Название: Made For You
Автор: Melissa Marr
Издательство: HarperCollins
Жанр: Детская проза
isbn: 9780008118174
isbn:
I think about it again. Dr. Klosky says it’s normal for there to be memory issues with head trauma, but that doesn’t do much to make me feel okay with it.
“I don’t know,” I admit.
She nods. “Were you walking on the side of the road? Were you wearing something visible?”
I try again to think back to that day, but the details aren’t there. “I always walk on the shoulder,” I say, sounding slightly desperate even to myself. “I don’t remember, but I can’t think of any reason I wouldn’t do the same things I always do … Did they find me on the side of the road?”
“Yes. The driver who found you didn’t see a car at the scene, but you were visible from the road.”
I swallow. I was visible. It was dusk. Someone hit me and left me. As the facts and her tone register, it finally occurs to me that this might not have been an accident. The monitor that keeps track of my heart rate and blood pressure beeps. We both glance at it. I’m not sure what the numbers are supposed to be, but I know they’re increasing.
My nurse today, whose name I can’t remember, pops into the room and glares at Detective Grant. She does something with the monitor, and the beeping stops. “Do you need to rest, Eva?”
I suspect Detective Grant and I both hear the real question: does this police officer need to go away? It’s not the detective’s fault I’m upset, so I shake my head. “I’m okay.”
“Do you want me to stay?” she offers.
“No. I’m okay.” It’s funny how we lie to be polite even when the evidence is present to contradict us. The monitor’s recent beeping makes it very apparent that I’m not fine.
“I’ll be back to check on you shortly,” the nurse says, sounding a lot like she’s warning us.
Once she’s gone, I look back at Detective Grant. “I get where you’re going, but no one would want to hurt me. I’m not bullied or a bully. It just doesn’t make sense. This had to be an accident.”
“What about your social life? Has anything happened recently to cause waves? Any rivalries?”
I shake my head. “I don’t do sports or clubs or anything. My boyfriend’s on the basketball team, and my best friend does track. No enemies or dramas related to either of them … or anyone else really. My life is pretty routine.”
“What about your family? Are you aware of your parents having any unusual upheavals or strange events? Threats? Anything at all that’s stood out to you.” She has one of the least readable faces I’ve seen, and her tone is level.
The questions still unnerve me, and the monitor starts beeping again. I don’t need to look at it to know that my pulse is speeding. “Do you have a reason to think it wasn’t an accident?” I ask.
My nurse comes back in. She folds her arms over her chest and levels a stern gaze at Detective Grant, who stands but doesn’t answer me.
I look up at her. “I wish I could be more helpful. I just don’t know anything. I remember walking, and I remember being here. Things in between are just fuzzy.”
The detective nods. “Dr. Klosky spoke to me about your condition. He also said you’re improving, so as you heal, you may remember more.”
“I want to,” I stress. “If I knew who did this to me … I’d tell you. I swear I would. They left me there. I could’ve—” I cut myself off before saying the d-word and shove that thought in a box. I didn’t die, and I’m not going to die. My brain is healing, and my body is healing. Everything is going to be fine.
Detective Grant slides her hands down her already wrinkle-free trousers as if to straighten them. “If you remember anything, tell the nurses. They know how to reach me.” She points at her business card. “So do you.”
Once I’m alone again, my nurse satisfied that I’m calm and going to be resting, I think about what Detective Grant said. I can’t think of anyone who wants to hurt me—or any reason why someone would want to kill me. What seems far more likely is that someone wasn’t paying attention, hit me, panicked, and fled. Making a stupid decision in the moment seems infinitely more probable than murder. Maybe the driver is even out there feeling guilty.
It had to have been an accident. The alternative is too overwhelming to consider.
“HOW IS SHE?”
“Do you know when she’ll be back?”
The questions start the moment I walk into Jessup High School the next day. It’s not that they’re unexpected. Jessup has about twenty thousand people, which means that there are only two hundred or so students in my grade, which means they all have known one another since they were in preschool. Eva’s family is the biggest employer in Jessup. Although the Cooper Winery itself doesn’t have a huge staff, many of the businesses here are partially owned by the Coopers. They’re the modern equivalents of aristocracy. Added to that, Eva’s father is a minister’s son, so the combination of Cooper wealth and Tilling modesty makes Eva a veritable princess here.
“How is she?” Piper Kennelly follows me through the hall. Behind her are three of the “Piper-ettes,” the seemingly interchangeable girls who are vying for her attention or Eva’s. They stand silent but attentive. Much like Eva’s, Piper’s opinion matters.
“Awake. She’s awake and through surgery. She’s doing much, much better.”
“I’m so glad!” Piper hugs me then, which is unexpected. I realize, though, that this is about Eva. I’m the only one allowed to visit her right now, so my status with Piper and her ilk just increased.
The bulk of the day goes a lot like that. It seems like everyone who sees me asks about Eva. People who are typically nice but not friendly to me are suddenly at my side like we’re old friends. I almost hate them for their transparency.
“Tell Eva we asked after her,” another girl calls out as I walk into my second-to-last-period course. I debate pointing out that I’m not Eva’s servant, governess, or any other Southern cliché. I’ve learned though that such remarks tend to be the equivalent of fingernails on a chalkboard here, so I wave over my shoulder, hoping to keep a smile in place, and head into lit class.
In Jessup, American Lit focuses most of the attention on only one part of the country, and as much as I can appreciate Flannery O’Connor and William Faulkner, I’m pretty sure that there are giants in the field we’re skipping—giants whose works would probably be useful to know before college. Thankfully, I can order critical editions online and study up on those. I’m not sure that Mr. Ellsworth would be much use with non-Southern lit anyhow.
I shake my head and glance at reason number two that I dread this class. Slouching in the back row is Robert СКАЧАТЬ