radio, I heard a writer talking. There was a five-part series of his musings, inspired by the lengthy hikes he takes across cities. An imposing man, he mostly walks at night. I quite fancied this, but it’s a different prospect, going for solo rambles in the early hours when you’re a shortish woman. I thought about cycling, or going for 3 a.m. drives, but both seemed pointless – plus slowing down to talk to a pedestrian when you’re in a car at night could easily give the wrong impression. Also, I still had the days to get through, sorting the kids and earning a living; and S was going away for work, so – babysitting bills.

      Still. As a result of the ‘Is This It?’ article, I got a deal from a publisher to write a book about midlife. A book. This book. And I tried to write it. God, I tried. I would bundle P to school and F to the child-minder, and then I would go to the kitchen and sit in front of my laptop, and put my coffee next to it to the right and my phone (switched to silent) to the left; and I would try to write. But the words didn’t come easy, and I had to earn a living, so I would put the book aside and go back to journalism. The quick turnaround kept me busy.

      It СКАЧАТЬ