The Good Mother: A tense psychological thriller with a shocking twist. A. Bird L.

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      Cara xxx.

      I read the letter again and again. And again. I trace the loops with my eyes and then with my fingers. Cara. At once so strong and so vulnerable. So independent and yet still my little girl. I’d give anything to hug her. Kiss that beautiful face. To take her home, reunite her with the pink biro that I know this letter would be written in, had she the choice. She’d maybe cover it with some pink hearts, for extra measure, like the hearts she draws on the magazine articles and clippings that adorn her bedroom walls. Perfume ads, fashion pictures, cute animals – she’s a real girl’s girl. Then she recreates that physical space online, Pinterest and everything. I know. She showed me a picture of one of my cupcake ads she’d ‘pinned’ on her virtual board. I felt so proud that she should be proud of me.

      Much as I would love to write back immediately with outpourings of love, I can’t write back until there is a plan. You can tell from the letter that she needs me to think of one, to keep her happy. What energetic and traumatised fifteen-year-old wants simply to hang round waiting for Dad to do something? I’m surprised I can’t hear her ricocheting off the walls with pent-up frustration.

      No. I must provide an alternative.

      The window sign.

      I tuck her note into my pillowcase and pull the sign from the bed. Quickly, I finish emboldening the letters that I had loosely pencilled in. There. That sign should be readable by the little girl outside, if she is still there.

      I clamber up my chair ladder to the window and look out. No little girl today. But she must come back. Or somebody else must. And see the sign. I lean the pieces of paper against the window, facing out. They take up almost all of the window, leaving me just a small chink to look out of. The paper seems flimsy, like it could fall down at any moment. And however visible it is from the outside, it feels painfully visible from the inside. The Captor may see it. And, with it, my knowledge of Cara. Then he’ll take down perhaps my only means of escape, and deny me my lifeline with my daughter.

      So what I need is a prop. Something to keep the sign in position and also conceal it. But not arouse suspicion. From my chair, I look round the room. What would work?

      The only contender seems to be a pillow. I have two. One should squidge up nicely to fit in the gap. I clamber down from the chair, seize the pillow and spring back up to the chair. Success. The pillow fits. It takes away most of the light and my room takes on a dungeon feel. But it’s for a greater good. Our greater good. Mine, Cara’s, Paul’s. If the Captor asks, I’ll say the light was stopping me sleeping. I can still move the pillow if I need to, when I’m alone, to look out. For the girl. Or for anyone else.

      And the other pillow – well, its case can hide the letters from Cara. Two missions accomplished.

      Escape plan A put in train, I can now face Cara again. I pick up her letter and reread it. Why wasn’t I there at the school gates to pick her up? The Captor must have already got me. Did he do it in two journeys then? Or was one of us in the boot? Or was there an accomplice? I want to tell her I’m sorry I wasn’t there. But it wasn’t my fault.

      As I pick up the pencil, my stomach rumbles. I look over at the granola. Healthy, nutritious. Not that I need to watch what I eat so much these days. With the yoghurt it would be delicious. And give me energy to fight for Cara. Can I eat it? Who would drug granola? Surely if you were going to drug breakfast, you’d make scrambled eggs, or porridge, or something else sloppy and indistinct. Not granola. But I’m not dealing with a logical person here. I’m dealing with a kidnapper. So he might have drugged it. Best not to risk it.

      I turn back to the pencil and paper.

      ‘Dearest Cara,’ I write.

      Cara. Beloved. I remember choosing that name, with her father.

       People asking whether we’re giving her a name, just now. Of course we need a name. Look at her. She’s beautiful.

      I wanted to call her all the names that summed up just how glorious she was to me: Cara Joy Aimee Hope Star Rose. In the end, I was persuaded just to go for Cara Joy. A name cannot sum up that much love anyway. The love that came just holding her in that little bundle, staring into her eyes, feeling her little lips at my breast, one finger wrapped up in her tiny hand. A magical day. I wonder if her father still remembers it. Remembers her. Fourteen years is a long time with no contact.

      My stomach rumbles again. Love does not conquer hunger apparently.

      I look at the breakfast tray. I could just eat half of everything. That way, if it really is drugged, it won’t hit me with its full strength. I might just be caused to flutter my eyelashes a bit, not invite him into my bed. And I would have the strength to give my letter to Cara the full attention it needs. Plus me starving isn’t going to help. I need the strength for a fight, if it comes.

      I put down the paper and move to the tray. Cutlery this time, although plastic. Does he trust me a little bit then? To arm me with two (blunt) pencils and a plastic spoon? Or has he just risk assessed the situation – a happy well-nourished kidnappee is less likely to attack than a soul-starved hungry one?

      If so, he’s made a miscalculation. Because if my window sign doesn’t get me and Cara safely out of here, then something else will.

Chapter 11

      The other side of the door

      I make two identical lunches, on two identical trays. I add the ground-up powder. Perhaps I should feel guilty. Perhaps I do. But, in the bigger scheme of things, it’s nothing, is it? And it will get us where we need to be. They don’t always realise it, do they, when they most need your help? That your goal is their goal. That they should eat up and await dessert.

      My mobile rings in the next room. Should I answer it? I know who it will be. Him. There used to be lots of calls, from other people, but now I always know who it will be. He’s been phoning every day since … Well, obviously. Since then. I knew he’d read about it. I read about it. Maybe I shouldn’t have. Maybe it’s not healthy. But there’s something about seeing the names of people you love in the papers. And more photos. I devour the photos – add them to the ones round the wall. But he couldn’t be satisfied with that, could he? He has to phone. Demanding an audience. But why should I give him one? If Suze had wanted him, she would have asked for him, wouldn’t she? Says it’s about the girl, of course, not about Suze. And not about the money. That the money is just an extra concern. But I know what they’re like, how these negotiations work. He’ll wheedle his way in on the pretext of the girl, and suddenly it will be about Suze. I’ll lose them both. And the money, which I need for our perfect future life. I can’t let that happen.

      Maybe just sit here. Don’t answer the phone. Have a drink. Large glass of wine, maybe? Hah. No. I got rid of all that, didn’t I? Tea then. But just sit here, ignoring him? I can. For now. He doesn’t know where I am, where this place is. I think. I pray. I’ve done my best to hide this sanctuary from him. But maybe he’ll find it. He found me, after all, out in the world, tracked me down. For the time being, his resources have failed him. Maybe someone’s advised him against it, tracking down the postcode. More harm than good, perhaps he’s been told. Doesn’t want to put himself in jeopardy, when it comes down to it.

      But he’s bound to track us down eventually, if he’s frustrated. Which would never do.

      So I answer.

      ‘Hello?’ СКАЧАТЬ